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Emmys Good Causes Nate Bargatze

Nate Bargatze gave $250k to Boys & Girls Clubs, thought Netflix or Apple would do it

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And just when you thought we were done talking about Nate Bargatze’s performance hosting the Emmys two weeks ago, the conversation continues. By Nate. In the familiar, comfortable setting of his own podcast, Nate shared some backstory on the gimmick he came up with for trying to curb acceptance speeches. He promised at the top of the show to donate $100,000 of his personal funds to the Boys & Girls Clubs of America, with the caveat that he would add to or subtract from that figure based on the length of every acceptance speech, at a rate of $1,000 per second. How’d that work out? Nate ended up donating $250k, padding to cover the extensive overage in time (and deficit in money earned). The idea could have worked, possibly, but it was undermined by the fact that… it was the only thing Nate prepared!! (Sorry, he did make a half-assed “subtle” joke via wardrobe, but few caught it.) Anyway, here’s Nate ruminating on how he thought the bit would play out:

Nate Bargatze proved to be a charitable, generous man at the 77th Emmy Awards — not that he especially planned to be.

The stand-up comic said on his Nateland podcast that he never planned on donating $250,000 of his own money to the Boys & Girls Clubs of America, as he did at the end of the Emmys.

“I had it in my head one way. It kind of came out another way, but — the reasoning was there,” Bargatze said of the running gag. “I wasn’t gonna give that money at the end, like, I wasn’t thinking I was gonna have to. But the way it went, I was like, ‘I can’t — I’m not gonna not …’”

The bit went like this: Bargatze, while opening the live awards show, pledged $100,000 of his own money to the Boys & Girls Clubs. Awesome. Even awesome-r, for every tick under 45 seconds a winner’s acceptance speech lasted, Bargatze would add another $1,000 from his own pocket. However, for every second over 45 seconds a winner went, he’d deduct $1,000 from the running tally. The bank ended up quite a bit in the red.

Bargatze says CBS had specifically asked him to come up with a way to keep acceptance speeches tight. CBS “loved” what he came up with, Bargatze said, as did “everyone at home.”

You know who didn’t? “A lot of the reviews,” Bargatze acknowledged.

…Bargatze saw this thing going a whole ‘nother way.

“I thought it was gonna be, I dunno, Netflix, or Apple,” Bargatze said on Nateland’s 271st episode. “If someone was giving these long speeches, I just thought they could be like, ‘and Netflix is gonna cover my overage.’”

“In my head, I pictured they could then go long, but then be a hero,” he said. “But I think I could have explained it more, to be honest.”

And he almost did. Bargatze said he “almost sent an email out” ahead of the show to explain the game and what he hoped to accomplish with it. A good idea, in hindsight.

[From The Hollywood Reporter]

Wait, he thought the big studios would pick up the tab for their own winners? For a premise they weren’t aware of nor agreed to ahead of time? Now that’s funny, Nate! How woefully naive, bless his heart. Also, did he basically just admit that his plan was to say he’d be donating… and then not actually donate? Some other notes: for one, he kept using the refrain “in my head.” Did he not have a team of writers for this? I think it’s imperative to have a collaborative effort for hosting an awards show for the very reason that not everything unfolds in real life the way the way you imagine it will in your own head. Along those lines, if you think your gag might benefit from a detailed email of rules sent out before the ceremony, then it’s not ready for primetime. And finally — though this is more for the network than Bargatze — if you really want to cut show length, please look first to the unnecessary reunions and tributes and musical/modern dance interpretations of gathering in front of the television. It’s really that simple! Then again, the ratings were way up this year, so what do I know…

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Emmys Nate Bargatze Sydney Sweeney

Nate Bargatze’s Sydney Sweeney joke was so subtle no one caught it

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I’ve been ranting opining all week about Nate Bargatze’s performance as Emmys host. I won’t relitigate the whole thing again, but to sum it up I was disappointed that he only had one bit for the entire evening, checking in on that asinine tally that was trying to pressure winners into giving nano-second speeches. I can be fair-minded, though, (stop laughing) and was startled to be informed of a correction: there was one other joke… it was just so “subtle” that no one caught it. Remember that mystifying moment midway when Bargatze waltzed out in a blue jean tux? He said, “I have a blue jean tux on for some reason. We had, like, a joke. There’s a cummerbund, and I forgot what it — I don’t know,” and then he introduced Sydney Sweeney as a presenter. Apparently, his outfit was a joke on Sweeney’s much-maligned, eugenics-flavored American Eagle ad campaign. The Hollywood Reporter weighs in on the age-old question: if a joke bombs in the Peacock Theater, and everyone is around to hear it, does it still make a sound?

