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Daniel Craig on his career: It’s dumb luck. I’m very lucky




The Venice and Telluride Film Festivals recently ended while Toronto is underway, which means we are well and truly in Film Festival Fall, the busy precursor to Awards Season. Daniel Craig was on the circuit last year with Luca Guadagnino’s Queer, for which Craig earned Golden Globe and SAG nominations but was ultimately snubbed for an Oscar. Last year Craig also made a public plea for Netflix to give the third Knives Out film, Wake Up Dead Man, a longer theatrical release than they gave Glass Onion (one week). Well, Wake Up Dead Man just premiered at Toronto on Saturday, and the good news is that Netflix listened to Craig! So instead of one week of theatrical release before being available to stream, the film is getting… two weeks. How benevolent. Meanwhile, now that Craig, Daniel Craig is years out from being dunzo with playing Bond, it seems reporters couldn’t help but ask the star if this third Knives Out film will be his last turn as Benoit Blanc:

“How lucky am I to get something like this?” the English star tells PEOPLE on the premiere’s red carpet. Craig has played shred detective Blanc in 2019’s Knives Out and 2022’s Glass Onion. Wake Up Dead Man is in theaters Nov. 26 and streaming on Netflix Dec. 12.

“That’s all I can think of when I think about this character,” Craig continues. “I mean, I’ve played [James] Bond and now I’m suddenly playing Benoit Blanc. It’s dumb luck. I’m very lucky.”

Asked whether Wake Up Dead Man marks the end of his playing the iconic character, Craig quips, “Who told you that? Listen, I don’t know. Rian hasn’t written anything because we’re getting this movie out.”

But, he adds, if the writer-director “writes another script and it’s as good as I think it probably will be, then it’s an easy decision.”

Joining Craig at the TIFF premiere of the sequel were Johnson, 51, as well as stars Josh O’Connor, Cailee Spaeny, Glenn Close, Josh Brolin, Kerry Washington, Mila Kunis, Andrew Scott, Daryl McCormack and Jeremy Renner.

Johnson confirmed the third Knives Out film’s title in May, when he shared a teaser clip on X that included a voiceover mentioning Blanc’s “most dangerous case yet.” The filmmaker later shared a photo of Craig sporting long hair in character and announced that the film had wrapped production.

Addressing the possibility of a fourth go-around with Benoit Blanc, Johnson told Variety in 2022, “If each one of these can really be what Agatha Christie did, if it can be not just in a totally new location and a new cast, but also trying something exciting, I’ll keep doing it as long as Daniel [Craig] and I are having a good time. I’ll keep making these as long as they let me.”

[From People]

I thought that was a nicely done, gracious spin on Craig’s part, to respond to questions of “Will there be another Knives Out?!” with “Man, I’ve just been so damn lucky in my career.” He really has shaken off the grumpiness he used to have with the press and is no longer stirred by them. Also, I think it’s obvious in watching the Knives Out films that he has so much fun playing Benoit Blanc! So yeah, I think he’ll keep returning as long as Rian Johnson is at the helm. Like its predecessors, Wake Up Dead Man has an impressive ensemble cast. I’m wondering if it will also be stacked with the array of fabulous cameos like Glass Onion had, most notably SPOILER! Hugh Grant as Benoit’s partner. (Hey Rian Johnson/Netflix, ever consider a prequel about how the couple met? I would watch the sh-t out of that.) Looking at the new film’s cast, I stand by my assertion of last year that Glenn Close did it, whatever the crime is, and that Andrew Scott is there as the red herring. We have a little over two months to prove that see if I’m right.

photos credit: Frank Ockenfels/Netflix, Netflix press, Leonardo Ramirez/EyePix/INSTARimages

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Daniel Craig

Daniel Craig talks about male vulnerability’ & ‘the armor of masculinity’

