Directors

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Patricia Clarkson: White male actors need to ‘shut up and sit in the corner’

I’ve always thought that Patricia Clarkson was one of the classiest broads around. She just seems that way, right? Like, she would never tell anyone to kiss her ass, and she would simply be too regal to tell someone to sit down and shut up. So imagine my shock when I read Clarkson’s amazing Guardian interview. She’s promoting Learning to Drive, a new film she did with Ben Kingsley, and while the Guardian spent a decent amount of time talking about the movie, they also asked Clarkson about sexism in Hollywood, what she thinks of Kit Harington’s whines about a sexist double-standard for “hunks” and more, and she dropped an old-school taunt to all of the sexist d-bags out there: “Eat me.” CLASSY! Some highlights: Sexism in the industry: “When I was younger, of course I had people act inappropriately to me. I’ve had certain directors yell at me. But I didn’t stand for it and I didn’t let it go far enough for it to be in any way abusive to me. People didn’t speak up as much as they do now. Women have risen. But we’re still underpaid and we’re still a vast minority in this business.” The backlash against the all-female Ghostbusters: “There are still so many movies made starring 50 men and one woman! A white male actor should never be allowed to complain about anything. Shut up and sit in the corner. I mean, seriously! The odds of us having films made which star women … Everyone still references one movie: Bridesmaids! Ghostbusters is a great thing and I love these actresses. I can’t wait to see it.” The pressure for all-female films: “Men make bad movies that bomb all the time but they’re like, ‘Oh, well, we didn’t do the marketing right.’ Eat me!” On Kit Harington’s ‘it’s demeaning to be called a hunk’ complaints: “He’s a sex symbol. Get over it. You have an amazing career and you’re on a hot show. Take your shirt off.” She’s a free agent: “Being married and having a child was not something I wanted and I knew that at a very young age. I tend to be more solitary and I’m truly a free spirit. I like a life that’s unpredictable. Even though it can take a toll on you in ways that are hard to express.” She’s proud not to “rely upon a man at all” and believes that the life she has chosen frees her from “the restraints or the pressures that people have who are married or raising children”. [From The Guardian] Now I kind of want Patricia Clarkson to come face-to-sadface with Kit Harington so she can tell him to shut up and take his shirt off. And while I do think she’s being hyperbolic for fun, there’s a vein of truth here: “A white male actor should never be allowed to complain about anything. Shut up and sit in the corner.” YASSS. Preach on, Patricia. Photos courtesy of WENN.

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Keira Knightley’s directors take to Twitter to defend her talent, professionalism

As we discussed yesterday, director John Carney gave an interview to The Independent a few days ago and the interview has gotten a crazy amount of attention. Carney directed Keira Knightley in Begin Again, a film released a few years back. Carney claims – repeatedly, and with some blatantly sexist language – that Keira is a diva constantly surrounded by an entourage, that she made it difficult to get “real work done,” that she doesn’t have the requisite “honesty and self-analysis” to be a proper actor, and that she is a “supermodel” (which is apparently the worst pejorative ever). The whole interview made me feel sick to my stomach. He dragged Keira so hard, you would have thought she had hurt his family or something. Thankfully, it seemed like most people saw through John Carney’s sexist bulls—t. Keira still hasn’t said a word and I hope she doesn’t say anything about it, because why would she? But her friends in the industry are tweeting about Carney’s interview and defending her. Mark Romanek directed Keira in Never Let Me Go in 2010, and this is what he had to say: My experience with #keiraknightley was utterly spectacular on every level. I have no clue what this guy is talking about. #arrogantshithead — mark romanek (@markromanek) May 30, 2016 My recollection of #keiraknightley's "entourage" was that her mum visited the set one day for an hour or two. — mark romanek (@markromanek) May 30, 2016 Lynn Shleton, who directed Keira in Laggies, tweeted this: Working with #KeiraKnightley was magnificent, top to bottom. She is the real deal. #Knightleylove — Lynn Shelton (@lynnsheltonfilm) May 30, 2016 Director Lorene Scafaria, who worked with Keira in Seeking A Friend For The End Of The World responded to both Shelton and Romanek: .@Lieryn @markromanek I agree with Mark. Keira was a joy to work w/. Present & easy & really, really good at her job. Just lovely. — Lorene Scafaria (@LoreneScafaria) May 30, 2016 And finally, this is what David Cronenberg had to say about Keira after working with her in A Dangerous Method. Cronenberg greater than what's his face from that one movie #keiraknightley pic.twitter.com/BBx8E9HRPW — Tina K. (@tkalogeropoulos) May 31, 2016 While we already knew that John Carney was and is an a—hole, and we didn’t NEED to see Keira’s coworkers defending her, it is nice to see. I’m glad that she has so much respect and love within the industry. Photos courtesy of WENN.