A colleague, clearly more plugged in to fabric-based controversies than I, asked, “Was that [a] Sydney Sweeney joke? The jeans tux?”

My response, verbatim: “I don’t think so? Unless I missed some dialogue…”

She was right, I was wrong. Well, I was sort of wrong. Though I didn’t miss any dialogue, I do believe the joke was missing dialogue. That was by design, a person with knowledge of the bit told The Hollywood Reporter. Bargatze, an outspoken Christian who works squeaky clean, doesn’t degrade and doesn’t wade into controversy. The denim tux was him going there about Sweeney’s controversial American Eagle billboard and ad, in which the Hollywood “It” girl poses alone with the double entendre copy, “Sydney Sweeney Has Great Jeans.” Basically, some of the chronically-online found the message to be that only blonde-haired, blue-eyed white women have “great genes.”

The suit was the setup and the Sweeney intro was the punchline. What was spoken in the middle was simply Bargatze-patter — there wasn’t actually “a joke” he “forgot” as he stated.

Unfortunately, the “joke” doesn’t stand on the visual itself. Bargatze was in a tux, while Sweeney, at her most denim-y, wore jeans and a jean jacket. … Yes, Bargatze’s formal wear and Sweeney’s dressed-down modeling moment both featured denim-based outfits, but this side of cotton, denim is probably our most common textile — parody only works when the original work is recognizable within the spoof. Multiple people attending the awards show told me that they didn’t pick up on the joke, and a source who was backstage acknowledged a tepid response to the moment.

To call the joke “subtle,” as a number of my colleagues did, would be endorsing it for a level of cleverness and recognizability. Even with the info I have today, I cannot get on board with that classification. Not to overstate the importance of the moment, but a comedic cost-benefit analysis would probably conclude that, given what Bargatze had to work with, the risk of confusion outweighed its potential benefit. And as we all know, the best comedy comes out of economists’ tools.

For her part, Sweeney took to the stage with no acknowledgment of the moment and no interaction with Bargatze — not in a rude way, just in a doing-the-job way. Sweeney either didn’t catch the joke, didn’t hear it, or ignored it, which could have been her choice or a choice made for her for the sake of the joke.

Either way, the joke needed more — like, I don’t know, a joke?

[From THR]

“Bargatze, an outspoken Christian who works squeaky clean, doesn’t degrade and doesn’t wade into controversy.” Ugh, major eyeroll. For one thing, the implication that any one single group, in this case Christians, have a moral high ground is insulting. Second, if Bargatze truly didn’t want to “wade into controversy,” he wouldn’t have come out in a jean tuxedo at all! Which makes me suspect that this is just him trying to push back on the lukewarm-to-scathing reviews he got. Because much like the British Royal Family, there’s no half-in half-out with joke-telling. You gotta commit to the bit, otherwise it’s just a half-assed attempt at relevant social commentary, held back by someone not daring enough to risk ruffling feathers. And that’s exactly what we got from Bargatze, an effort so muddled it was completely unrecognizable as a “joke.” Also, having a general policy of not wanting to touch on controversies is a very limiting stance for a stand-up comic! Comedians are truth-tellers, and today more than ever, truth is controversial.

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Alexis Bledel brittany snow Emmys Fashion Lauren Graham malin akerman Mariska Hargitay

Malin Akerman & Brittany Snow were fun last minute presenters at the Emmys

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I read over on JustJared that Malin Akerman and Brittany Snow’s presenting gig was a last minute switchup after Sofia Vergara dropped out due to an allergic eye reaction. This makes me wonder if the backup presenters also rehearse, kind of like understudies or alernate jurors. They must, because Malin and Brittany were so seamless. Brittany apologized that she was slow to come out on stage, because her dress was tight and she kind of shuffled. Then Malin said “I don’t mind waiting for you to come out” and the crowd howled. This was of course a reference to their Hunting Wives characters. That show was so trashy good!