For the better part of fifteen years, Daniel Craig really only gave interviews to promote James Bond. He was a good Bond, although I thought Craig was poorly served by the writers and directors during his tenure as 007. But Bond took a lot out of him, and so Daniel Craig sort of became known as a permanent grump, always wishing he had one foot out the door of the franchise. Now that he’s three years past his last Bond film, he’s getting the best reviews of his life in Luca Guadagnino’s Queer. He’ll probably get an Oscar nomination for it. And so we’re getting a different version of Daniel Craig – more grown up, wiser, less of a grump. He recently chatted with the Times about sex scenes, 007 and more. Since it was a British paper, there was A LOT about Bond. Some highlights:

His advice to himself as a young man was “Don’t get bitter.” “And look. I can be jealous. To this day I think, ‘Oh, why has he got that part?’ But you have to own failure because you can’t control what other people think. You just have to hope and get on with it because, clearly, I could not have planned for my life. This just happened — and it is still happening? F***ing amazing!’”

‘Queer’ has a lot of messy sex: “Yes, because sex is messy…There are terrible sex scenes and I’ve probably been in a few. So it was important not to be coy.”

‘Queer’ has nothing to do with James Bond: “I couldn’t have done this while doing Bond.” Why not? “It would look reactionary, like I was showing my range. Early on with Bond I thought I had to do other work, but I didn’t. I was becoming a star, whatever that means, and people wanted me in their films. Incredible. Most actors are out of work for large chunks so you take your job offers — but they left me empty. Then, bottom line, I got paid. I was so exhausted at the end of a Bond it would take me six months to recover emotionally. I always had the attitude that life must come first and, when work came first for a while, it strung me out.”

He’s 56 years old with a 6-year-old daughter Grace: “I live a busy life and so does my wife. We have children. I think how work will impact my life. [Craig has a grown-up daughter from a previous relationship, while Weisz has a teenage son with the director Darren Aronofsky.]”

Whether Bond producers controlled his image: “No, but the last thing I’d want is to screw with the brand. That’s shooting yourself in the foot. Again, people would ask, ‘What conversation are you trying to raise?’ I don’t have the energy.”

Whether he cares about his replacement as 007: “But of course I care! I keep saying I don’t, because people ask me all the time and I’m an ornery, grumpy old man, so I say I don’t give a sh-t. But I care about it deeply — deeply. I care what the franchise does, because I love Barbara [Broccoli] and Michael [G Wilson, the producers]. But it’s not my decision or problem. I wish them luck.”

Art is important: “I know what people think of actors — ‘Oh, silly people.’ Yet I’m proud of what I do and it’s important that people do what I do.” In what way? “Because it is being eroded,” he says. He mentions Dahomey, this year’s documentary about art returned from France to Benin. “It makes you think what our culture means and, without it, we are nothing. Any government that takes funding away from our cultural life is stripping us, so if I play a very small part in creating some culture, then I’m incredibly proud. Look, I grew up with subsidised theatre. Some was brilliant, some was sh-t. But it flooded money into this country and enriched it. Also, my family didn’t have any money. My mother was a teacher. It was pitiful the wage she was on. I don’t look at my upbringing as harsh — just normal. But I went to drama school on a full ride. That doesn’t exist any more. Who can afford to go to drama school now?”

Male vulnerability: “Male vulnerability is really interesting because, as tough as men appear to be, they’re all vulnerable. We all hide – from our kids, spouses, colleagues. The armour of masculinity is there for a reason and what is that reason? I’m always exploring it.”

Whether he cares if he gets his first Oscar nomination: “Of course! Don’t be stupid, I’d be over the moon to get a nomination.” This is refreshing — few admit that awards matter. “Well, it’s scary. Awards go the way of the wind, but I cannot say, ‘I don’t give a sh-t!’ Still, years ago I learnt how arbitrary this is. It was soul-destroying, rejection after rejection. Because you think, ‘Can I act?’ But there’s nothing you can do about it. It’s a coin toss in many ways, so you have to let it go. And it’s all gravy for me now.”

