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Drake

Everyone made fun of Drake for showing off his clearly fake ‘six pack’ abs

Last year was glorious for rap-beef-lovers. Drake sucks so hard, he brought out the absolute best in Kendrick Lamar. In Kendrick’s “Euphoria,” he rapped: “Yeah, my first one like my last one, it’s a classic, you don’t have one/Let your core audience stomach that, then tell ’em where you get your abs from.” This landed hard, although Kendrick wasn’t the first one to accuse Drake of getting plastic surgery to sculpt his body. Rick Ross was pretty explicit, and obviously, “BBL Drizzy” was one of the underrated bangers of 2024. I still believe that Megan Thee Stallion’s “Hiss” was almost entirely about Drake, especially this line: “These n–as hate on BBLs/And be walking around with the same scars.”

Well, over the weekend, Drake posted a carousel of photos with the message “I’m wide awake for the nights that separate the type who get to it til they get it right from the type who just …type.” What awkward phrasing. Could have used a ghostwriter for his IG captions. Well, in any case, the first photo in the carousel was this one, above. Drake photographing himself in the mirror, showing off his liquor bottles. Drake is shirtless and showing off his “abs.” Synthetic abs, perhaps. Because people really don’t believe that the abs match the pecs or the arms.

The internet mercilessly trolled Drake for his “fake” abs after the rapper shared a shirtless mirror selfie showcasing his ultra-chiseled midsection. In the snapshot, the “Nokia” hitmaker revealed his glistening six-pack and tattoos while posing behind a stocked bar. He also shared a brief video clip of himself jogging shirtless down a park path.

Skeptical followers took to the comments to jokingly speculate about how the rapper achieved his dramatically toned waistline.

“Ordered abs from temu n forgot to add shoulders n [triceps] lol,” one person quipped, while another mocked, “Boy stop playing! The only place you ran was to the surgeon ????.”

“Arms and chest sold separately,” a third wrote, while a fourth bluntly claimed, “Those are fake.”

“The abs do not match the body,” yet another observed, while someone else wondered, “Arm definition surgery is next month?”

“I just came here for the comments and they sure as hell delivered.. ????????????,” another user noted of the public roasting.

Adding fuel to the speculation, plastic surgery Instagram account @surgeonmade_curves reposted the photo, claiming in the caption that Drake, 38, “did it again.” The account alleged that the Canadian rapper, who consistently shares content from his workouts on social media, is “no stranger to the surgery table.”

“This man be too hype to show them abs/body and gives it away every single time,” they claimed.

Drake was previously labeled “BBL Drizzy” by fellow rapper Rick Ross following rumors the “Degrassi” alum underwent a Brazilian butt lift and other cosmetic procedures.

[From Page Six]

It was even worse outside Drake’s IG – people were really tearing him apart everywhere. Which brings up something I wondered about last year – is Drake a masochist? Does he have a humiliation kink? Because woo, boy, he has just been taking hit after hit and he keeps making it worse for himself.

The Drake jogging vid might be funnier than the “aBS” pic. Buddy running so slow it look like he’s running in place

[image or embed]

— Arif “Felonious Munk” Shahid (@feloniousmunk.bsky.social) June 29, 2025 at 7:38 PM

Photos courtesy of Drake’s IG.

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Drake Kendrick Lamar

UMG filed a ‘scathing motion to dismiss’ Drake’s sad-loser lawsuit

Almost one year exactly, Future and Metro Boomin’s album We Don’t Trust You came out. Immediately, everyone gravitated towards the song “Like That,” which contained a surprise feature from Kendrick Lamar. Kendrick’s feature on “Like That” came after years of back-and-forth sneak-disses and not-so-veiled threats and insults between Kendrick and Drake. Before that song, it had mostly been a Cold War between Drake and Kendrick, but “Like That” went off like a bomb, destroying any semblance of peaceful coexistence. What followed was one of the greatest rap beefs of all time, with Kendrick coming out the clear and unquestionable victor: “Not Like Us” is one of the most successful diss records of all time (if not THE most successful); NLU won multiple Grammys, including Song of the Year and Record of the Year; Kendrick then performed NLU (and Euphoria!!) at the Super Bowl.

