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AMC may allow texting in some theaters (Update: they have nixed this idea)

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The movie industry is trying to adapt to new technology as you know. We can watch almost anything, anywhere except for first run movies in our homes and on the go on our devices. It’s even changing to the point where we will probably be able to rent first run movies at home soon at a premium. This should give us the opportunity to pause the show to go to the bathroom (although there’s an app for that*), get snacks and just not go through the hassle of traveling to watch a film with friends and family.

There are a lot of inconveniences to watching movies away from home, not least of which (to some people) is the fact that we’re expected to turn off our phones for two hours. In a new interview with Variety, AMC head Adam Aron said that they’re looking into ways to allow texting during movies. AMC is now the world’s largest theater chain after their acquisition of Carmike Cinemas last month, so this is significant.

Would appealing to millennials involve allowing texting or cellphone use
Yes. When you tell a 22-year-old to turn off the phone, don’t ruin the movie, they hear please cut off your left arm above the elbow. You can’t tell a 22-year-old to turn off their cellphone. That’s not how they live their life.

At the same time, though, we’re going to have to figure out a way to do it that doesn’t disturb today’s audiences. There’s a reason there are ads up there saying turn off your phone, because today’s moviegoer doesn’t want somebody sitting next to them texting or having their phone on.

Would you have a certain section for texting?
That’s one possibility. What may be more likely is we take specific auditoriums and make them more texting friendly.

[From Variety]

Variety also asked Aron about The Screening Room, which would allow consumers to rent first run films at home. (Creator Sean Parker has been trying to make deals with theater chains for a cut of the profits.) He wouldn’t comment, simply saying that he prefers “To keep our counsel private right now.

As far as checking phones and texting during movies, I was watching American Hustle when the news came through that Philip Seymour Hoffman had died. Bedhead had been trying to contact me. I know an extra two hours doesn’t make that much of a difference but I felt like I missed this sad news. So now I check my phone a few times during a movie. I’m careful to sit away from people if possible, I have the sound turned off and in the winter I’ll only check it under a poncho or oversized sweater to block the light from my phone. In the summer I just bring a light jacket or poke my head under my shirt.

This is a good idea to allow texting I think, as long as it’s disclosed to everyone and moviegoers have a choice whether to attend texting-allowed movies or sit in that section. Maybe they can provide little blocking devices that you put in your lap where you can only see the light from your phone at certain angles. This doesn’t seem that hard to implement. Also, theaters should specify that all sounds must be turned off. No one wants to hear that tap-tap.

Update: AMC has issued a statement saying that they have “Heard loud and clear that this is a concept our audience does not want” and that they will not be implementing this idea. I have also heard from you that it is very rude of me to check my phone, even under a sweater, while in a movie. I will stop doing this and have taken your feedback to heart.

*Thanks CL for the tip!

Jennifer Lopez during an appearance on CBS's 'The Late Late Show with James Corden.'

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Photos credit: WENN.com

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Angelina Jolie says she & Brad Pitt ‘have fights & problems like any other couple’

Angelina Jolie’s By the Sea got a limited release this weekend, and once all of the reviews were in, I can sort of understand why she didn’t want to do a wider release. Even the Daily Beast branded the film “boring as f—k” and “the most depressing two-hour luxury perfume ad of all time.” Vulture made a half-hearted attempt to claim that the film might be an Oscar contender, but even they couldn’t keep up the ruse. Still, with these two, the hustle never dies. The Daily Mail has some exclusive photos of the Jolie-Pitt clan at the airport – go here to see. And Angelina gave another wordy interview to The Telegraph. Some highlights:

The working honeymoon filming ‘By the Sea’: “There were a few days when we thought it wasn’t the best idea. There were days during filming last year when we were really worried and it was hard. If we had married and were just starting a relationship it would have been a disaster, but because we have been together so long we wanted to see how far we could push our relationship and our love and see if we can work together under very intense circumstances and with very complex issues and see if it would make us better. But at the end we came out of it thinking, ‘This was the best honeymoon,’ because the film says, ‘Whatever you go through, weather the storm and stick together.’ So it was kind of a message to each other that we are going to stick together whatever comes.”

She & Brad have issues? “Brad and I have our issues, but if the characters were even remotely close to our problems we couldn’t have made the film. To be clear: we have fights and problems like any other couple. We have days when we drive each other absolutely mad and want space, but the problems in the movie aren’t our specific problems.”

Working on Mr. & Mrs. Smith: “When we first worked together it was very different because we didn’t really know each other and we were young and, it was really a fun film, so we thought, maybe By the Sea was going to be that kind of fun, but realised very quickly that it wasn’t. Then we joked that this is what happens after 10 years of marriage.”