Malin was wearing a black Greta Constantine gown with a weird pink split peplum. It’s kind of dippy but she’s pulling it off. She looks so statuesque next to Brittany. Malin is 5’8″ and Brittany is 5’4″ according to IMDB.

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Brittany couldn’t remember the name of her dress designer during her red carpet interview but Malin swooped in to say it was Marilyn Monroe-inspired. It’s phenomenal. They are both so pretty and their looks complement each other.

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We also got a Gilmore Girls mini reunion complete with a recreation of Stars Hollow for the show’s 25th anniversary. Lauren Graham was in a neat looking Akris gown made up of floral cutouts. She got the Kris Jenner special, but it looks good. If I could be guaranteed results like that I’d probably get it too.

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Alexis Bledel was a bombshell in a silver Marmar Halim column gown.
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I’m including Mariska Hargitay as she was part of the Law & Order: SVU tribute. They mentioned during the segment that she’s been on SVU for 27 years! Ice T said in a red carpet interview that watching the show was helpful for people who had gone through trauma and hadn’t had justice and I thought that was profound. Mariska wore two different gowns on the red carpet and during the ceremony and both were excellent.

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Cristin Milioti Emmys Fashion Meghann Fahy Rashida Jones

Cristin Milioti finally won an Emmy last night for ‘The Penguin’

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One of the highlights of the Emmys was Cristin Milioti’s win for outstanding lead actress in a limited or anthology series or movie for The Penguin. I was surprised at how genuinely effusive she was during her acceptance speech, just because I associate her with her stoic character Sofia Falcone in The Penguin. The whole room was also elated for her, and she’s been getting awards buzz for that role for ages. It’s kind of unknown whether there will be a second season of The Penguin, although the showrunner seems open to it.

Cristin was so pretty in a scarlet Danielle Frankel gown with a structured top. I love this trend of straight severe necklines, it looks so cool. I really like the delicately gathered asymmetric bodice and the slight train. These are subtle, thoughtful details.


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Meghann Fahy was also nominated in this category, for Sirens. She was lovely in a black velvet Valentino with shoulder pads and a deep bustline. This is drama and she looks gorgeous. She’s giving vintage Michelle Pfeiffer.


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Rashida Jones was also nominated in this category, for Black Mirror. That’s such a good series but every episode I’ve seen apart from San Junipero has traumatized me somewhat and I love horror. It just hits too close to home. Rashida was in custom Dior styled by Brad Goreski. This dress looks better in motion.


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Emmys Fashion Julianne Nicholson Justine Lupe Kristen Bell Sterling K. Brown

‘Paradise’ and ‘Nobody Wants This’ got shut out of the Emmys last night

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The Studio took home the most awards at the Emmys last night, with Adolescence and Severance close behind. I only know a couple people who watched The Studio, and it didn’t get a ton of buzz. I’m sure it will pick up viewers after sweeping the Emmys. I wish Andor had more recognition, that show was sublime and so timely, but scifi doesn’t earn as many awards historically. Dan Gilroy deservedly won outstanding writing for a drama series, although I wouldn’t have been mad if either of The Pitt writers won that category.

Among the freshman shows, Paradise and Nobody Wants This didn’t earn any Emmys among multiple nominations. Dying for Sex also got shut out and I know Kismet loves that. It’s on my list! I didn’t watch Nobody Wants This and although it was popular people didn’t rave about it, you know? Paradise really suffered from uneven writing. There were too many writers without enough cohesion between story lines. Episode 7, The Day, was one of the best episodes on television and could have been a standalone movie. The conclusion of the season was ridiculous, and hopefully they’ll get their act together for season two.

Nominee Sterling K. Brown put off ACL surgery to attend the Emmys, which is why he came out on a scooter. This was adorable to me for some reason.
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Nominee Julianne Nicholson was gorgeous in a structural fuschia strapless gown. I would have liked to see her in bolder makeup, but I’m a Gen X woman, that’s my default look.

