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Cate Blanchett wore conch shells to the Serpentine Gallery summer party

Here are some photos from the annual Serpentine Gallery event, which was held last night. Fun fact: Princess Diana wore her famous little-black-revenge-dress to the Serpentine Gallery reception in 1994. This year, Cate Blanchett – who is now living in England full-time and integrated within the upper echelon of British society – acted as co-chair of the Summer Party. Cate wore Dilara Findikoglu to the event… and I really dislike it! She loves oddball stuff like this though. Cate fully wore conch shells on her hips.

Alicia Vikander in custom Louis Vuitton – this is prettier from a distance and very bridesmaidy up close.

Kelly Osbourne looks like this now.

Lord Freddie Windsor and his wife Sophie Winkleman were there. He always looks like the pale horse ridden by Death.

Lady Amelia Spencer and Lady Eliza Spencer coordinated in red for some reason. Also very bridesmaidy.

Minnie Driver looks great from the neck up, but this has got to be one of the most unflattering dresses. It’s literally designed to be tent-shaped.

Jourdan Dunn was like the only one there who heard “summer party” and actually wore a cute, fun cocktail dress.

Photos courtesy of Cover Images.

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Minnie Driver

Minnie Driver: ‘In England, I felt I was punished… for being ambitious’

Minnie Driver lived and worked in America for nearly three decades. Many British celebrities view America as a place to work but disparage as a place with inferior culture compared to Britain. But Minnie loved her life in California, living in a fancy trailer in Malibu and raising her son Henry. Nowadays, she splits her time between California and the UK, because Henry goes to school over there. But she has nice things to say about America – and awful things to say about Donald Trump – in an interview with the Times of London. Some highlights:

Her “Cinderella moment” while promoting ‘Circle of Friends’ in America. Landing in the US having lost the weight again, she was treated to the full Hollywood glam-over. “They came at my hair and blow-dried it straight. And they got me a good bra and the right size jeans. And suddenly I was sleek. Suddenly, I was revealed to myself as being a girl who was pretty, and it was so exciting.”

Being 54 years old: “I’d much rather have my face when I was 25. But I certainly wouldn’t want to have to go through all that sh-t again, of all the other attendant stuff that was coming down the pipe.”

She’s back to living in London after 27 years in Los Angeles. “I will always be between both places, but my son’s at school here, so if I’m not working, I’m wherever he is.”

She stopped making movies when she became a mother: “It’s why I stopped making movies, really consciously. I called my agent and went, ‘OK, I’m having a baby and I would really like you to go and look for a show that’s called Shoots in Los Angeles and will pay me a regular wage. I couldn’t be travelling. I couldn’t be taking a tiny baby to Romania — and I didn’t want to. As a single mum, I didn’t want him to have that uncertainty. I wanted him to have school and football and mates and tea and his own bed and our house.”

She was happy to find work in America: “In America there was just this idea of, ‘Whatever you want to do, try it. Do it. Throw everything you have at it and see what happens.’ There is this idea that you’re allowed to renew and to change course; you’re allowed to pivot. I can be a writer, I can be a musician, I can be a mother, I can be an actor — you don’t have to be just one thing. In England, I felt I was punished for wanting more. I was punished for being ambitious. The British press think it’s greedy for me to want to be more.”

Whether she believes things really changed with #MeToo: “Yes, I do. But not because of some kind of systemic epiphany that men had. Rather, because they know that there’s accountability now. There are actually mechanisms in place [which mean] that kind of behaviour can’t be hidden. And I think #MeToo put a dent in it, but I just don’t know whether that power dynamic is ever really going to be redressed. Revolutions are bloody. People want to maintain the status quo for as long as they possibly can until they absolutely can’t and then, kicking and screaming, people will change.”

Another big change for the industry: “I watched Challengers the other night and what I loved most was seeing that Zendaya was a producer. Not an executive producer — a producer.” She namechecks Margot Robbie, the creative force behind Barbie. “They’re like, ‘I’m part of this creation, I am making this happen.’ And I think maybe that is how it changes. We all should have been doing that back in the Nineties. When I think about the work that I did on scripts, the fixing things, the making stuff better, absolutely uncredited. I made so many of the roles that I was in through improv, through rewriting, through ideas that were all then completely uncredited. So what’s great is that these girls are now getting credit for it.”

