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Elliot Page had a secret affair with Kate Mara when Kate was with Max Minghella




Elliot Page has written a memoir, Pageboy, which has to be one of my favorite book titles in recent memory. It’s perfect. I’m so happy Elliot is telling his story, and seems like he’s in a really good place. He’s on the cover of People to promote Pageboy, and he shared some juicy details from the book with them. One of the juiciest stories? Elliot described having an affair with Kate Mara while she was dating Max Minghella in 2014. Elliot says it revealed a pattern in his life where he was attracted to unavailable people.

“The first person I fell for after my heart was broken was Kate Mara,” Page writes. “She had a boyfriend at the time, the lovely and talented Max Minghella.”

Page goes on to describe their romance, during which Page was filming 2014’s X-Men: Days of Future Past. (“Kate has read the book,” Page says. Mara is appearing with Page at a book event in Los Angeles in June.) Page writes that Minghella was supportive of Mara exploring her feelings for Page. “I never thought I could be in love with two people and now I know I can,” Page says Mara told him.

“This was right after I’d come out as gay and it was a time of exploration and also heartbreak,” Page says. “I think my relationship, or whatever you want to call it with Kate, very much encapsulates a certain dynamic that I consistently found myself in, which was falling for people that — I think a lot of us do this — who aren’t fully available. And the sort of safety in that and the highs and the lows and the serotonin bump, and then it goes away.”

“And I think that is definitely a pattern in my life,” he adds. Page says he and Mara are still close. “I think the love and care that we have for each other is its very own special thing. Separate from the intimacy that I write about.”

[From People]

I’m impressed that Max Minghella was cool with Kate and Elliot having a relationship. I feel like a lot of guys would respond in a territorial way or feel emasculated. It sounds like Kate told Max early on, but I’ll have to read the book to learn the full story. We are very eager in American culture to pass judgment on infidelity or polyamorous relationships. But I try to approach stories like this with an attitude of curiosity rather than judgment. It sounds like Kate and Elliot’s relationship was emotionally intense and meaningful for them both.

It’s perceptive of Elliot to realize that he was drawn to people who were not fully available. And I think that pattern also makes sense for people who are subjected to societal programming and shame for their gender identities or sexual orientation. (Or for other things, too.) If you spend your life believing that you are unlovable, or that you won’t be accepted for who you truly are, of course you’ll be attracted to people who confirm that belief by not being fully available. That’s what society tells you that you deserve. And he describes the “safety” in that dynamic, which might seem counterintuitive, but I know exactly what he’s talking about. It feels safe because it feels familiar. And if the person you’re seeing isn’t fully available, you don’t have to be either. I think it’s sweet that Elliot and Kate are still friends. It’s cool when exes can be friends like that, and it isn’t always possible.

Elliot also shares a blind item in his book about a famous actor verbally harassing him at a party back in 2014, when he had come out as gay. The actor said some vile things to him, including, “you aren’t gay, that doesn’t exist. You’re just afraid of men.” Multiple people saw and heard it go down. I wish Elliot had named names and put this guy on blast, but I also get why he didn’t. Hollywood fronts like it’s such a progressive industry. It’s not. It reflects American culture at large, which still privileges some people more than others. So it’s easy for powerful people in Hollywood to get away with being racist, sexist, homophobic, transphobic, and so on. That’s basically how it’s always been.

Photos of Elliot and Kate together are from 2014 and credit: PacificCoastNews/Avalon

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Claire Danes’ Met gown was ‘custom fiber optic organza with battery packs’

MET Costume Institute Gala 2016
My favorite gown at the Met Gala, and the one that I thought best captured the theme, was Claire Danes’ Cinderella style Zac Posen, an impressive gown in its own right which went to the next level by glowing and sparkleingwith the lights off. Many of you said that the theme Manus x Machina (hand and machine) was more than just technology meets design, that it was meant to incorporate both traditional hand design methods, like the intricate feathering on Zoe Saldana’s Dolce & Gabbana, and more modern technology, like the perfectly circular machine-cut grommets on Kate Mara’s dress. I think that’s accurate now that I’ve read through the whole theme description. Although I find that theme too all-encompassing I can now appreciate how more traditional dresses did fit the theme. Some of them still seemed phoned in to me, and I would have liked to see more designs with tech features built in, but I see your point.

Entertainment Weekly has an interview with Posen, who described the technology behind the dress that had everyone talking. It was made with a fibric optic material which transmitted light and had 30 battery packs built in to run it. Next year, I want to see recycled gowns (like Emma Watson’s) with solar-paneled lights. I kid but that would be fun. Plus imagine owning clothes that glow without batteries. As long as it didn’t attract bugs outside I would want that. Here’s more, from EW:

Posen set out to create a gown that highlighted “the place where technology and fantasy meet.” Made of custom fiber optic woven organza with 30 mini battery packs sewn into a thin organza lining, the result was a haute couture design that reflects his experimental approach to fashion. “We custom developed the fabrication, because I wanted to create something that had a transparency to it, but an illumination to it.” And though the major glam factor came from the light bright factor, even the smallest details — like its raw-edged hem — were considered ahead of the gown’s red carpet debut. “I think fashion has become something called fashiontainment,” reflects Posen. “And it’s our job as dreamers and creators to push that.”

That said, the pale blue, princess-style dress required 600 hours of work from Posen and his six-person team, and paid off when social media declared the dress a Cinderella moment. “It’s always great when something resonates and creates a visceral reaction,” says Posen, who has incorporated tech-inspired designs in previous collections and worked with Google’s Made with Code program.

[From Entertainment Weekly]

Here’s the video again:

Magic moments!! Zacposen #metgala #clairedanes

A video posted by @zacposen on

Some of you didn’t like this gown and I know that Lainey called it “gimmicky.” I usually agree with her, but I thought this was a beautiful fantasy, like something you would see on film created with CGI only achieved in real life. Posen designed with light, and this gown was incredible.

EW also reports that Claire had to return the dress by midnight and that she changed for the after party. It’s not specified in the story, but if this gown goes on display at the MET I’m going to visit it. I’m getting goosebumps imagining seeing it lit up. Plus it’s been a while since I’ve been to New York.

Met Gala 2016 'Manus x Machina: Fashion In An Age Of Technology'

photos credit: WENN, FameFlynet and Getty

Special thanks Cele Bitch

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Lupita Nyong’o in Giambattista Valli at ‘Fresh Faces’ event: lovely or unflattering?

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Wow, this is Lupita Nyong’o’s first red carpet event since winning her Oscar. If you don’t count going to Paris for the MiuMiu show, which… yes, that was a public event, but it wasn’t like she walked a carpet. Anyway, these are photos from Marie Claire’s “Fresh Faces” party at the Soho House in LA last night. Lupita wore this flowery Giambattista Valli Fall 2013 Couture dress which… eh. Jessica Biel wears a lot of Valli, so much so that I always associate Biel with the label. I do think Lupita pulls this off more than any other actress could though. It’s a cute look, I suppose. I’m more interested in what’s going on with Lupita’s hair! But she always looks beautiful.

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Victoria and David Beckham Smoulder in Paris Vogue

-Victoria Beckham finally made the cover of Vogue (well, Paris Vogue, anyway). -I don’t know what I love more about this story: that Kristen Bell bought a secondhand bed off of Craigslist, or that she enlisted her VM costar Ryan … Continue reading

Thanks: Scandal Sheet