Making Kendrick’s victory even sweeter is the fact that Drake is a suckbaby loser who started suing everybody BUT Kendrick in the wake of his rap-beef loss. Earlier this month, Drake ended up “settling” with iHeartMedia after he sued them and accused them of participating in a payola system to promote NLU. Drake’s incel bro fans tried to say that iHeartMedia gave him a financial settlement – that is a lie. Drake dropped the lawsuit after iHeart provided their receipts to show that there was no payola needed for “Not Like Us,” that the song was a huge hit organically. Well, now UMG is trying to get Drake’s lawsuit thrown out. UMG distributed both sides of the rap beef – Kendrick’s music is distributed through pgLang then Interscope then UMG. Drake’s music goes through OVO Sound, then Santa Anna Label Group, then UMG. UMG didn’t play favorites as the beef was happening last year, which was the right thing to do – let it play out, let the fans decide who won and who lost. The fans decided, and Drake didn’t like the outcome, so he sued UMG. Now UMG is getting as petty as possible.

Universal Music Group has filed a scathing motion to dismiss Drake‘s New York lawsuit against them for promoting Kendrick Lamar‘s “Not Like Us,” stating that he’s only suing because he “lost a rap battle” and took legal action to “salve his wounds.”

The motion, filed earlier today and reviewed by Variety, took a cutting approach to making the case for dismissal, claiming that Drake “lost a rap battle that he provoked and in which he willingly participated. Instead of accepting the loss like the unbothered rap artist he often claims to be, he has sued his own record label in a misguided attempt to salve his wounds. Plaintiff’s Complaint is utterly without merit and should be dismissed with prejudice.”

The filing notes that Drake himself signed a public petition less than three years ago criticizing “the trend of prosecutors using artists’ creative expression against them” by interpreting rap lyrics as fact. “Drake was right then and is wrong now,” reads the motion. “Complaint’s unjustified claims against UMG are no more than Drake’s attempt to save face for his unsuccessful rap battle with Lamar.”

In its motion to dismiss, Universal is arguing that Drake fails to make a claim for defamation in his suit, stating that it’s a double standard to expect them to promote his diss tracks against Lamar and not vice versa. The motion adds that “Not Like Us” “conveys nonactionable opinion and rhetorical hyperbole, not fact,” meaning they can’t be accused of acting with malice, and further claims that there’s no basis for the suit since Drake failed to state a claim for “harassment in the second degree” and under New York General Business Law.

In a statement shared with Variety, Drake’s attorney Michael Gottlieb says, “UMG wants to pretend that this is about a rap battle in order to distract its shareholders, artists and the public from a simple truth: a greedy company is finally being held responsible for profiting from dangerous misinformation that has already resulted in multiple acts of violence. This motion is a desperate ploy by UMG to avoid accountability, but we have every confidence that this case will proceed and continue to uncover UMG’s long history of endangering, abusing and taking advantage of its artists.”

[From Variety]

“A greedy company is finally being held responsible for profiting from dangerous misinformation” – motherf–ker, you claimed that Kendrick beats his wife! You claimed that Kendrick’s wife/partner, Whitney Alford, had given birth to Dave Free’s child. You were also too stupid to understand Kendrick’s Mr. Morale album and you wrongly claimed that Kendrick was molested as a child. DANGEROUS MISINFORMATION??? Anyway, possibly the best part of UMG’s filing is when they list all of the reasons why Kendrick’s “certified loverboy/certified PDFile” bar didn’t come out of left field. UMG was like “Misinformation, you say? Here are all the receipts on Drake’s extremely questionable relations with minors.”

“When she was, you know, a minor”. ???????????? pic.twitter.com/1XQbdFbRQk

— LOVE (@LoveIsback24) March 17, 2025

UMG presents exhibits M through Q – A deep dive into Drake’s questionable history with minors ???? pic.twitter.com/GUemUue6zf

— Raven Birdie ???? (@birdie_raven7) March 17, 2025

Photos courtesy of Avalon Red, Backgrid, Drake’s IG.

