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Lily Gladstone rewore a Gucci gown to the SAG Awards that’s going to be in the Smithsonian




Presenter and nominee Lily Gladstone rewore a gorgeous Gucci gown last night that was custom made in a collaboration with Indigenous artist Joe Big Mountain. She originally wore this gown to the Vanity Fair Oscar Party last year and had to borrow it back from the Smithsonian to wear to the SAGs! Lily mentioned on the red carpet that the adornment is custom made from porcupine quills. I love the black and white detailing and the intricate layers of fringe. Lily was nominated for actress in a Television Movie or Limited Series, which went to Jessica Gunning for Baby Reindeer.

Jodie Foster was also nominated in this category, for True Detective. She was in a cranberry sequin Gucci boat neck gown. Jodie brought her son Charlie, 26, as her date!


Jessica Gunning was elegant in a velvet black Marchesa gown with ruffle sleeves. She’s been killing it this awards season and I hope she gets all the roles after this. Here’s a link to her acceptance speech. Jessica said she had a vision board during her time working in an office and that the other nominees, Cate Blanchett, Jodie Foster and Kathy Bates, were on there.

I’m including presenter Joey King here because I really liked her Miu Miu gown on camera. It’s unique and interesting without being fug. I like how the stiff collar is blended with a bandeau top and dripping sequins. This is how you incorporate elements of menswear.

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Zooey Deschanel’s vintage Armani tuxedo gown was somewhat silly. It works on that level but I’m not sure that’s what she was going for. It’s kind of cartoon like.

Photos credit: MediaPunch/INSTARimages, Xavier Collin/Image Press Agency/Avalon, Robert Smith/INSTARimages

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Mikey Madison wore Calvin Klein as ‘Anora’ won big at the Spirit Awards

The Independent Spirit Awards were held this weekend and they were another shock to the system. You have to understand, throughout the month of January, everyone thought that Emilia Perez, The Substance and The Brutalist were about to win everything. Instead, it’s looking like Anora is the little indie that could, and I couldn’t be happier about it. Anora was one of my favorite films of the year (along with Dune 2 and Conclave), and I love that Neon’s quiet little Oscar campaign ended up working so well. At the Spirit Awards, Anora picked up Best Feature, Best Director and Best Lead Performance (to Mikey Madison). Kieran Culkin won Supporting and Jesse Eisenberg won Best Screenplay (both for A Real Pain). So… Anora is going into the Oscars with a sh-tload of momentum.

Fashion-wise, it was a pleasant awards show. They do the Spirits in a tent by the beach, and more people wear business-casual. Some fashion IDs: Mikey wore an okay Calvin Klein. Emma Stone wore Emilia Wickstead, or at least that’s what several sites are claiming (I think she’s actually wearing Louis Vuitton). Hunter Schafer in Prada (love it), Elizabeth Olsen in Erdem (it’s fine but her hair is terrible these days), Demi Moore in Thom Browne (meh), Natasha Lyonne in Rochas (bonkers boots), and Lily Gladstone rewearing an Agnes Seaweed Wisden chestplate. Also: Marianne Jean-Baptiste wore Antonio Marras.

Photos courtesy of Avalon Red.

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Cannes: Greta Gerwig stuns in Saint Laurent, Meryl classes it up in Dior

The Cannes Film Festival kicked off on Tuesday with its first premiere, an opening ceremony, a press conference for the Cannes jury and more. Last year’s Cannes was a snooze, almost like they were trying to be controversial in the wrong direction (a Johnny Depp premiere) and trying to mute the one thing which people enjoy about Cannes: the glamour and fashion. This year, the festival put three very fashionable women on the jury: Greta Gerwig (she’s the jury president), Lily Gladstone and Eva Green. On the first night, Meryl Streep was honored and several amazing French actresses came out (Lea Seydoux, Juliette Binoche). The festival is really trying to bring eyes back to the south of France.