She knows Brad’s triggers: “Our first few days were quite tricky because no matter what I say, he knows me so well and knows every little gesture when I get impatient, or when I am not really happy. And I was nervous about not being able to have the right direction for him, to see him stuck and not being able to push him. So it was challenging, but we made a private pact that we were going to try to be as open and honest and emotive as possible and give to each other as much as we could and, succeed or fail, we would just lay it bare. These were very sensitive themes and I know Brad’s triggers and what he can do and what he is thinking about so I had to step away and just be very careful in how he was directed. I tried to give him a safe space and tell him to trust me and I would do my best to protect him in the editing room if he would be as open and give me as much of himself and his emotions and his honesty, and he did. I think he worked very hard.”

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Turning 40: “I turned 40 this year and I am so happy. Most women in my family start to get sick and start dying in their 40s and I am going to be very happy to become 50 and 60. I love getting older.”

Taking the kids to Cambodia: “Maddox is working with me in production so when I have my production meeting he is sitting right next to me and we go though our notes. Pax is going through the photography and Shiloh is sketching the sets. It has to be with family and they have to be a part of it now.”

She hopes she keeps getting directing work: “I love directing and I would love to be allowed to do more films and I hope I’m a good enough director to keep getting jobs. Most of my films are based on a history that’s important to me. I don’t have the same connection with By the Sea although it’s important because humanity in life is important. But I think I am

 

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Anthony Mackie explains

Anthony Mackie

Anthony Mackie made several unsavory statements earlier this year, especially when he said Selma didn’t win Oscars because people are “bombarded with race.” Then he switched gears with some weird sexist remarks like, “Make daddy a sandwich.” Mackie’s stayed quiet lately because he’s been busy shooting Civil War, although he briefly surfaced to try and find a girlfriend for his bro, Chris Evans. Mackie’s such a talented actor, but man, his messy mouth ruins everything.

Mackie is back to promote Our Brand Is Crisis. A few days ago, he said something about supporting Donald Trump but claimed to be joking. Now he’s spoken with the Daily Beast about Marvel’s Black Panther and more. Mackie very much wanted that role (which recently went to Chadwick Boseman); they hired Mackie to play Falcoln (in the Captain America movies) instead. It all worked out for Mackie, who was still able to yell “Cut the check!” after every scene, and he’s an Avenger. Mackie tells The Beast how a black director doesn’t have to helm Black Panther, and he does not deliver his sentiment well:

Mackie on international relations: “To be in that political world … they’re just different types of people. They’re not like normal regular people. They swoop in, impose their will, and swoop out. I think they have the ability not to care. Normal people, even if you do something, it still affects you in a certain way. In some way, shape, or form – old rule – you should never leave a place worse than when you found it. You should always try to make it a little better. But it’s funny to look at how drastically different people are in certain situations, because I don’t think we should go around the world and impose democracy on everybody. Some people just aren’t made for democracy. Some people just need a dictator. That’s just who they are.”

On race and directing Black Panther: “I don’t think it’s important at all. As a director your job is to tell a story. You know, they didn’t get a horse to direct Seabiscuit! The thing is I don’t think the race of the director has to do with their ability to tell a story. I think it’s all about the director’s ability to be able to relate to that story and do it justice. I think men can direct women, and two of my greatest work experiences were with female directors. So I think it all depends. May the best man – or woman – win.”

Why he lives in NOLA: “If you live in the sh*t, you’ll be in the sh*t. That’s why I live in New Orleans, because no one cares! No one bothers you.”

[From Daily Beast]

CB wanted me to mention that Mackie and Matt Damon are good buddies. They starred together in Adjustment Bureau, and Mackie won a bet, so he made Matty wear a New Orleans Saints jersey to visit David Letterman. So Mackie is all about ‘Nawlins for sure.

What do you think of Mackie’s thoughts on directing the Black Panther? The whole “they didn’t get a horse to direct Seabiscuit” is a ginormous oversimplification of the issue, but that’s Mackie. He’s a pretty cut-and-dried type of guy. Now make daddy a sandwich!

 

 

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Matt Damon mansplains diversity on Project Greenlight: problematic or fine?

Matt Damon Talks With NASA

Matt Damon, to date, has arguably yet to make a false move when it comes to his public image. (Yes there’s the Minnie Driver thing, which is ancient news.) This is of course in sharp contrast to his buddy Ben Affleck, who is going through a rather scandalous separation and most likely a divorce. All of that may have changed in the first episode of Damon and Affleck’s director-search reality series, Project Greenlight, which returned to HBO on Sunday after a ten year hiatus.