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Kristen Bell was very severe looking in an Armani Prive black and white sequin cuout gown. She’s the main reason I haven’t seen Nobody Wants This.
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Kristen’s costar Justine Lupe was the earliest arrival I saw on the red carpet. She was a standout in a deep v-neck sequin net Carolina Herrera gown. This is a rare case of a see through gown getting it right, it’s a great balance between barely there and high fashion.
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Acting Careers Emmys Kathy Bates

Kathy Bates on possibly retiring: ‘I would miss being the center of attention’




I’ve been saying (over and over and over again) how I think at this year’s Emmys, the Best Actress in a Limited Series category is a race between Michelle Williams in Dying for Sex and Cristin Milioti in The Penguin. A nail-biting toss up between two exceptional performances that really can’t be compared. However, when it comes to Best Actress in a Drama, I’m ready to make a bold prediction: Kathy Bates for Matlock, baby! It goes without saying that Kathy’s work is brilliant, and this year I think she also has a huge swell of public favor that will carry her to a win. Kathy is having so much fun with the role of Matty, that it makes it a joy for us to watch. It’s easy to support/vote for an actor having the time of their life like that. Kathy has been candid about how much this show rekindled her fire for the craft of acting, and dug into the subject recently on the LA Times The Envelope podcast. So she’s definitely campaigning, yet also chock full of wisdom. A few highlights:

Listen to this pro’s scene prep: I study a lot. I use an app called Scriptation, which is really helpful. I’m kind of anal about how I choose the colors and how I highlight everything. And then Erica [LeBlanc, her assistant] and I share them. And Jennie [Snyder Urman, “Matlock” reboot creator] gives us tone meetings. … But we have the tone notes that I have specifically for each scene where Matty is in her arc, so we print those up and we put them in my script, or I print up other things like photographs that I’m inspired by.

Still striving to ‘hit it’: I had moments last season — there were very few — but that I felt in tears at times that I wasn’t able to do the scene. There were days when I was just — I love [the pianist Vladimir Horowitz], and there’s a wonderful recording, they’ve restored it and it’s all in color now, and he’s playing Rachmaninoff, the third piano concerto. And at the beginning of this one that’s been upgraded, he talks about his own work and how he doesn’t always hit it. And to hear someone of that massive talent say that he doesn’t always hit it and that will he do it again that night kind of makes you feel more like one of the club. We’re all artists, and we’re trying to hit it. … And you’ll see a performance like Daniel Day-Lewis in “Lincoln,” and he comes in and he is Lincoln, no false note ever. And that’s what you aspire to. I haven’t gotten there. I haven’t gotten there, but that’s wonderful because we keep going, and we’re human beings that are trying to do the best we can do at our career and in our lives.

What she’ll miss when (if!) she retires: You know what, and it’s a strange thing for me to say because I’m really a hermit, I think I’m going to miss walking on those soundstages and hearing people and the cacophony of the voices, or the quietness, the smell of it, the laughter that’s coming from somewhere, walking onstage, seeing people from the day before. When you’re beginning and you’re beginning to form relationships with people, sometimes it’s automatic, sometimes it’s gingerly. And I think it’s taught me how to be a more compassionate person who listens more and watches more. I would miss that. Let’s face it, I would miss being the center of attention.

[From LA Times]

What a difference a year makes! Remember, back around the 2024 Emmys Kathy was scaring the living daylights out of us talking about how Matlock was her “last dance,” before loosening up to “I’ll keep acting as long as Matlock is running,” and then declaring she hoped to make it as far as Betty White. And now? Kathy’s all like, “I’d miss the attention!” But it’s more than that, and I loved Kathy describing how she’s still trying to “hit it.” Though it’s somewhat ridiculous she doesn’t see herself on the same level as Daniel Day-Lewis, cause I can’t say I’ve ever seen Kathy deliver a false note either! But the humility is genuine and makes me love her even more. There’s loads more to the interview, including how Kathy says she watches a lot of TV to see what her peers are up to. She gives a great shout-out to The Pitt and Noah Wyle, whom she apparently shares a driver with! Maybe they’ll carpool on September 14, where it’s very likely they’ll both be named best leads in drama. Honestly, the only part of this I’m not looking forward to is that Kathy is probably gonna be wearing those goddamn Sneex!