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Drake

Drake released an assy new album on Valentine’s Day & the reviews are hilarious

Over the past twelve months, I’ve been in awe of Kendrick Lamar and how brilliantly he planned his attack on Drake, how he dealt with everything Drake threw at him and everything the “fans” threw at him too. While I give Kendrick a lot of credit for the way he moved and what he created, I also think that good luck and good fortune played a part, as did Drake’s general catastrophic, toxic personality. Kendrick wouldn’t have come out of this year looking so great if Drake hadn’t fumbled so badly and refused to just go away and take a break. Speaking of, Drake thought it would be a great idea to put out an album four days after Kendrick’s Super Bowl Halftime performance. Drake’s Some Sexy Songs 4 U is supposed to be Drizzy turning the page on the rap battle which he lost so badly. Instead, the album is so bad, it’s bringing out the best in music critics. Some excerpts from THR’s music critic Jonny Coleman:

It would be amazing to see Drake rebound with a banger of an album after getting ethered for a year straight by an objectively better rapper, Kendrick Lamar. Too bad that’s not what has happened with the artist’s latest offering, $ome $exy $ongs 4 U. Drizzy’s new Valentine’s Day record recasts the Toronto rapper as a lover, not a fighter. Notably, on a track titled “GIMME A HUG,” he declares the feud with Lamar over (“F–k a rap beef, I’m tryna get the party lit”), even though that’s not really how these things work.

PartyNextDoor, OVO stalwart and generally unremarkable, plays second fiddle on this long, bloated, 21-song snoozer. In Drake’s world, it’s quantity over quality. You don’t have to make great music; you just have to make a lot of music. It makes you wonder what was left on the cutting room floor — if there was any editing whatsoever.

The intention seems to have been to make a record to sleep with someone to. In practice, it’s more like a record to put you to sleep. There aren’t really any highlights, and not too many lowlights, either; the album is just consistently beige, like so much of Drake’s output and aura.

This isn’t the first time Drake has had to come back from a rap battle shellacking. Pusha T notably revealed his secret child on “The Story of Adidon.” And he’s locked horns with dozens of other rappers over the past decade, from Joe Budden to Rick Ross to Diddy. His CV of beef is a who’s who of mostly middle-aged MCs. Every time Drake has been humbled, he pivots back to his safe space — the “I’m just a softy loverboy, not a gangster” persona — to project that he doesn’t take things personally. And maybe he doesn’t. Maybe it’s all kayfabe. But to what end, other than racking up more Spotify stats? At times, his penchant for getting publicly humiliated verges on kink.

There isn’t much rapping to speak of on the new album. It’s mostly R&B crooning and warbling, set to very low BPMs, with little variety. Moreover, every single track is dripping with AutoTune. It’s 2025; are we still pretending this is a stylistic choice and not merely a means of covering up an aesthetically flawed voice? Even the beats, sometimes the strongest aspect of Drake’s oeuvre, feel like they were programmed by AI here.

Lyrically, things are hardly more impressive. On album closer “GREEDY”, Drake asserts, “Not surprised by nothing, I just take it in stride/On the bright side, everyone on my side.” Judging by the response to Lamar’s Super Bowl halftime show — when it seemed like all 133 million people watching were screaming along to “Not Like Us,” an all-time drubbing of Drizzy — that’s not an accurate statement.

[From THR]

“F–k a rap beef, I’m tryna get the party lit” while he’s literally suing UMG over Kendrick’s disses. Anyway, this review is *chef’s kiss* – I’ve seen much of the same all over social media, from people who actually sort of f–k with Drake and his music, and even they’re like… no, this album is ass. I also think this is sort of an underrated assessment of Drake: “At times, his penchant for getting publicly humiliated verges on kink.” Is that actually IT? Is that the thing? I kept wondering why Drake was acting like he couldn’t form a real strategy to battle Kendrick, but maybe he just likes being humiliated. Something to think about. Also: This is supposed to be fun party songs for the ladies, but the only people praising it are sad-sack dudes who have been crying about “Not Like Us” for months. It’s part of the toxic-bro culture war too – Drake is like the Joe Rogan of music, if that makes any sense.

Photos courtesy of Drake’s IG.

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Serena Williams shares behind-the-scenes videos of her Super Bowl c-walk

I absolutely love that Serena Williams’ Super Bowl Halftime c-walk has become a multi-day story. People were genuinely so excited to see her pop out as Kendrick Lamar performed “Not Like Us,” a song which references Serena. Salty Drake fans have been crying about it and Stephen A. Smith even said that he would “divorce” Serena over it. Meanwhile, Serena’s actual husband, Alexis Ohanian, has been hyping the sh-t out of her, like always. Serena posted a behind-the-scenes video for her Halftime appearance on IG, and she explained why she did it too:

When @kendricklamar and team called and was like ‘we’ve been trying to do something forever, what about this? We loved your crip walk at the Olympics after you won the gold medal.’

I’m like Super Bowl? Are you serious? When in the world would I ever be able to dance at a superbowl? (Never) let’s do it!