So, let’s get to the fashion. On opening night, Greta wore Saint Laurent – a very smart gown in a great color. Hours beforehand, Greta’s photocall look became THE topic of conversation on Fashion Twitter – she wore a Maison Margiela dress with a corset bodice and overdrawn hips. I kind of hate that dress, but I love the Saint Laurent.

Lily Gladstone wore Gucci and Eva Green wore Armani to the opening night. I imagine both women have their pick of designer frocks for the festival, and I’m excited to see what Lily brings out. This Armani on Eva is a bit different – usually she goes for goth-glam, this seems more goth-princess.

Meryl Streep looked amazing in Dior. Seriously, what a fantastic dress for her.

Juliette Binoche also wore Dior Haute Couture – I like the dress a lot and her face card is eternal. But the wet-look hair is killing me.

My least favorite look of Day 1 was Léa Seydoux in Louis Vuitton. Blah.

Photos courtesy of Avalon Red, Cover Images.

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Emma Stone wore a low-key Louis Vuitton to the VF Oscar party: super-cute?

I’ve seen a few pieces already about people being “mad” about Emma Stone’s Oscar win over Lily Gladstone. While (again) I thought Lily came into the awards season as the favorite and she really had a shot at it, Emma’s balls-to-the-wall performance in Poor Things, combined with a great, breezy, fun Oscar campaign, all equaled a “surprise win” for Emma. All I’m saying is that I’m not mad about it. Don’t hate the player, hate the game. These are pics of Emma at the Vanity Fair Oscar party – she wore another custom Louis Vuitton look. This looks baggy and comfortable! That’s her very tall husband Dave.

Lily Gladstone changed for the VF Oscar party and I didn’t get the sense that she was moping in a corner somewhere. Reportedly, she was enjoying the parties, networking and staying booked and busy. Good for her.

Charlize Theron wore Dior to the VF party – this is so much better than her Oscar dress, omg. The hair is still a tragedy though.

Georgina Chapman & Adrien Brody – I can’t believe they’re still together!

Pamela Anderson was fresh-faced in Oscar de la Renta. This is honestly one of my favorite looks of the VF party.

Cynthia Erivo in custom Louis Vuitton – blah, but I rarely think she’s styled well.

Zooey Deschanel in kind of a mod-print. I like it, it feels very ‘70s.

Photos courtesy of Avalon Red, Cover Images.

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Margot Robbie wore a custom Chanel suit to the Oscar luncheon: super-cute?

Here are some photos from Monday’s Oscar luncheon, always one of the nicest events on the awards-season calendar. There’s no real dress code other than “look nice for this year’s class photo” and you get a nice lunch. There’s always a lot of media involved too. Margot Robbie and Greta Gerwig both showed up, because they were nominated as producer and screenwriter, not lead actress and director. Margot wore a custom Chanel look which I don’t really like, but she’s still doing her Barbie-dressing and that’s cool. Greta looked terrible – the black socks with the white pumps, I’m dying!!! WTF.

I’m including pics of Carey Mulligan (in a great black dress), Robert Downey Jr. (wearing lifts and snazzy pants), Emily Blunt (I love her ensemble but not her face work), Paul Giamatti, Ryan Gosling, Jeffrey Wright, Emma Stone (I’m sure her suit is Louis Vuitton), America Ferrera, Colman Domingo (easily the best-dressed man of the awards season) and Lily Gladstone. You can see the “class photo” here at People Mag.

Photos courtesy of Backgrid.

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Lily Gladstone

Lily Gladstone uses she/they pronouns as ‘a way of decolonizing gender for myself’

Lily Gladstone has been nominated across the board for all of the Best Actress awards for her performance in Killers of the Flower Moon. The film came out during the SAG strike, so Lily didn’t really get a chance to do a big promotional tour. As such, it feels like we’re still finding out big chunks of her personal biography, information which usually would have been front-and-center in her first KOTFM interviews. For example, Lily uses both “she” and “they” pronouns. Her rationale is really interesting, and it relates to Native American culture and language.

