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Bernie Sanders calls George Clooney’s ritzy Clinton fundraisers ‘obscene’

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George Clooney spoke about his support for Hillary Clinton several months ago, when he was promoting Hail Caesar. Clooney has always been a big Hollywood Democrat, and he supported John Kerry and Barack Obama in past presidential election cycles. Clooney has made no secret of his support for Clinton this time around, but he also hasn’t said anything negative about Bernie Sanders. The only person Clooney has criticized is Donald Trump. Anyway, George and Amal Clooney are cohosting two major California fundraisers for Clinton’s campaign and the DNC. The fundraiser tickets cost $33,400, and the Clooneys have co-hosts like Jeffrey Katzenberg, Steven Spielberg and more. This usually happens, by the way – the Hollywood Democrats and Silicon Valley Democrats will throw several big (and big-money) fundraisers in LA and San Francisco every presidential election cycle. But Hillary Clinton’s competition, Bernie Sanders, doesn’t like it. He thinks the Clooneys represent “big money people.”

“It is obscene that Secretary Clinton keeps going to big-money people to fund her campaign,” Bernie Sanders said in an interview on CNN’s “State of the Union” Sunday. Clinton is asking donors for $353,400 for two seats at the head table with herself, Clooney and his wife, Amal, at the April 15 event in San Francisco. The next night, the Clooneys will host a $33,400 per person fundraiser for Clinton at the couple’s Los Angeles home.

“I have a lot of respect for George Clooney. He’s a great actor. I like him,” Sanders said. “But this is the problem with American politics … Big money is dominating our political system. And [my supporters and I] are trying to move as far away from that as we can.”

Sanders, whose campaign has been largely funded by small donations, says his events usually cost “$15 or $50” to get into.

“So it’s not a criticism of Clooney,” he said. “It’s a criticism of a corrupt campaign finance system, where big money interests — and it’s not Clooney, it’s the people coming to this event — have undue influence on the political process.”

Throughout the Democratic primary, the self-described democratic socialist has attacked Clinton’s ties to Wall Street. He did so again Sunday.

“It’s not only this Clooney event,” Sanders said. “It is the fact she has now raised well over $15 million from Wall Street for her super-PAC, and millions more from the fossil fuel industry, and from the drug companies.”

Clinton’s Clooney swing comes less than two months before the crucial Democratic primary on June 7 in California, where 475 delegates are at stake.

CB and I were debating this between ourselves – she’s a Bernie fan, and she agrees with what he’s saying. Meanwhile I voted for Clinton in the Virginia primary, and I did so because I honestly think Clinton is a better Democratic candidate for office. I understand Sanders’ point about getting the “big money” out of politics, and I agree with it as a moral and ethical stance. But in practice, I find it difficult to understand why Clinton (or any Democratic candidate) should be held to a different standard than the GOP candidates. Plus, I just have a fundamental disagreement with calling George Clooney a “big money” donor who will use his fundraising skills to push some agenda with Hillary Clinton. If you want to talk about the hedge fund people pushing candidates for tax cuts for billionaires, sure, let’s talk about that. But what’s on Clooney’s political agenda that isn’t already on Clinton’s agenda?

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Leo DiCaprio throws shade at politicians who don’t believe in ‘modern science’

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Here are some photos of Leonardo DiCaprio in Japan this week to promote the Japanese premiere of The Revenant. Japan usually gets films several months later than America and Europe, so this is no big deal. And Leo has a lot of Japanese fans, and many of them literally dressed up as bears to see him in Tokyo. During the press conference for the film, Leo was asked about one of his signature issues: the environment, or more specifically, the reality and politics of climate change. His answer was pretty pointed, even though he didn’t specifically name names.

Fresh from his Oscar-winning role in “The Revenant,” Leonardo DiCaprio suggested Wednesday that his upcoming documentary on climate change could help raise awareness about a phenomenon that some US presidential candidates reject. DiCaprio said one of the collaborators for the film to be released before the November election was Fisher Stevens, a producer of the 2010 Oscar-winning documentary “The Cove” about dolphin-killing in the small Japanese town of Taiji.

“We’ve been travelling around the world documenting climate change,” DiCaprio told a press conference in Tokyo, adding they visited China, India and the North Pole and South Pole.

Though he did not offer any names, he said some candidates seeking the highest US office are falling short in their environmental attitudes.

“We should not have a candidate who doesn’t believe in modern science to be leading our country,” he said. “Climate change is one of the most concerning issues facing all humanity and the United States needs to do its part.”

Republican front-runner Donald Trump said last year he did not believe in climate change, while his key rival Ted Cruz has dismissed it as “pseudo-scientific theory”.

[From AFP]

While it seems like his statement is actually pretty obvious, and that the overwhelmingly majority of people would agree, it actually IS being treated as a controversy in the conservative media. Because they would disagree with the fundamental idea that the president of the United States should believe/know that climate change is real, that all of this is really happening. It is SCIENCE, despite what a handful of oil-and-gas “scientists” want to tell the GOP. That’s what I never understood about the GOP side of this argument – if they want to say that we shouldn’t do anything about climate change, then argue that point. Don’t make it into an argument about whether climate change is real, because yes, then you do sound anti-science. And dumb.