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AMC may allow texting in some theaters (Update: they have nixed this idea)

The movie industry is trying to adapt to new technology as you know. We can watch almost anything, anywhere except for first run movies in our homes and on the go on our devices. It’s even changing to the point where we will probably be able to rent first run movies at home soon at a premium. This should give us the opportunity to pause the show to go to the bathroom (although there’s an app for that*), get snacks and just not go through the hassle of traveling to watch a film with friends and family. There are a lot of inconveniences to watching movies away from home, not least of which (to some people) is the fact that we’re expected to turn off our phones for two hours. In a new interview with Variety, AMC head Adam Aron said that they’re looking into ways to allow texting during movies. AMC is now the world’s largest theater chain after their acquisition of Carmike Cinemas last month, so this is significant. Would appealing to millennials involve allowing texting or cellphone use Yes. When you tell a 22-year-old to turn off the phone, don’t ruin the movie, they hear please cut off your left arm above the elbow. You can’t tell a 22-year-old to turn off their cellphone. That’s not how they live their life. At the same time, though, we’re going to have to figure out a way to do it that doesn’t disturb today’s audiences. There’s a reason there are ads up there saying turn off your phone, because today’s moviegoer doesn’t want somebody sitting next to them texting or having their phone on. Would you have a certain section for texting? That’s one possibility. What may be more likely is we take specific auditoriums and make them more texting friendly. [From Variety] Variety also asked Aron about The Screening Room, which would allow consumers to rent first run films at home. (Creator Sean Parker has been trying to make deals with theater chains for a cut of the profits.) He wouldn’t comment, simply saying that he prefers “To keep our counsel private right now.” As far as checking phones and texting during movies, I was watching American Hustle when the news came through that Philip Seymour Hoffman had died. Bedhead had been trying to contact me. I know an extra two hours doesn’t make that much of a difference but I felt like I missed this sad news. So now I check my phone a few times during a movie. I’m careful to sit away from people if possible, I have the sound turned off and in the winter I’ll only check it under a poncho or oversized sweater to block the light from my phone. In the summer I just bring a light jacket or poke my head under my shirt. This is a good idea to allow texting I think, as long as it’s disclosed to everyone and moviegoers have a choice whether to attend texting-allowed movies or sit in that section. Maybe they can provide little blocking devices that you put in your lap where you can only see the light from your phone at certain angles. This doesn’t seem that hard to implement. Also, theaters should specify that all sounds must be turned off. No one wants to hear that tap-tap. Update: AMC has issued a statement saying that they have “Heard loud and clear that this is a concept our audience does not want” and that they will not be implementing this idea. I have also heard from you that it is very rude of me to check my phone, even under a sweater, while in a movie. I will stop doing this and have taken your feedback to heart. NO TEXTING AT AMC. Won't happen. You spoke. We listened. Quickly, that idea has been sent to the cutting room floor. pic.twitter.com/JR0fo5megR — AMC Theatres (@AMCTheatres) April 15, 2016 *Thanks CL for the tip! Photos credit: WENN.com

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Chris Evans isn’t ruling out running for political office: ‘I would never say never’

