Bethenny Frankel got a fake Chanel logo tattoo on her shoulder
It has been one week since Bethenny Frankel was turned away from a Chanel boutique
Talk about most famous celebrities: gossip, glamour, hot, ..
It has been one week since Bethenny Frankel was turned away from a Chanel boutique
26 year-old Kristen Stewart and her new ultra platinum hair showed up yesterday evening at an event hosted by CHANEL to celebrate the new fragrance N 5 L’ EAU at The Sunset Tower in Los Angeles. How do you like her look here? See more! (…)Read the rest of Kristen Stewart’s New Do at Chanel’s Dinner Party (1 words) © Versus for Skinny VS Curvy, 2016. | Permalink | 13 comments | Add to del.icio.us Post tags:
On how fashion doesn’t love plus-sized women: “I love the American fashion industry, but it has a lot of problems, and one of them is the baffling way it has turned its back on plus-size women. It’s a puzzling conundrum. The average American woman now wears between a size 16 and a size 18, according to new research from Washington State University. There are 100 million plus-size women in America, and, for the past three years, they have increased their spending on clothes faster than their straight-size counterparts. There is money to be made here ($20.4 billion, up 17 percent from 2013). But many designers — dripping with disdain, lacking imagination or simply too cowardly to take a risk — still refuse to make clothes for them.” On what designers think: “I’ve spoken to many designers and merchandisers about this. The overwhelming response is, “I’m not interested in her.” Why? “I don’t want her wearing my clothes.” Why? “She won’t look the way that I want her to look.” They say the plus-size woman is complicated, different and difficult, that no two size 16s are alike. Some haven’t bothered to hide their contempt. “No one wants to see curvy women” on the runway, Karl Lagerfeld, head designer of Chanel, said in 2009. Plenty of mass retailers are no more enlightened: Under the tenure of chief executive Mike Jeffries, Abercrombie & Fitch sold nothing larger than a size 10, with Jeffries explaining that “we go after the attractive, all-American kid. This a design failure and not a customer issue. There is no reason larger women can’t look just as fabulous as all other women. The key is the harmonious balance of silhouette, proportion and fit, regardless of size or shape. Designs need to be reconceived, not just sized up; it’s a matter of adjusting proportions. The textile changes, every seam changes. Done right, our clothing can create an optical illusion that helps us look taller and slimmer. Done wrong, and we look worse than if we were naked.” On the fact that it is depressing to shop while plus-sized: “Have you shopped retail for size 14-plus clothing? Based on my experience shopping with plus-size women, it’s a horribly insulting and demoralizing experience. Half the items make the body look larger, with features like ruching, box pleats and shoulder pads. Pastels and large-scale prints and crazy pattern-mixing abound, all guaranteed to make you look infantile or like a float in a parade. Adding to this travesty is a major department-store chain that makes you walk under a marquee that reads “WOMAN.” What does that even imply? That a “woman” is anyone larger than a 12, and everyone else is a girl? It’s mind-boggling.” On how plus-size collections are all dated: “Despite the huge financial potential of this market, many designers don’t want to address it. It’s not in their vocabulary. Today’s designers operate within paradigms that were established decades ago, including anachronistic sizing. (Consider the fashion show: It hasn’t changed in more than a century.) But this is now the shape of women in this nation, and designers need to wrap their minds around it. I profoundly believe that women of every size can look good. But they must be given choices. Separates — tops, bottoms — rather than single items like dresses or jumpsuits always work best for the purpose of fit. Larger women look great in clothes skimming the body, rather than hugging or cascading. There’s an art to doing this. Designers, make it work.” … says Tim. Incoming search terms:Plus Size Clothing, Tim Gunn © Versus for Skinny VS Curvy, 2016. | Permalink | 21 comments | Add to del.icio.us Post tags:
Even though I think some of these straps are unnecessary, this dress might be my favorite from Blake Lively’s promotional fashion show. Blake saved the best for last! Maybe. Blake was spotted out in NYC on Friday wearing this Emanuel Ungaro dress. So much prettier than her premiere minidress, right? This should have been the premiere dress. And if Blake has been trying to start a trend during this pregnancy, it’s with under-boob cutouts on maternity clothes. I don’t really get why that’s a thing, but here we are. Meanwhile, Blake appeared on the Tonight Show on Friday to promote Café Society. In this clip, Blake tells Jimmy Fallon that baby James calls Jimmy “dada,” and she has the video proof. In this clip, Blake tells other stories about baby James. James points out when anyone – man or woman – has a belly and says “baby!” James also has a little lisp so for “stand” she says “shtand” and for “sit” she says “sh-t.” Blake also made a joke: “It should be illegal to be pregnant in New York in July. I swear, I’m going to make my water break just so I can cool down.” And there you go. Incidentally, I read Vogue’s review of Café Society, and I came away pretty disturbed about the film and Woody Allen in general. Vogue says that Blake and Kristen Stewart are set up as woman/girl archetypes, as in Blake is playing the womanly bombshell that Jesse Eisenberg has to “settle” for despite the fact that he’s in love with the girlish, Lolita-esque character played by Kristen Stewart. Jesus, that’s so gross. Photos courtesy of Fame/Flynet.