She is British but: “I identify as a Californian.” Driver is more anxious than jubilant [about Trump’s felony conviction]. “He’s going to say that the whole thing is like the election, that it’s corrupt. Of course he deserves to be in prison — of course he does. But just looking at how much money he raised in that two days, $53 million in a 48-hour period, and the idea that because the founding fathers — if there had been some mothers involved perhaps it would be different — left no room in the constitution for the idea that the American people could be so stupid as to vote for a felon, there is nothing reflected in the judiciary about what would happen if he wins. It’s a pickle when you’ve got the Secret Service already scoping out prisons, going, ‘What would this look like?’ ”





Whether she would live in America again if Trump was reelected:
“If I lived in a red [Republican] state, no, I couldn’t. But living in California, you are somewhat insulated. But do you want to go and live in a bubble? Do you run away from the fire or do you go back and help?” It’s not just Trump himself, she says, but “the revelation of the 70 million people who really quite like a bit of a racist attitude and non-existent immigration policies and dismantling the environmental agencies. And they were always there; they weren’t created by him. He’s just a symptom, and now they’ve got a mascot.”.

[From The Times]

Yeah, her assessment of Trump and the MAGA cult is dead on. Trump IS a symptom. The thing is, while I think the cult is a fundamental crack in America’s foundations, I also feel like it’s an underreported story – especially by the American media – that the cult seems to be less enthusiastic these days. The same energy isn’t there. Minnie’s right about being insulated from everything in California too, and she’s right about how the industry has changed.

Photos courtesy of Avalon Red.

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Minnie Driver

Minnie Driver: I’m not addicted to anything, don’t have 5 husbands & have the same nose

Minnie Driver is promoting her latest project called The Lesser Dead. It’s an audio series set in New York City in 1978. Minnie plays a matriarch vampire and apparently it’s violent, which is not her thing, according to Minnie. But she said the story was so good, she was able to justify it. In anticipation of this new venture, Yahoo and Minnie looked back on her career highlights and surprises. She considered her best movie Good Will Hunting, her best dress was the red one she wore to its premiere and what surprises her the most is that she’s still working. Not just working, but still the same person, without any addictions, work done or a collection of ex-husbands in her wake.

Minnie Driver has enjoyed a sort of longevity in Hollywood not many actors have, but there’s one experience she considers to be the “best” of her career: Good Will Hunting. The 53-year-old star looks back at the film fondly, which comes as no surprise as it earned her an Oscar nomination in 1998.

“That genuinely is a classic,” she tells Yahoo, explaining she and the young cast — including the Academy Award-winning film’s writers and co-stars Ben Affleck and Matt Damon — “didn’t really know” what kind of magic they were creating at the time.

“We were just kids just having a great time making this really a fantastic story,” she continues, adding they were “exhausted, laughing, hilarious, cracking jokes on set.”

Good Will Hunting led to another “iconic” moment in Driver’s life. The Circle of Friends star went on to score her first Oscar nomination for Best Supporting Actress. She calls the ruby-red Halston dress she donned “an iconic moment in my life.”

“It’s aged really well,” she notes. “Like, I could wear that today. I think it’s in some museum somewhere.”

Driver says it’s a “pinch me moment” that she’s “still here working.”

“I’m not addicted to anything. I’ve kept some level of sanity. I don’t have five husbands and my nose is still my nose! I feel like those are the pinch me moments,” she laughs, “That I’m actually just still here and recognizable.”

Driver adds, “And trust me, I do believe, like, women have had it rough. Women should do whatever it is that makes them feel comfortable. But for me, I just think having a level of sanity this far into a career in Hollywood — I’m astonished by that!”

[From Yahoo!]

I’ve been a fan of Minnie’s since Circle of Friends. I believe that is her original nose. I don’t love her referencing not having “five ex-husbands” as a point of sanity, though. Relationships can be elusive and their end is not a character flaw. No one blames her for Matt Damon appallingly dumping her after the best movie of her career. She was engaged to Josh Brolin and had a son with Timothy Lea before settling down with Addison O’Dea. They were significant relationships, albeit not marriages. We all have romantic pasts. Some people love love, nothing wrong with that. It’s not a huge thing for me, I’m just quibbling because she brought it up.