PS — Being anal about highlighter color choices in her script? Be still my beating heart!

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photos credit: Faye’s Vision/Cover Images, Xavier Collin/Image Press Agency/Avalon, Nicky Nelson/Wenn/Avalon, Getty

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Emmys HBO John Oliver

John Oliver is happiest when ‘trying to draw fire from our owners’

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John Oliver abandoned us was on hiatus for most of July, but came back with a vengeance when he returned on July 27 to eviscerate Trump and his Jeffrey Epstein connection (and update us on the Moon Mammoths’ big debut, it was a triumph!). As often happens, Oliver missed a lot during his month away. There was bad news, like CBS firing fellow late night host (and Daily Show alum) Stephen Colbert, a move Oliver described as “terrible” for comedy. But there was also good news: Oliver and Last Week Tonight garnering their eleventy-third Emmy nominations. Oliver discussed these hot topics and many more in a new interview with The Hollywood Reporter:

Jokes are added in towards the end of writing a LWT story: The jokes used to come in earlier, but you don’t want to start writing before a story is stable because then you’ll fall in love with jokes that are built on material that doesn’t stand up, and that’s a terrible position to put comedy writers in. So, it’s only in the last two weeks that the jokes come in. But in that first month, you’re trying to give people ingredients that they’ll be able to create comedy from. You want it to be like an episode of Chopped, where it’s not impossible to make something palatable at the end. So, you’re not giving them broken glass and weed killer. You’ll give them eggs.

On the ‘fraught relationship’ with their lawyers: They are our final line of defense, so it has to be a functional relationship, but it can be fraught, especially toward the end. The general tension that we land on is having a slightly different view of their job. They think it’s to stop us from getting sued, and I think it’s to make sure that when we are sued, we win. So, yeah, I’m half-joking when I say it’s a fraught relationship. It’s an important process for the script to go through, but it can be not infrequently tense. … But you also don’t get to be angry at the livesaving device. (Laughs.)

Responding to the comment that he seems most gleeful when ribbing his business daddy: And you’re right, I’m truly happy in those moments. That’s probably the most at peace I am, when I’m trying to draw fire from our owners. … But I always used to love watching David Letterman do it. To me, it felt like a really healthy sign of contempt and just a very fun and slightly important indication of noncompliance. So, I loved it when he’d make fun of G.E. and CBS and, yeah, for me, making fun of whoever owns us on a minute-to-minute basis is a thrill.

Responding to Jay Leno saying that Colbert was fired because he didn’t do ‘both sides’ comedy: I’m going to take a hard pass on taking comedic advice from Jay Leno.

HBO is great, but he worries that the show’s freedom may go away if/when they stop winning Emmys: I mean, two things can be true at the same time. (Laughs.) It’s a fantastic place to work while we are insulated by golden armor. If that stops, we might be going away. … It’s not entirely a joke, that’s for sure. I think it is objectively very, very helpful to have won Emmys with the show. I think it has helped us keep our independence and keep the show on the air. So, yeah, I do think there is a utility to it. It’s something that I know has always been important to HBO, and so I’m massively grateful that we’ve won them, and long may that continue. Please! I don’t want my theory tested.

[From THR]

John Oliver is so joyously gleeful when haranguing his business daddies (by simply relaying their own inane actions), and it’s infectious to watch! In addition to all the truth-sharing, the greatest part of Last Week Tonight is witnessing Oliver’s moments of unadulterated mischief and mirth. As for the ongoing tension with their lawyers, Oliver has long talked about the basic divide between the two camps: that the show views the lawyers as their safety net so they can take big leaps, whereas lawyers are gonna lawyer and advocate for walking on safe ground to begin with. And as Oliver says regarding HBO overall, I imagine all the Emmy wins help out immensely in his tête-a-têtes with the lawyers. Luckily, Oliver & Co seem poised to keep winning — the Emmys even shuffled them to a new category last year and they still triumphed, beating out SNL twice now!

And lastly (because that’s where Jay Leno belongs), that was a solid burn Oliver landed on him.

Photos credit: Getty Images for Netflix via Netflix press, Getty Images