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Photos courtesy of WENN.

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Thanks to Cele Bitchy

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Making A Murder filmmakers: ‘the [national] media are demonizing this man’

Netflix’s controversial documentary series Making A Murderer continues to generate headlines and think pieces, most notably this excellent one from New Yorker magazine. At a panel discussing the series at the Television Critics Association’s winter press tour on Sunday, film creators Laura Ricciardi and Moira Demos addressed criticism that they painted a picture of Steven Avery that avoided mention of his violent past, including recently reported incidents of abuse against his ex-wife and ex-fiancee Jodi Stachowski, who told producers of Nancy Grace’s HLN show that he was a “monster”.

Ricciardi responded to the critics by saying, “I think what we’re seeing now is actually history repeating itself. It’s now on a national scale that the media are demonizing this man in order to prove his guilt. What we did was we documented the Halbach case as it was unfolding. Whatever [allegations against Avery] you’re referencing now never came into that process at all. So it wasn’t relevant to our process. We looked at the history here.”

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Steven Avery’s attorney talks to Rolling Stone: ‘I’ve still got my suspicions’

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Another day, another crop of Making A Murderer stories. On the heels of Steven Avery filing yet another appeal, armed with a new legal team, more controversy has developed to possibly help or hinder Avery’s case.

Rolling Stone magazine interviewed Avery’s attorney, Jerry Buting, who hasn’t spoken since the documentary aired, about his concerns over the jury in Avery’s murder trial. He told the magazine, “I’ve still got my suspicions about whether something improper occurred during the deliberations.”

When asked about his suspicions, Buting said, “I suspected that there might’ve been some undue pressure put — either from within the jury room or outside the jury room — that might’ve affected the fairness of each individual juror’s deliberation. And one of the jurors who actually sat through the verdict has since, apparently — I have not spoken to him or her — but they came forward and spoke to the filmmakers and felt like they were intimidated and pressured to vote guilty, and that they really didn’t think he was guilty beyond a reasonable doubt, and they really did think that the police had framed him.”

In the interview, Buting also discussed one of the jurors, who reportedly volunteered for the Manitowoc Sheriff’s Department. When asked why the juror was not dismissed, Buting recognized the issue and said, “Some of the observers or commentators have noted: ‘Well, why would you keep somebody like that on the jury’ What people don’t understand is that picking a jury is really — it’s not like you pick who you want. It’s a matter of eliminating who you don’t want.”

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“Bill Cosby will face criminal charges for a 2004 alleged sexual assault” links

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“Let’s not pretend this weekend is about anything other than Star Wars” links

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Was Michael Fassbender’s casting in ‘Steve Jobs’ the reason why it flopped?

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Nearly all of the critics liked Steve Jobs. The critics believe that Michael Fassbender is now one of the leading contenders for an Oscar nomination for playing Jobs, and other possible nominations could go to Kate Winslet and Seth Rogen. I believe that if there’s money going into an Oscar campaign, it will probably be for Fassbender, and possibly Aaron Sorkin for the screenplay.

Unfortunately, when Steve Jobs had its wider release this past weekend, it sort of bombed at the box office. While the film only cost $30 million to make (not including promotional/ad costs), people are still worried. The opening weekend box office? $7.3 million. They were hoping for just shy of $20 million, although I’m not sure why. This film was always going to be a slow-burner meant for people who enjoy awards-baity performances. It was never going to be a huge financial success. Variety noted: “Steve Jobs was too brainy, too cold, and too expensive to make it a success. Moreover, Michael Fassbender, the electrifying Irish actor who replaced Bale as Jobs, lacks the drawing power to open the picture.” Ouch. Variety wrote that in a piece analyzing whether the crappy box office will affect Fassbender’s shot at an Oscar nomination – you can read the full Variety piece here. Basically, they’re hoping that if the film gets nominated for some awards, it will do better at the box office, and if it does better at the box office, it will get nominated for more awards. It’s like a snake eating its tail! Variety also writes:

Few would fault Fassbender’s performance, but his casting may have been disastrous from a commercial standpoint. An Oscar nominee with a series of compelling turns in the likes of “Shame” and “12 Years a Slave,” Fassbender has yet to establish himself as a bankable actor. In fact, a study by Piedmont Media Research found that audiences’ interest in seeing “Steve Jobs” dipped after they found out Fassbender was headlining the drama. Having a DiCaprio or a Robert Downey Jr. in the title role may have broadened “Steve Jobs’” appeal.

[From Variety]

For what it’s worth, I was one of the few who went to see Steve Jobs last weekend and I enjoyed it. Steve Jobs the man was a terrible a—hole to almost everyone around him, but the film itself was good and I thought Fassy was and is deserving of some awards consideration. I thought Winslet did a decent enough job but I actually hope that she doesn’t get nominated for anything. Her accent work was all over the place and she shouldn’t be rewarded for being “brave” enough to wear brown wigs. The script is classic Sorkin, almost by-the-books Sorkin, full of Sorkin-esque dialogue and Sorkin-esque tropes (oh, his relationship with his daughter ends up being significant? Shocking). I did think it was “smart” and I enjoyed the fact that it didn’t feel like they were talking down to the audience.