Minnie is still recognizable. And not being addicted to anything is probably a miracle in Hollywood. I’m glad that she’s made it this far on her own terms and I agree with her, women should do what makes them comfortable. I think if any of us make it into our second half with some level of sanity we should chalk it up to a win.

Photos Credit: Arlett Vereecke / Avalon, JPI Studios / Avalon and via Instagram

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Kerry Washington in Donna Karan at the VF Oscar Party: not great or lovely?

Kerry Washington attended the Vanity Fair Oscar Party in a champagne Donna Karen gown. Fortunately, Vanity Fair stuck with their traditional black carpet, so the dress wasn’t washed out by the beige nonsense like at the Oscars. Unfortunately, the dress isn’t great. And it’s too bad because Kerry has been killing it of late, too. Her styling is fabulous but the tattered neckline and messy gathering at the waist makes it look like she tried to upcycle a satin bedsheet. At least Kerry knows how to work a gown. She’s elevating this.

Me expecting Kate Beckinsale to hit the mark at the VF party is starting to feel like Charlie Brown kicking the football. I got my hopes up when I saw the clean perfection of this Tony Ward asymmetrical neckline. And then I looked down and got sad. As someone who isn’t eager for the sheer skirt trend to come back in the first place, I certainly don’t want it paired with all of my grandmothers saved tinfoil balls. And I’m tired of Kate in a high ponytail. She looks fine in it, but we’ve seen it so many times.

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Emma Roberts brought divorce party realness to VF in this Dolce & Gabbana corseted gown. I love these two pieces separately. The lace bodice with chiffon skirt is quite pretty. And the sheet lace-trimmed widow’s cape is sexy and dramatic. But because it has a defined choker, it’s competing with the dress’s neckline. It’s also throwing off Emma’s styling, which would have worked for the gown alone. But with the cape, it looks like she’s play-acting.

I’m waffling on Minnie Driver’s Emilia Wickstead gown. I mostly love it. I don’t like the pearl ladder on the side. I love the green floral print and am choosing to believe that’s Minnie’s shout-out to St. Patrick’s Day coming up. The top is a little boring, but I love the full luscious skirt. The winners though, are the back detail and earrings. I’ll bet this was amazing in motion.


Photo credit: Cover Images, JPI Studios/Avalon and Getty Images

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Matt Damon Minnie Driver Relationships

Minnie Driver on Matt Damon: ‘Young people are ill-equipped to deal with these things’




When people talk about Minnie Driver, they usually refer to Good Will Hunting. I get that, GWH put her on the map for a lot of fans. I, however, immediately think of Benny and Circle of Friends. I had just finished the book when the movie came out and I was in love with both the novel and the film. It cemented a lifelong love for Minnie and Chris O’Donnell (my Colin Firth devotion didn’t take hold until Pride and Prejudice). Anyway, I still love Minnie and am always thrilled when she pops up on screen. Her episode of Modern Love was particularly touching.

Minnie just released a memoir called Managing Expectations. She’s my age, which doesn’t seem old enough for a memoir, but considering her career, I imagine she has a lot to say. Especially since there are so many stories we know only part of. Like how she almost didn’t get GWH because a producer said she wasn’t “hot” enough for the role. Or her romance with Matt Damon that supposedly ended when he informed the world – and subsequently her – on the Oprah Winfrey Show that they were done. In her interview with The Cut, Minnie cuts Matt some slack. She said they were too young to have their relationship scrutinized by the world. But she also said the press only reported the bad about their romance and left out the good part.

On the fragility of acting: From the outside, you just see when it does work out. But so much of being an actor is things not working out. It’s 99 percent rejection, and the other one percent is what you see on the screen. But once you start attaching things to that — like a mortgage, a beautiful child, food on the table, people depending on you — the idea that something as ephemeral as continuing to be chosen for this talent show, and that’s what’s supporting you financially … it becomes more and more insane as you get older. It doesn’t feel safe. It becomes, “Why didn’t I get a master’s and teach at a nice university?”

On Hollywood beauty ideals: When a producer — a man or woman or nonbinary person — distills an actor down to what they perceive as their sexiness, it’s so dismissive of that person. And by the way, that is something that has not changed — there are still just times when people are like “she’s too old” or “she’s too tall.” I’ve always thought about how things get distilled. There’s this notion of one part of you being “the thing” that will block all these other aspects of who you are. That’s a huge frustration as an actor.