The context is that 13 young directors were chosen out of thousands of applicants to come to LA to shoot a short film, written by the Farrelly Brothers (Something About Mary, Dumb and Dumber). Their entries and subsequent interviews would enable a panel of nine Hollywood insiders, including the Farrelly Brothers, Damon, Affleck, and several producers, to pick a finalist to film a $3 million comedy for HBO. Unlike past seasons, this is more focused on the process of making the film, with the director selection occurring in the first episode.

As the panel, which consisted of seven white men and two women, discussed their final four selections, producer Effie Brown (Dear White People, But I’m a Cheerleader) brought up the fact that one directing duo was diverse. She had given voice over prior to this explaining why, as a woman of color growing up in the 70s, minority representation was important to her. She said “There weren’t a lot of positive representations of women and people of color [in film]… we were gangsters, prostitutes, drug addicts… this is an opportunity where I can change that.” Then, when Brown tried to advocate for the directorial team of her choice, a woman and a recent emigrant from Vietnam, Damon interrupted her and shot her down with a problematic argument – that casting could make up for a lack of minorities behind the scenes. It’s worth noting that Brown was the only panel member who voted for this directing team, but that doesn’t excuse Damon’s explanation. Also, the only black person in the film would be a prostitute (Harmony) with a white pimp, and everyone agreed that the script was questionable and would need to be changed.

Here’s that exchange in some context. If you watch the show it’s at about 30 minutes in, and there’s a shorter clip below:

Brown: I just want to bring out something. I want to urge people that whoever this director is, the way that they’re going to treat the character of Harmony, her being a prostitute, the only black person, her being a prostitute who gets hit by her pimp. You’re looking at this group right here and who you’re picking and the story that you’re doing and I want to make sure that we’re doing our best for the film.

Damon: I would say that only team that’s left with diversity is the team that announced that they liked this script the most as it is and that’s Leo and Kristen. Everyone else had major problems with it, with exactly the things you’re bringing up and exactly the things that we brought up to each other, so I…

Brown: Not necessarily true.

Damon: So I think on the surface they look like one thing but they might end up giving us something that we don’t want and we’re talking about diversity, you do it in the casting of the film, not in the casting of the show.

Brown: Whoo. Wow. Ok.

Damon: Do you want the best director?

Brown: Hold on, I’m not mad. With love in my heart, even Leo and Kristen talked about, and we can roll it back, he said it was good having her because she has a perspective that he hadn’t even thought about when talking about women. They did talk about it.

Damon: Right, that’s totally fair.

Jennifer Todd, President of Pearl Street Films: You know, I have a problem with Harmony.

Peter Farrelly: Everybody does. I have a big problem with it as written.

Todd: I don’t look to just them to fix that, to be honest, I think we also have work to do.

Matt Damon (in voiceover): I’m glad Effie flagged the issue of diversity for all of us because filmmaking should [be shown] through a broader net and it’s high time for that to change, but ultimately if suddenly you change the rules of this competition at the eleventh hour, it just seems like you would undermine, what the competition is supposed to be about, which is about giving somebody this job based entirely on merit and leaving all other factors out of it. It’s just strictly a filmmaking competition.

Matt Damon (back in room): I think the whole point of this thing is you go for the best director, period. This is what we have and this is what we have to chose. The only thing I can go by is the work that they’ve done.

[From Project Greenlight, aired 9-13-15]

Damon argued that they could change the way the character was treated (although Damon was not as emphatic about it as the others) and that this particular directorial team may have been diverse, but that it didn’t mean that they would deliver in creating a nuanced character of color. His argument, that it didn’t matter if there was diversity behind the scenes, was short-sighted and he should know better. This issue received so much press this awards season with the snub of Ava DuVernay for a best director nom and the revelation of how white and old the Oscar voters are. Less than 7% of the highest grossing film directors are female, not to mention the lack of minority representation in film both behind and in front of the camera. Both matter, and both affect each other.

Ultimately they picked the director they thought would do the best job, but it’s telling that there was just one minority member on their panel and that her argument was quickly dismissed. Damon may have been “right” in the context of the competition, but he could have acknowledged Brown’s argument instead of dismissing it out of hand. Even the most liberal producers and directors can be blind to the issue of lack of diversity in film. Also, Kaiser wanted me to point out that the “merit” argument is “what white people use to silence diverse voices again and again.”

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Benedict Cumberbatch & Sophie Hunter attend the Moet BIFAs: cute or try-hard?

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Good lord, Benedict Cumberbatch is trying to kill me! I mean, I’m actually sort of grateful that Harvey Weinstein has orchestrated The Oversaturation of The Batch, because it gives us something to talk about, like, every single day. But it is TOO MUCH, you know? I’m worried. Anyway, everything that I said yesterday was wrong. Bendy was only in LA for less than 24 hours by my count. He was back in London last night for the Moet British Independent Film Awards. Sophie Hunter, his lover and fiancée, was on his arm. Because she’s super-supportive, you guys.