I knew my winning dance after the @olympics would pay off one day.

End of story.

[From Serena’s IG]

I love that Kendrick and his team referenced her c-walk after she won the gold medal at the London Olympics. What an iconic moment. It makes me wonder if Kendrick also asked Serena to appear in the “Not Like Us” music video last year and they just couldn’t get the schedule right? In the video, DeMar DeRozan made a cameo, because Kendrick referenced him too. It would make sense if they also called Serena about that. But I’m glad they got to do it for the Super Bowl, because what a f–king moment. Serena also posted a different BTS TikTok where you see her working with Kendrick and his team, and Kendrick greeting little Olympia (I’m including it below).

Meanwhile, Kendrick has been dog-walking Drake for the better part of a year and Drake is still too much of a coward to address Kendrick directly. Instead, Drake posted some sh-t about Serena – a photo of Drake with Serena’s long-time manager Jill Smoller. Serena’s fans know that JSmoll is Serena’s family and her right hand. JSmoll was actually with Serena at the Super Bowl (you can see her in Serena’s IG). Why does Drake have smoke for Serena and not… you know what, nevermind.

Drake posts a photo with Serena Williams’ former agent ????

This follows Serena dancing to Kendrick Lamar’s ‘Not Like Us’ at the Super Bowl. pic.twitter.com/QsASx10eQC

— NFR Podcast (@nfr_podcast) February 11, 2025

This made me so happy pic.twitter.com/uVE9u8fgyw

— Dora Dora Dora ???????? (@TinyPrincess_D) February 11, 2025

Screencaps from the Super Bowl/NFL/Apple Music and Serena’s IG.

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Drake

Drake is still in Australia, crying about his exes & claiming that he didn’t ‘die’

The losses Drake has taken over the past twelve months will be studied for years. Kendrick Lamar has absolutely destroyed that man. What’s great about everything Kendrick has done is that he ended up standing up for the women (and girls) who have dealt with Drake over the years. One of the many gut-punch lyrics in Kendrick’s “Meet the Grahams” was: “And we gotta raise our daughters knowin’ there’s predators like him lurkin’/F–k a rap battle, he should die so all of these women can live with a purpose.” Like… there’s a reason why Megan Thee Stallion was in NOLA to support Kendrick. There’s a reason why Taylor Swift has been cheering for Kendrick this whole time. There’s a reason why Beyonce was singing along to “Not Like Us” at the Grammys. There’s a reason why Serena Williams c-walked on stage at the Super Bowl as Kendrick sang NLU. Kendrick really did it for the girls. Drake knows it too.

Drake’s Down Under on tour, and he was onstage venting about his exes — just hours before two of them, Serena Williams and SZA, hit the Super Bowl stage with his sworn enemy, Kendrick Lamar.

Drake got spicy onstage, shading past flames who “play you in your f***ing life” … and telling fans, “If you’re doing better than your ex, turn up to this song!” — before launching into “You Broke My Heart.” He was performing a stop for his “Anita Max Win” tour at the Rod Laver Arena in Melbourne, Australia ahead of the Super Bowl kickoff in New Orleans, Louisiana.

Looks like Drake’s exes weren’t exactly crying over him — they were too busy living it up at Caesars Superdome Sunday, with Serena, who he had a thing with from 2011 to 2015, making a dance cameo to “Not Like Us,” the super popular track dissing Drizzy.

And that wasn’t all — Kendrick brought out another one of Drake’s exes, SZA, who performed “Luther” and “All the Stars” with K. Dot.

[From TMZ]

Drake also changed the lyrics to one of his songs and said: “Beef is live, spoiler alert, I never died.” Spoiler alert: Drake’s refusal to just take the L and go away for a year is what’s killing him more than anything. He could have just admitted defeat and gone dark for a while. This reads like he’s a suckybaby loser who is too immature to deal with losing a rap battle. Drake also went on a social media frenzy, and he reportedly banned his crew from watching the Super Bowl. Bigger than the what?

“Beef is live, spoiler alert, I never died.” ????

— Drake in Melbourne pic.twitter.com/ijmcCGKmwz

— NFR Podcast (@nfr_podcast) February 10, 2025

Photos courtesy of Drake’s IG and Backgrid.