Lily Gladstone is opening up about pronoun preferences. In an interview with PEOPLE, the Killers of the Flower Moon star, 37, explains why she feels comfortable being referred to as both she and they.

“I remember being 9 years old and just being a little disheartened, seeing how often a lot of my boy cousins were misgendered because they wore their hair long,” explains Gladstone, who has Blackfeet and Nez Perce heritage. She was raised on the Blackfeet reservation in Montana for the first decade of her life.

“It happens to a lot of kids, I think, especially Native boys leaving a community where long hair is celebrated [and then] just kind of getting teased for it,” continues Gladstone, whose profile on X also mentions she/they pronouns. “So I remember back then being like, everybody should just be they. And in most Native languages, most Indigenous languages, Blackfeet included, there are no gendered pronouns. There is no he/she, there’s only they,” Gladstone adds.

“It doesn’t happen as much anymore, but there’ve been several times in my life where I’ve been speaking to a northern Cheyenne-first language speaker [or another] Indigenous-first language speaker where they’ll accidentally misgender you when they’re talking to you,” says Gladstone. “And then they’ll get embarrassed about it, but it’s because they’ve learned English later.”

“So Blackfeet, we don’t have gendered pronouns, but our gender is implied in our name. But even that’s not binary,” says Gladstone, adding that her grandfather’s Blackfeet name meant “Iron Woman.” “He had a name that had a woman’s name in it. I’d never met my grandfather. I wouldn’t say that he was nonbinary in gender, but he was given a woman’s name because he kind of carried himself, I guess, the way that women who have that name do. And there were lots of women historically and still now who are given men’s names. They fulfill more of a man’s role in society as far as being provider, warrior, those sort of things,” she says.

“So, yeah, my pronoun use is partly a way of decolonizing gender for myself.”

Gladstone adds that her pronoun use is a way of “embracing that when I’m in a group of ladies, I know that I’m a little bit different. When I’m in a group of men, I don’t feel like a man. I don’t feel [masculine] at all. I feel probably more feminine when I’m around other men.”

As far as gendered awards categories that separate actor and actress, Gladstone, who is nominated for best actress at the Golden Globes and Critics Choice Awards, has nuanced feelings. “I think it’s really cool that we’re seeing ‘performer’ and we’re seeing everybody brought in together. I do feel that historically having gendered categories has helped from keeping women actors from a lot of erasure because I think historically people just tend to honor male performances more. I know a lot of actresses who are very proud of the word ‘actress’ or are very proud of being an actress. I don’t know, maybe it’s just an overly semantic thing where I’m like, if there’s not a ‘director-ess,’ then there shouldn’t be actresses. There’s no ‘producer-ess,’ there’s no ‘cinematographer-ess.’ ”

[From People]

There have been several conversations recently about gendered awards categories, with Emma Corrin saying that they don’t feel like they should be relegated to “actress” categories. I appreciate that Lily is pointing out the obvious – that the second any awards show makes their categories genderless, only men will be nominated. Which is why 99% of the director, cinematographer and producer nominations DO go to men, because those categories are already genderless. So, just at a representation level, I do think the actor categories should be gendered. But I also think the conversations are interesting, and Lily makes some interesting points about language and decolonizing gender.

Photos courtesy of Avalon Red, Cover Images.