Captain America fans be damned, I’ve never really been a huge Chris Evans stan. I don’t have a problem with him, it’s just that he sometimes (SOMETIMES) seems like a neurotic whiner. But he’s not like that in his interview with the new issue of Esquire Middle East. He comes across well and almost sort-of Captain America-like. Before now, I had no idea that his uncle is currently serving in the House of Representatives. His uncle is Rep. Mike Capuano. Do they call him “Cap” too?! Anyway, Chris talks about politics and more. Some highlights: Whether he would run for political office: “I would never say never. I’ve always thought it would be nice one day to think about some sort of political pursuit. I’m so proud of my uncle and of anyone who dedicates themselves to helping the progression of society in exacting change for the betterment of mankind. Ultimately, there’s very few things that I consider to be noble and challenging. I know that Washington is a tough place. I have my opinions and maybe later on in life I might try and actually get up on a soap box.” Directing his first movie, Before We Go: “I’d wanted to direct for a long time. It’s just hard to find someone who’s willing to let you direct. I have no training. I’ve never been to any sort of school, so it’s a gamble. It was a situation where we found a script that felt manageable. This was a simple story; it’s two people. It just felt very contained and, not to sound awful, but I aimed a little low, just because I wanted to get my feet wet. I think there’s no shame in that. I didn’t want to bite off more than I could chew the first time out.” What happened as a director: “There were a lot of things I thought I was prepared for that never became a problem, and things I didn’t think would be an issue that ended up being one. So it was very eye opening. But I loved the experience and I want to do it again. I’m trying to aim a little higher in terms of the story and the scope. I feel a little more comfortable behind the camera, and it’s now just about finding the right script. Because the really great scripts are snatched up by the really great directors. So it’s about digging and trying to find the diamond in the rough.” He’ll take more of a break from acting when he has kids: “I would never stop acting completely, because I do love it, but if I was to get married and have kids, I could see myself wanting to be less of a famous actor. The fame thing is the tricky part, especially when you have children, and there is a nice element to the investment in directing. Even the amount of time and passion required for pre- and post-production; you’re with a project intimately for a year. As an actor you’ve got a few months and then you completely forget about it. So I like that connection, and I like that you can be a little more in the shadows but still be part of a profession that you’re in love with.” On ambition: “My big ambition is to not have a big ambition. I know it’s kind of strange but mu goal in life is to practice trying to be present on a daily basis. I think, as people, our consciousness is spread out. We analyze the past, we worry about the future, and it’s all fueled by fear and pain and all these negative things. Even when its good it’s going to be not good in a minute. Then you’re chasing it again. It’s all rooted in time and I think my big ambition is to really practice the ability to quiet my brain a little and just learn how to enjoy the moment.” [From E! News] I didn’t see Before We Go, but I remember that the reviews weren’t bad or anything. He didn’t embarrass himself and he’ll probably be given another opportunity to direct, because Hollywood loves rewarding white guys. I’m just saying… if a black, Asian or Hispanic actor had made the jump to directing and made so little impact with their first film, would they be given another opportunity? As for what he says about possibly running for political office… I actually like that idea. He doesn’t carry around the kind of personal baggage that many “political” actors have – as in, I know less about Chris’s personal life than George Clooney, Ben Affleck, Matt Damon, etc. And I think it’s cute that he’s already planning ahead for when he’s married and has kids. PS… Chris debuted this new clip from Captain America: Civil War at the MTV Movie Awards. Thanks, @ChrisEvans for debuting this EXCLUSIVE clip from #CaptainAmericaCivilWar at the #MovieAwards! https://t.co/pMOcII0hl6 — MTV (@MTV) April 11, 2016 HD outtake of Chris Evans for Esquire Middle East April 2016 Issue. #ChrisEvans #Chris #Evans #EsquireMagazine #Cevans #TeamCevans A photo posted by Chris Evans (@teamcevans) on Apr 2, 2016 at 4:06pm PDT Photos courtesy of Esquire.