Last night was the big New York premiere of Café Society, the Woody Allen film which debuted at Cannes this year. It feels like people are pretty excited about the film for some reason, but not because the reviews are stellar or anything. Café Society is currently sitting at 80% at Rotten Tomatoes, but the reviews I’ve seen are mostly “this is an okay movie.” This isn’t Blue Jasmine, where as soon as critics as saw that film, everyone knew that Cate Blanchett was going to win an Oscar. This is mid-range Woody Allen-as-filmmaker, not the best but not the worst. I think most of the excitement about the film is because of Kristen Stewart and Blake Lively, honestly. Two “fashion girls” on the promotional trail, wearing interesting things. And Kristen’s Chanel dress at the premiere was “interesting,” if “interesting” means “she looks like a hipster milkmaid.” We talk a lot about Alicia Vikander and Jennifer Lawrence’s respective Louis Vuitton and Dior contracts and how those contracts have become rather nightmarish for them, but I really think K-Stew’s Chanel contract should be part of that conversation too. Kristen and Chanel don’t really fit together, right? She was better off with her Balenciaga contract years back. You know what I hate the most about this dress? The giant “C” Chanel-branding on the skirt. WTF? Blake Lively “hid” her bump under this Carolina Herrera flouncy minidress. In some dresses, you sort of forget Blake is even pregnant, and this is one of them. She looks great, she looks cute, etc. But it makes me nervous to see a 6-months-pregnant lady in those high heels and such a short dress. Here’s Woody and Soon-Yi. And finally, here’s Parker Posey. Parker is… amazing. Photos courtesy of WENN, Fame/Flynet.
After she threw a racist, homophobic tantrum on Twitter this week, Azealia Banks has finally gotten banned from the social media site. [The Blemish] Blake Lively’s Chanel look is ridiculous. [Go Fug Yourself] Woody Allen’s powerful publicist banned The Hollywood Reporter from the Cannes press conference for Café Society. [LaineyGossip] Rob Gronkowski covers the new issue of GQ. [Dlisted] The Real Housewives struggle to get in shape too. [Reality Tea] Some of the great “gay moments” of soccer. [OMG Blog] George Zimmerman is being trolled online. Good. [Pajiba] ABC canceled Nashville too. [Jezebel] Halston Sage is someone’s actual name. [Moe Jackson] Gigi Hadid, what are you wearing? [Popoholic] I’m not sure about this dress, Anne Hathaway. [Wonderwall] Would you #LiveTweetYourPeriod for feminism? [XOJane]
Here are some photos from the Cannes photocall for The Dancer, also being called La Danseuse (French for “the dancer”). The film is being called Lily-Rose Depp’s big entrance into acting, and she stars as Isadora Duncan. Soko – best known around here as Kristen Stewart’s melodramatic ex-girlfriend – plays Loie Fuller. I was expecting the fashion-story around this film to be centered around Lily-Rose, honestly. I wasn’t expecting Soko to bring it at all. But Soko brought it! And Lily-Rose just didn’t. Lily-Rose is wearing Chanel shorts and insouciance. Soko wore this lace Chloe dress which just looks like a gigantic doily to me. I was going to shade the sh-t out of this choice, but then I looked up Loie Fuller and I saw this amazing photo of her. My point? I think Soko is homage-ing the real Fuller with this look, and for that, I can’t shade her. I’ll also say this as gently as possible but… I didn’t realize that Soko is actually quite pretty? In paparazzi photos with K-Stew and on other red carpets, she’s looked sort of grungy and like she thought our notions of beauty were petty bourgeoisie nonsense. But she took a shower and applied some makeup and she looks nice. Also: there’s already some drama on the Kristen Stewart thing. Following their split a few weeks ago, Soko slammed Kristen (maybe) as a “f—king cheater.” Now they’re both in Cannes and attending the same Chanel party. They arrived separately and things were probably “tense.” Last thing: I didn’t realize that Gaspard Ulliel is in this film. Gaspard is MY FRENCH BAE. He’s mine! I love him and I don’t see enough of him. Those dimples kill me every time. Photos courtesy of WENN.