What else? Well, I’m glad to see that Sophie did not wear another floral gown for this red carpet. That proves to me that she’s actually reading some of the comments on Twitter and on the blogs, from people complaining about her over-reliance on floral dresses (especially given Bendy’s specific name-check of certain groups of female fans as “The Florals”). Sophie’s dress last night was Emilia Wickstead. It’s leather and that collar is too much, I think. Her little box-clutch is super-awkward too, and I wish she would change up her hair game, but whatever. Does she look pregnant? Or is she just carrying a very small pasta baby?

Anyway, Bendy had to come to the awards show because they announced a month ago that he would receive the Variety Award for “helping to focus the international spotlight on the UK.” It’s a good thing he won that, because The Imitation Game was completely shut out of all of the other awards! TIG was nominated in most of the major categories and… nothing. No awards. As for Bendy’s speech for the Variety Award, here’s a partial transcript:

“Oh holy crap. Thank you so much, it’s a very strange experience to be in your own audience. It’s a ridiculous honour to be here, not least because of the output and the standard of previous recipients. I feel this is a very premature way to acknowledge mine, but it will inspire me to work harder to feel like I deserve it, and that won’t really be difficult because I love my job. I love my industry, I love the people I get to work with, a lot of whom are in this room, I love the communities and the families that each job brings together, and I love how proud we can all be in taking stock of moments like this, and how proud we can be as filmmakers in the UK who in spite, or maybe because of not having a studio system, is a world leader.

“And it’s not just the people in this room we should be celebrating, it’s the armies of craftsmen who are the envy of the world and keep the world coming back for more business here. Chippies, electricians, riggers, drivers, security men, location scouts and managers, costume assistants, runners and camera and sound crews, casting directors, a few of whom are here tonight, and thank you very much for my career, costume assistants… I’ve said that already, but they really are amazing, they do the worst hours of any of us and do deserve a shout out, even if it’s twice, in the same speech… yes, and even our caterers deserve a shout out. So no matter how lonely or scared or ‘independent’ I feel standing up here, there are legions of people who supported me to a point where I can just get up in the morning and do my job.

“My home team: my mother and father and my fiancée Sophie. This belongs to all of you. Making you proud is a wonderful engine to do what I do.”

“My god, I don’t think I’ve ever been more nervous in my life. [No one wrote his speech] this is all my own mumbling outpourings. All of us as freelance artists and filmmakers crave autonomy, and to be independent and free from outside controls, anything that makes us dependent on politics or money or an outside authority. For me some of the most exciting moments in cinema are always when the odds are against you and authenticity is still achieved, the work triumphs in a spirit of independence. I’m thrilled to have had my success in some of the goliaths of the film industry, and I’m very happy with some of what you’ve seen tonight, but I owe coming into that sphere to the Davids of this world…in that overstretched analogy. Congratulations to everyone here, and happy Christmas.”

[From Radio Times]

Good lord that man can talk. I don’t know what else to say except that Bendy puts Sophie with his parents in his laundry list of thank yous. I really do wonder if Wanda wholeheartedly approves of this mess?

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Photos courtesy of WENN.

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Benedict Cumberbatch brings Blue Steel otter realness in London: yay or nay?

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Here are some photos of Benedict Cumberbatch, out last night in London for the opening of Bally’s flagship store. I have to say… our Otter King looks really good in these photos. I would even call him “handsome” here, and that’s not a word I’ve been using since he got that haircut. And no, this boy should not be allowed to dress himself. I think he was trying to look like he just effortlessly pulled together an outfit in seconds, but it looks like he spent time putting together this ensemble and he just doesn’t know how to put things together. Ever. I hope he gets a stylist for his Oscar campaign! #AlltheVelvet

Other Benedict stuff… Bendy was filming more Richard III stuff this week and photographers got some shots of him in a black robe, looking like The Otter of Death. The Grim Otter? Go here to see the shots. I’m strangely turned on.

There’s also this newly released video of his Desolation of Smaug mo-cap work. I’m sort of embarrassed for him here, although I’m sure this is what directors want, right? They want an actor who is not afraid to look foolish or weird or whatever.

And finally, Bendy has a new interview with The National Student – go here to read. We’ve heard variations on most of those quotes before.

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Photos courtesy of Fame/Flynet.

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Olivia Wilde – Glowing Mom-to-Be

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Pregnant Olivia Wilde looked beautiful in a blue dress that showed off her baby bump at the premiere Of Warner Bros. Pictures’ “Her.” held at Directors Guild Theatre in West Hollywood a few days ago.

See more of Olivia next!

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