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Drake Kendrick Lamar

Drake sued UMG for defamation over Kendrick Lamar’s beef-winning diss songs

As we discussed this week, Drake decided to withdraw his legal petitions against UMG (Universal Music Group) and Spotify. He sent the notices last fall, basically accusing UMG and Spotify of artificially inflating Kendrick Lamar’s numbers for Kendrick’s diss songs against Drake in the spring of 2024. Drake’s argument was convoluted – he basically argued that UMG and Spotify “helped” Kendrick game the system, and “Not Like Us” wouldn’t have been an organic song of the year on its own, it needed UMG and Spotify to push the song down people’s throats. Which wasn’t the way it actually went down, at all. In any case, Drake and Spotify walked away from that, but UMG was basically like… let’s see what this dumbass does next. They didn’t have to wait very long – Drake has now sued UMG for defamation for ALLOWING Kendrick to talk sh-t in “Not Like Us.”

Drake is not backing down in the war against his own label, in fact he’s now upped the ante by suing Universal Music Group for spreading the “false and malicious narrative” he’s a pedophile … TMZ Hip Hop has learned.

Drake filed the defamation case Wednesday morning in federal court in NYC … ripping UMG for releasing and promoting Kendrick Lamar’s vicious diss track, “Not Like Us.” In the docs, obtained by TMZ Hip Hop, Drake says UMG knew full well Kendrick’s lyrics, and images in the music video, referring to Drake as a pedophile were false and dangerous. In the suit he calls Kendrick’s hit — filled with “inflammatory and shocking allegations”– was a “gold mine” for UMG … and he says they had an ulterior financial motive in promoting it.

Drake claims his label was doing everything it could to pump up “Not Like Us” because it knew it would devalue his music and brand … and, therefore, give UMG leverage in future contract negotiations with Drake. Keep in mind, Drake’s last UMG contract, signed in 2022, was a blockbuster deal worth a reported $400 million!

Drake says he’s got bot receipts to show just how far the label went to turn Kendrick’s song into an anthem. According to the suit, UMG paid a third party to use bots to increase the song’s streams by at least 30 million — and engaged in a “pay for play” scheme with at least one radio promoter. He claims UMG attached the label “chart-topper” to “Not Like Us,” despite knowing that title was based on fraudulent data.

It’s also clear Drake’s very mindful of what’s going down in New Orleans next month — in the suit, he claims UMG was in on getting Kendrick the Super Bowl Halftime gig … so, the song could be performed on that massive stage, which he calls “one of the most significant (and viewed) cultural events of the year.” Ya gotta wonder — will the NFL and FOX, which is airing the Super Bowl, allow Kendrick to use the pedophile lyrics when he performs??

Interestingly, Drake isn’t going directly after Kendrick in the suit — in fact, he says, “This lawsuit is not about the artist who created ‘Not Like Us.’ It is, instead, entirely about UMG, the music company that decided to publish, promote, exploit, and monetize” the song which it knew contained false claims.

A spokesperson for Universal Music Group tells TMZ … “Not only are these claims untrue, but the notion that we would seek to harm the reputation of any artist — let alone Drake — is illogical. We have invested massively in his music and our employees around the world have worked tirelessly for many years to help him achieve historic commercial and personal financial success. Throughout his career, Drake has intentionally and successfully used UMG to distribute his music and poetry to engage in conventionally outrageous back-and-forth ‘rap battles’ to express his feelings about other artists. He now seeks to weaponize the legal process to silence an artist’s creative expression and to seek damages from UMG for distributing that artist’s music.

“We have not and do not engage in defamation — against any individual. At the same time, we will vigorously defend this litigation to protect our people and our reputation, as well as any artist who might directly or indirectly become a frivolous litigation target for having done nothing more that write a song.”

[From TMZ]

If I’m being honest, I think there’s a small sliver of truth to the idea that UMG wasn’t mad that Drake was being taken down a few pegs because that meant Drake couldn’t negotiate another hugely lucrative deal. But that’s the only part of Drake’s lawsuit which has any grounding in reality – the rest of it is Drake’s delusional cope. This is one of the most important parts of UMG’s response: “Drake has intentionally and successfully used UMG to distribute his music and poetry to engage in conventionally outrageous back-and-forth ‘rap battles’… He now seeks to weaponize the legal process to silence an artist’s creative expression and to seek damages from UMG for distributing that artist’s music.” That’s it in a nutshell – Drake wants to play victim and act like UMG should have been judicious in how they disseminated Kendrick’s songs, and yet UMG did the right thing by simply letting the beef play out without censoring anyone.