[From The Times]

The thing about drama school is interesting – I remember this was a larger conversation more than a decade ago, when British people started wondering where all of the working-class actors had gone and why every British actor under the age of 35 was a posh private-school graduate. Are there really no more drama school scholarships for working class actors?? As for all of the Bond talk… three years and the producers still haven’t found the new Bond. They won’t ask for Daniel’s blessing, but sure, he does care who takes over. Anyway, I hope he and Rachel Weisz are happy. Sexiest couple, ISTG.

Photos courtesy of Avalon Red, Cover Images.

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The National Board of Review awards: ‘Wicked’, Nicole Kidman & Daniel Craig

Love it or hate it, but the National Board of Review awards are a really good harbinger for what’s happening early in the Oscar races. The NBR is usually the first major critics organization to announce their awards and they’ve cultivated a real prestige among the smaller, non-televised awards shows. So the NBR announced their 2024-25 awards on Wednesday, and this is something. Wicked got best picture and best director! And Nicole Kidman’s best-actress campaign for Babygirl just got a huge boost.

Universal’s feature take of the Broadway musical, Wicked, wasn’t only named Best Film of 2024 by the National Board of Review, but the movie was also named Best Director for Jon M. Chu, while its stars Cynthia Erivo and Ariana Grande are receiving an NBR Spotlight Award for their creative collaboration.

Winners will be honored at the NBR’s annual awards gala Jan. 7 at Cipriani 42nd Street in New York City. The ceremony will be hosted by MSNBC Morning Joe co-host Willie Geist. The group’s awards celebrate excellence in filmmaking and also hand out its signature honors for the NBR Icon Award, NBC Freedom of Expression and the WIlliam K. Everson Award for Film.

Best Film: Wicked

Best Director: Jon M. Chu, Wicked

Best Actor: Daniel Craig, Queer

Best Actress: Nicole Kidman, Babygirl

Best Supporting Actor: Kieran Culkin, A Real Pain

Best Supporting Actress: Elle Fanning, A Complete Unknown

Best Ensemble: Conclave

Breakthrough Performance: Mikey Madison, Anora

Best Directorial Debut: India Donaldson, Good One

Best Original Screenplay: Mike Leigh, Hard Truths

Best Adapted Screenplay: Clint Bentley & Greg Kwedar, Sing Sing

NBR Spotlight Award: Creative Collaboration of Cynthia Erivo & Ariana Grande

[From Deadline]

Do I think that any of these winners are really locked in? No. I think Daniel Craig is locked in for a nomination, but for a win? Who knows. As I said, this is a huge boost for Nicole’s chance for yet another Oscar nomination too, because I’ve seen Nicole excluded from several Best-Actress race predictions. Given the box office success of Wicked, I also think the film is guaranteed Best Picture nominations across the board, but I wonder if Hollywood is actually going to be eager to push Wicked for Best Picture ten weeks from now when Academy members are actually voting. Kieran Culkin is sort of drifting along as the favorite for supporting actor though, which feels like a relatively new consensus. Elle Fanning plays Bob Dylan’s early-career love interest in A Complete Unknown, and most of the conversations have been about Timothee Chalamet, not Elle. But we’ll see. I’m glad that people are noticing Elle though, she’s such an amazing actress.

Photos courtesy of Avalon Red, Cover Images.

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Daniel Craig wants Knives Out 3 to get a wider theatrical release




Daniel Craig’s latest film Queer, directed by Luca Guadagnino and adapted from a book by William S. Burroughs, debuted at the Venice Film Festival two months (and a lifetime) ago. Before the premiere, I thought Daniel was supposed to be a major contender this awards season, but it feels like he disappeared after Venice, no? I mean, Angelina Jolie started her Maria campaign in Venice and she has been go-go-go ever since. Maybe the plan all along was to wait for Daniel to give a big push closer to the release, which brings us to his new Variety cover story. Daniel and costar Drew Starkey pose on the cover with the headline “The Year’s Most Provocative Movie” printed over one of the most un-provocative photos ever taken, but I digress. During the interview, Daniel is asked about the next Knives Out installment, and Daniel confirmed that he very much wants Netflix to give the film a wider theatrical release than Glass Onion got in 2022:

Daniel Craig knows the “Knives Out” franchise belongs in movie theaters, so he’s hoping Netflix will give the upcoming third installment, officially titled “Wake Up Dead Man: A Knives Out Mystery,” a theatrical release that lasts more than just one week. That’s how long Netflix put 2022’s “Glass Onion: A Knives Out Mystery” in theaters for, which seemingly is not Craig’s preference. The actor told Variety during an interview for its “Queer” cover story that “Knives Out 3” deserves a more robust theatrical rollout.