It was devastating. To be told at 26 that you’re not sexy when you maybe just got over all your teenage angst, and started to think, you know, Maybe in the right light and the right shoes and the right dress, I’m all right.

On Matt Damon: Here’s this bumbling human, trying to do this thing. And suddenly this exterior thing starts happening, which is fame, paparazzi. Young people are so ill-equipped to deal with these things, which snowball: falling madly in love and then breaking up with someone.

When you break up with someone, the best thing that you can do is not see them. But when you break up with someone who themselves has just become famous, it is unavoidable that you will see them everywhere. And it is a particular kind of torture.


But also it will always be this lovely, beautiful romance. And that’s what never really got reported in the press.

[From The Cut]

Minnie said that while she had insecurities about her appearance, her family was saying the opposite, that she was lovely and forget what these bozos were saying. But it’s true, it only takes that one bozo to say something negative and that’s the person you believe. Hollywood will never change, unfortunately. Actors and agents will always ask why they didn’t get the role and filmmakers will always tell them. And for women, it will usually be appearance based. I agree with Minnie’s comments about how we only see when it works out for actors. My friends in the industry only book a small percentage of roles. Whether an A lister like Minnie has to take a crap role has to do with how well they’ve managed money and if they can float until the next decent project.

I think Minnie’s reflections on Matt are two-fold. I believe she is letting us see a different side, but I also think she’s forgiven him, so the narrative is more relaxed now. I recently found myself being more generous to a person whose name I only spat out prior. I think after a while, it’s too exhausting to be that angry so your mind reshapes the memories with more grace. I believe Minnie – that Matt was too immature to handle his fame and that there was a lovely romance before the harsh breakup. But I am also think Minnie has let a lot go to come to that conclusion.

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Photo credit: Avalon Red, Getty Images and InStar Images

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Kids Minnie Driver

Minnie Driver watches 80s films with her son, explains that the women are stereotypes



Minnie Driver was a guest on Jimmy Kimmel Live, hosted by Julie Bowen. Bowen is truly a terrible interviewer. She kept turning the conversation around to herself, talked too much and was rude. I’m not a fan of hers. Sarah Silverman was so much better last week. Minnie was interesting though, she’s promoting Modern Love, on Amazon Prime. She said that her boyfriend, filmmaker Addison O’Dea, loves 80s movies and music and that it’s worn off on her son, Henry, 12. Minnie and Henry have been watching 80s movies together and she finds herself pausing them to point out how stereotypical the women are. She also talked about the fact that she lives in a mobile home park. Minnie has lived there for 20 years, it’s called Paradise Cove, and is one of the most high end mobile home parks in the world. Here’s more of what she said. She’s a lovely person but I would not recommend watching this interview because of how awful Bowen is.

On watching 80s movies with her son


We watch these movies. The representation of women in these films is unbelievable. They’re either the buttoned up mom who nobody is having sex with and who nobody wants to have sex with or they’re in crazily inappropriate clothing. I’m constantly pausing and going ‘now listen, just because she has large beautiful breasts she may also have something to say. We’ll never know because we’re so busy looking at her boobs.’

On living in a mobile home park


I live out in a small community in Malibu. I live in a really beautiful mobile home park. I’ve lived there for 20 years. Jay Leno used to make fun of me.

[From Jimmy Kimmel Live on YouTube]

After that Minnie had to explain to Julie that you can’t drive a mobile home like a trailer, but that you can transport it on a truck. As for 80s movies, I’ve had similar discussions with my son. We watched Sixteen Candles and Weird Science recently and I just ended up mortified by the way women were show. There were also glaring lack of consent issues in the plotlines. Thankfully my son noticed these things before I pointed them out. I just had such different memories of those films. It goes to show how sexism is part of our culture and was acceptable and taken for granted.

Minnie also talked about her podcast, Minnie Questions, which has been out since March of last year. She said she was most nervous to interview Viola Davis because she looks up to her so much. She has also talked to Dave Grohl, Chelsea Clinton and Tony Blair, among other celebrities. I’m sure Minnie is a better interviewer than Julie Bowen because just about everyone must be.

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Photos via Instagram