As for defamation… Drake said that Kendrick’s partner Whitney was cheating on him and that Kendrick’s son Enoch wasn’t biologically his. Drake said that Kendrick physically abused Whitney. Drake also said that Kendrick was molested. All of those lyrics were lies, and UMG “allowed” Drake to release that music too. Kendrick hasn’t gone around, suing people over it. Kendrick just churned out some of the best disses ever in response to Drake’s lies.

There’s so much stuff in Drake’s lawsuit, but something which is getting a lot of attention is that he name-checked a lot of YouTube reactor channels. Before last year, I never watched music reactors, but I got into several YouTubers because of the Drake-Kendrick beef. Those people are just doing it because they love the music, the gossip and the drama. They weren’t being PAID to promote Kendrick. Most of those people were Drake fans! I wanted to post No Life Shaq’s reaction to being name-checked in Drake’s lawsuit because I was laughing my ass off, especially when he brought his son out to call Drake a snitch. NSFW for language. Everything he says here is the truth. I think I’ll also include a reaction compilation for “Not Like Us.”

Photos courtesy of Backgrid, Drake’s IG.

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Drake Kendrick Lamar

Drake withdrew his legal petitions against Spotify & UMG over ‘Not Like Us’

Last year, Drake decided to solidify his loser status across the board. Kendrick Lamar definitively won the rap battle with the one-two punch (on the same weekend) of “Meet the Grahams” and “Not Like Us.” NLU was a certified banger and one of the songs of the summer, with more than a billion streams and 240 million views for the now iconic music video (directed by Kendrick and Dave Free). NLU received five Grammy nominations too, and people really hope that Kendrick performs the song at the Grammys AND the Super Bowl. Well, instead of Drake suing Kendrick over the accusations lodged in Kendrick’s songs, Drake and his lawyers decided to send legal notices to UMG (Universal) and Spotify over Kendrick’s songs. Basically, Drake accused UMG of supporting Kendrick more than him, and he also accused UMG of gaming the system and paying people/bots to support Kendrick and NLU. The consensus was that Drake was going out sad, but Drake fans insisted that he had a strong case and that he was going to change the industry. LMAO, Drake just backed down.

Drake has withdrawn his petition against Spotify and Universal Music Group after accusing the entities of launching an illegal “scheme” to boost numbers for Kendrick Lamar’s hit diss track “Not Like Us.”

In a New York filing on Tuesday reviewed by Variety, Drake and his Frozen Moments company withdrew its order to show cause seeking pre-action disclosure and preservation of certain documents and communications from both companies. The court document explains that Drake met with representatives on Tuesday and Spotify, which had filed an opposition, had no objection to the withdrawal and discontinuance, while UMG, which hadn’t filed an opposition, reserved its position.

Drake made waves in Nov. 2024 when he first accused UMG — which distributes both his and Lamar’s music — of using bots and payola to juice the numbers for “Not Like Us,” a track that accuses Drake of pedophilia and cultural appropriation. The petition, which was not a full lawsuit but rather a “pre-action” move, claimed that UMG “engaged in conduct designed to artificially inflate the popularity of ‘Not Like Us’…including by licensing the song at drastically reduced rates to Spotify and using ‘bots’ to generate the false impression that the song was more popular than it was in reality.”

UMG shared a statement with Variety at the time, denouncing Drake’s accusations. “The suggestion that UMG would do anything to undermine any of its artists is offensive and untrue,” read the statement. “We employ the highest ethical practices in our marketing and promotional campaigns. No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”

[From Variety]

Hahahaha. What a loser. He didn’t have the bars, so he ran to his lawyers and now he’s backing down from that too! Some people theorized that all of this stuff from Drake was an attempt to apply pressure on Kendrick (through third parties) to not perform “Not Like Us” on the biggest stages, the Grammys and the Super Bowl Halftime Show. I actually think there’s something to that, that Drake was attempting to make everything around NLU so toxic and legally questionable that UMG would advise Kendrick not to perform it. The thing is, by backing down, Drake hasn’t made anything murky. He’s solidified Kendrick’s victory and brought even more interest to Kendrick’s performances. Also: Kendrick’s GNX is largely him sh-ttalking Drake and doing a victory lap, which might have garnered some sympathy for Drake if Drake wasn’t hellbent on being such a loser in public.

Photos courtesy of Backgrid, Drake’s IG, Michael Rubin’s IG, screencaps from ‘NLU’.