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Sofia Vergara won’t complain about diversity: ‘I’ve been treated like a queen’

Some people are tired of Sofia Vergara. I’m not. I got a little bit tired of her a few years back, but I fell back in love with her during the drama last year with her ex, Nick Loeb, a drama which has no end in sight. Sofia covers the new issue of The Edit, and she talks about a lot of the same stuff: accepting who you are, her giant rack, her hair, her red carpet styling and more. But she has thoughts about other stuff too, like diversity in entertainment and playing a stereotype. You can read the full piece here. Some highlights: Stereotypes are not always bad: “I’m not afraid of them, and they don’t have to be bad, either. I mean, Gloria is an amazing character: a really good woman with this hilarious accent, so why criticize her for being a stereotype? Plus, all the Latinas I know are loud, they dress sexy and are really involved with their families: that’s Gloria!” She’s not Zen about aging: “Watching myself age on screen is awful! There is nothing more disturbing than watching an episode of Modern Family from the first season, then one from seven years later. It just makes me want to kill myself, but what can I do? I’ll be sad when the wolf whistles stop. I’m already sad that men have started calling me ‘Señora’. I get really pissed off: ‘What? It’s Señorita!’” How she’s changed in her 40s: “Back in my mum’s era, 40 was considered old, but now I don’t think it is. You have to accept that you can look beautiful, but in a different way. Nowadays I don’t do miniskirts and low-cut tops: it’s one or the other. I don’t do shorts or pink anymore, and I’ve softened my eye makeup. In Colombia, once women hit 40, they automatically cut their hair short. I used to think I would do that too, but when it came to it I thought, ‘Why should I f***ing cut my hair? It makes you look older!’” Motherhood: “I became a mother very young – at 20 – so I feel like I’ve been a mother my whole life, but I love that. Now that I’m 43 and my son is 23, it’s funny to see some of my girlfriends raising young kids. In the US, women postpone motherhood, but in Latin America most of my friends have kids my son’s age. I wouldn’t mind another child: my husband is younger than me and he wants kids so we’re trying to figure out what we’re going to do. The idea of doing it all again doesn’t scare me but, hey, it’s not like it’s going to happen naturally, is it?” Complaints about diversity: “I’m really not one to complain. I mean, seriously, how dare I! Here I am on prime-time television with this stupid accent, I can’t trash anyone. It would be so ungrateful of me because, trust me, I’ve been treated like a queen. Of course [the opportunities] can’t compare to an American or Caucasian woman’s, but things are changing. The problem is not the networks or directors: it’s that there aren’t enough writers creating things for Latinos. Once we have more Latinos writing, that’s when things may really start to change…” Her breasts: “My body has changed with age. People will often say that I wear the same thing on the red carpet, but I know my body: it’s very voluptuous and I’ve got the boobs of a stripper. They’re a 32DDD and because they’re real, they’re everywhere, so I need my dresses to have structure – and under armor. There is so much going on under my dresses that I bleed at the end of award ceremonies. In ten years I think it would be good to have a reduction. I don’t think it’s even going to be an option not to [have surgery], because I’m going to start having back pains. I wouldn’t make them too small – just enough that I don’t end up looking like an old stripper.” How she feels about being objectified: “I’ve never understood why women get so offended. I just don’t believe in all that drama, which is why I’ve made a whole joke out of it. I am secure enough not to take it all that seriously, and I like to laugh at myself.” [From The Edit] I wouldn’t hold it against her if she did complain about diversity, because she seriously toiled away, looking for a break for more than a decade. Once she had a hit, she leveraged that into her own empire through her own hard work. As for the other stuff… here are my Hot Takes: you don’t have to cut your hair when you hit 40, but I disagree that a short haircut makes everyone look older. I don’t think it’s bad idea to say breast reduction might be in the future for Sofia: it might happen. Also, if your dresses make you bleed, you should choose different dresses! Photos courtesy of The Edit.