“You know I do,” Craig said when asked if he thinks “Wake Up Dead Man” should play in theaters for longer than one week. “Hopefully, Netflix will push it out a bit, and people will get to see it. The people I speak to — the fans, I suppose — all they want to do is take their families and go see it at the cinemas. That’s all they want to do. Hopefully we can give them that experience.”

The first “Knives Out” movie was released by Lionsgate in 2019 and became a word-of-mouth smash hit over the holiday movie season with $312 million at the worldwide box office. Writer-director Rian Johnson also picked up an Oscar nomination for best original screenplay. Netflix ultimately struck a deal with Johnson to develop two “Knives Out” sequels, the first of which played for just one week in theaters across the country.

While Netflix gave “Glass Onion” a one-week theatrical release, it did strike deals at the time with the country’s largest theater chains — AMC Theaters, Regal Cinemas and Cinemark — in order to put the “Knives Out” sequel in 600 theaters. That remains the widest release Netflix has ever done. Notably, the sequel was the first Netflix movie to screen in AMC and Regal locations, as the two exhibitors had long refused the streamer’s films because Netflix would not adhere to more traditional theatrical windows. “Glass Onion” remains the only time Netflix did such a wide release for one of its films. It’s unclear if the streamer intends to do the same for “Wake Up Dead Man.”

Johnson once again wrote and directed the third “Knives Out” movie, which once again features Craig as the detective Benoit Blanc. The new supporting cast includes Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack and Thomas Haden Church. Plot details remain under wraps. Netflix will release “Wake Up Dead Man” in 2025.

[From Variety]

I don’t know anything about the plot of this new movie, but I’m telling you now: Glenn Close did it. She’s the murderer, without question. Sorry to spoil it, but the filmmakers did that themselves when they cast her. And Andrew Scott is just there to fool you until an hour and a half into the story. As for what kind of theatrical release it gets, good luck, Daniel! Apple TV didn’t give a hoot what George Clooney and Brad Pitt thought when it came to Wolfs (though there’s a legit argument that had to do with that particular movie itself). But still, I wouldn’t expect much more from Netflix, unless they’re possibly thinking of Wake Up Dead Man as an awards contender. Oh my stars, wouldn’t it be sublime if Glenn Close FINALLY won her Oscar for a Knives Out film!! Let’s reconvene for the 2026 Academy Awards to see if I called it. In the meantime, Queer is set for a limited theatrical release on November 27.

Note by Celebitchy: this story was written before the election was called

Photos credit: Rian Johnson for Netflix, Abaca Press/INSTARimages, IPA/INSTARimages

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Daniel Craig brought his Versace-clad wife to the Venice ‘Queer’ premiere

Daniel Craig brought his wife Rachel Weisz to the Venice Film Festival. Rachel is supporting him as he promotes Luca Guadagnino’s latest film, Queer. Guadagnino directed arguably one of the best “queer films” of the past two decades in Call Me By Your Name. Apparently, no one should go into Queer thinking that it’s in the same vein as CMBYN, at all. It’s based on William S. Burrough’s book of the same name, which makes it a period film, set in the 1950s Mexico City, and Craig plays an American expatriate who is stuck there AND he’s an addict AND he’s gay. You guys… wasn’t this sort of the basis for that Todd Haynes film Joaquin Phoenix pulled out of? Weird. The Haynes film was also supposed to be a detective story too, I guess that was the difference. They’re also going on and on about the graphic nature of the sex scenes, and the Haynes film was supposed to be quite graphic too. Hm,

Anyway, Rachel looked nice at the premiere. She wore Atelier Versace, paired with Boucheron jewelry. Daniel looks nice too – I actually like his longer, shaggy hair. I wish he would take his sunglasses off for red carpets, but I think he still gets pretty nervous, so he uses sunglasses and his hot wife as de facto security blankets.