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Lily Gladstone reacts to an Indigenous actor’s criticism of ‘Killers of the Flower Moon’

When I was writing about Lily Gladstone’s Golden Globe win, I screwed up as I tried to explain why I have such mixed feelings about Lily’s Oscar campaign for Killers of the Flower Moon. Lily is good in the movie and she does a great job with the material. But I have real problems with KOTFM, and my anger towards the movie sort of spilled out onto Lily, because Lily is already picking up a lot of awards for the film. As I explained in our latest podcast, originally KOTFM was supposed to be more about the newly-formed FBI investigating the murders of the Osage people (mostly women). Then Martin Scorsese decided that he didn’t want to tell a white savior story, as in “all of these murders happened and then the FBI came in and saved the day.” But Scorsese’s solution to the “white savior” problem was to refocus the story on the murderers. Instead of an Osage-focused story, instead of centralizing Mollie Burkhart and the Osage families, the film is about the white men who systematically murdered the Osage for years.

All of which to say, I don’t think Lily Gladstone’s Mollie is even “the lead” in the film – it was more about Leo DiCaprio’s character and Robert DeNiro’s character. Lily isn’t the first actor to category hop, but it definitely feels like Lily’s Best Actress wins are papering over the larger problems with KOTFM and the problems with building the narrative in this particular way. Well, I’m not alone in feeling this way. Indigenous actor Devery Jacobs blasted KOTFM several months ago – Jacobs worked with Lily on Reservation Dogs, and here’s some of what Jacobs said about the film:

“Being Native, watching this movie was f–king hellfire. Imagine the worst atrocities committed against [your] ancestors, then having to sit [through] a movie explicitly filled with them, with the only respite being 30 minute long scenes of murderous white guys talking about/planning the killings. It must be noted that Lily Gladstone is an absolute legend and carried Mollie with tremendous grace. All the incredible Indigenous actors were the only redeeming factors of this film. Give Lily her g–damn Oscar. But while all of the performances were strong, if you look proportionally, each of the Osage characters felt painfully underwritten, while the white men were given way more courtesy and depth.”

“I don’t feel that these very real [Indigenous] people were shown honor or dignity in the horrific portrayal of their deaths. Contrarily, I believe that by showing more murdered Native women on screen, it normalizes the violence committed against us and further dehumanizes our people. This is the issue when non-Native directors are given the liberty to tell our stories; they center the white perspective and focus on Native people’s pain,” Jacobs wrote, while later adding: “I would prefer to see a $200 million movie from an Osage filmmaker telling this history, any day of the week. I’m sorry, but Scorsese choosing to end on a shot of Ilonshka dances and drumming? It doesn’t absolve the film from painting Native folks as helpless victims without agency.”

[From Variety]

Yeah, I 100% agree with all of this. It’s especially egregious to think of the run-time – with nearly four f–king hours, you couldn’t even center Mollie’s story for an hour? Again, the film is still centered in whiteness – instead of a white savior, we have a four-hour meditation on the white murderers and how THEY feel about murdering the Osage. Well, in a recent profile, Lily was asked about Jacobs’ comments. Here’s Gladstone’s response:

“We’re friends. I crashed on her couch in Toronto when ‘Certain Women’ played at TIFF,” Gladstone said when asked about Jacobs’ criticisms, with Rolling Stone noting the actor’s “face drops” when the topic is brought up. “I don’t want to bring heat back on her for this because I think that’s unfair. Her reaction is hers.”

“Her reaction is a response to a lot of trauma that particularly Native women feel seeing these things for the first time,” Gladstone continued. “I had a lot of time acclimating myself to the script. The Osage people have had their lives to understand this history. The process of making this movie gave a lot of people a chance to speak. Ultimately, Osage reaction is what I care about the most.”

[From Variety]

I think Gladstone’s response is fair – clearly, Jacobs is entitled to her opinion, and yet Gladstone is (rightly) proud of the film and her work in it. I also think it’s deeply unfair to put this on Gladstone in any way – she didn’t produce it, she didn’t write it, she didn’t direct it. While it’s fair to ask Lily about Jacobs’ criticisms, I’d like to hear Marty Scorsese and Leo’s reactions too. It felt like Marty rewrote the script specifically to “give” Leo a showy lead role, and from there, all of the Osage stories were marginalized.

Photos courtesy of Avalon Red.