A new Queer clip just dropped and I… cringed. Am I supposed to cringe? While the critical reception seems mixed, there’s also a vibe that Daniel will probably be an awards contender. Hm. I already know what his competition will say: why is a straight man playing this character?

Photos courtesy of Cover Images.

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Anne Hathaway wore Versace to the Clooney Foundation’s Albie Awards in NYC

Here are more photos from last night’s Albie Awards at the New York Public Library. The Clooney Foundation for Justice rents out the library to stage their awards, and George Clooney is so well-connected that he gets so many of his celebrity friends to come out for a good cause. Personally, I get too focused on “I wonder how much it costs to rent out the NY Public Library and stage this event,” but I guess that’s not the point. The Clooneys have deep pockets and their friends have deep pockets. Anyhoodle, I just wanted to talk about fashion – Donatella Versace attended the event and many women wore Versace, including Anne Hathaway. Anne’s harlequin-print dress was fresh off the latest Versace collection. Shall I say it? It’s not a good dress, although Anne does elevate a bad look.

The Blunt-Krasinskis arrived with the Barroso-Damons! Both ladies wore red. They’re all tight with George.

Julianna Margulies in what I’m pretty sure is Prada. The dress is really great, I just think it’s wrong on Julianna – wrong color, wrong vibe, wrong hair.

Greta Gerwig’s look was one of my favorite dresses of the night.

Daniel Craig & Rachel Weisz! Daniel wore his glasses!

Sofia Vergara said PANTS.

I’m sorry but Scarlett Johansson looks awful here! The shiny suit combined with that really harsh hairstyle. Yikes.

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Viola Davis came out! She looked beautiful.

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Photos courtesy of Getty, Cover Images.

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Royalists are mad at Daniel Craig for remaining seated in Princess Kate’s presence

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I love that we’re still talking about Wimbledon gossip! It’s so much fun. So, here’s the backstory – when Prince William, Kate and their two oldest children arrived at Wimbledon on Sunday for the men’s singles final, they got there later than the peasants. Most people were already seated in the stands and the Royal Box. Daniel Craig and Rachel Weisz were two of the celebrities who got Royal Box seats, and their seats were a few rows behind the Wales family, who were seated in the front row of the Royal Box. Kate came barreling down the steps and she stopped and said some friendly words to Daniel and Rachel. Neither Daniel nor Rachel stood up or bowed or curtsied when they saw Kate or William or their children. Very few people did, actually, but the fact that Rachel and Daniel stayed seated is apparently a big deal:

It’s a subtle question of etiquette: when meeting the Princess of Wales, just how should royalty behave – Hollywood royalty, that is? Daily Mail Diary Editor Richard Eden has made his views known:

James Bond actor Daniel Craig and wife Rachel Weisz should have got to their feet when Kate approached them in the Royal Box on Sunday – as a mark of respect if not plain good manners, he told his followers on Instagram.

Sharing a photo in which the Princess of Wales can be seen talking to the celebrity pairing, he wrote: ‘This photograph makes me uneasy. While there may not have been space for Rachel Weisz to curtsy or Daniel Craig to bow, shouldn’t they have at least stood up to greet the Princess of Wales? Craig could have even gone mad and removed his sunglasses.’

It should be noted that fellow actor James Norton, star of Happy Valley and War and Peace, felt able to stand up in order to greet the princess.

[From The Daily Mail]

There’s nothing I love more than bootlickers demanding that everyone adhere to their bootlicking strategy. I’m glad Daniel and Rachel stayed seated, because who cares? The royalists keep demanding that we center Kate and her family in every Wimbledon conversation, when really… people were just there to see tennis, not perform their devotion to a racist, out-of-touch institution.

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Photos courtesy of Getty, Cover Images, Avalon Red.