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Will Smith on #OscarsSoWhite: ‘It feels like it’s going the wrong direction’

I get that not everyone likes or enjoys Jada Pinkett Smith and Will Smith, but can we agree on something? Like, Will Smith is a major movie star for a reason. He’s incredibly charismatic. I was reminded of that while watching his interview on Good Morning America on Thursday. Will stopped by GMA to discuss his wife’s boycott of the Oscars and the subsequent backlash. And while I defended Jada previously, I have to say that if she wants people on her side, she just needs to send Will out there to speak on her behalf. He has all the charisma in that family. Here’s the video: Some assorted quotes: He wasn’t part of Jada’s video but he supports it: “I was out of the country at the time, and I came home [and said], ‘What happened?’ She’s deeply passionate, and when she’s moved, she has to go. I heard her words, and I was knocked over. I was happy to be married to that woman. I appreciated the push. There’s a position that we hold in this community, and if we’re not a part of the solution, we’re a part of the problem. It was her call to action for herself, for me and for our family to be a part of the solution.” The two times Will has been Oscar nominated, he lost to black men: “That was huge. So when I see this list and series of nominations that come out — everybody is fantastic, and that’s the complexity of this issue. Everyone is beautiful and deserving and is fantastic, but it feels like it’s going the wrong direction. It reflects a series of challenges we’re having in our country at the moment. There’s a regressive slide toward separatism.” The regressive slide: “The nominations reflect the Academy, the Academy reflects the industry… and the industry reflects America. There’s a regressive slide toward separatism, toward racial and religious disharmony.” He says Jada isn’t just mad about Will’s snub: “For Jada, had I been nominated and no other people of color were, she would have made the video anyway. This is so deeply not about me. This is about children that are going to sit down and they’re going to watch this show and they’re not going to see themselves represented.” He won’t attend the Oscars without Jada: “It would be awkward for me to show up with Charlize [Theron]. We’ve discussed it and we’re a part of this community, but at this current time, we’re uncomfortable to stand there and say that this is OK.” Yeah, I think he’s telling the truth, and I think this is what he really believes. I also think that Jada’s video wasn’t his call, but after days of seeing his wife attacked, Will decided to get out in front and talk about it. While Will hasn’t been a major player in Hollywood for a few years, he’s still well-liked within the industry, in America and in the world (he’s a majorly bankable African-American star internationally). For Will to sit here and call out the Academy – and as he makes clear, the industry – it’s a big deal. Photos courtesy of WENN.

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Making A Murder filmmakers: ‘the [national] media are demonizing this man’

Embed from Getty Images Netflix’s controversial documentary series Making A Murderer continues to generate headlines and think pieces, most notably this excellent one from New Yorker magazine. At a panel discussing the series at the Television Critics Association’s winter press tour on Sunday, film creators Laura Ricciardi and Moira Demos addressed criticism that they painted a picture of Steven Avery that avoided mention of his violent past, including recently reported incidents of abuse against his ex-wife and ex-fiancee Jodi Stachowski, who told producers of Nancy Grace’s HLN show that he was a “monster”. Ricciardi responded to the critics by saying, “I think what we’re seeing now is actually history repeating itself. It’s now on a national scale that the media are demonizing this man in order to prove his guilt. What we did was we documented the Halbach case as it was unfolding. Whatever [allegations against Avery] you’re referencing now never came into that process at all. So it wasn’t relevant to our process. We looked at the history here.” At the panel discussion, Ricciardi also revealed that Steven Avery has not yet seen the documentary, saying, “He asked the warden and his social worker whether he would be able to see it and his request was denied. When we spoke to him recently, his focus was mainly on his case.” When asked if a sequel was on the horizon, Demos said, “This story is ongoing. These cases are open. But it’s real life. You don’t know what’s going to happen. So we are ready to follow these if there are significant developments. We will be there.” In other Making A Murderer news, Dean Strang, one of Avery’s defense lawyers, admitted during an appearance on CBS This Morning this past Friday that he has some doubts about the convict’s innocence. When asked if he felt his client could possibly be guilty he responded, “Sure, absolutely.” He then added, “And if it was OK to convict people on maybes, I wouldn’t be worried about this, but it’s not.” On the flip side, Strang said he was still not convinced of Avery’s guilt, stating, “I’m not at all convinced of his guilt, never have been.” It would be interesting to see how a sequel would handle all of the recent evidence, especially the details coming in about the vial of Avery’s blood that seemed to be the defense’s “smoking gun.” Photo credit: Getty Images, Netflix

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Cheryl Boone Isaacs calls for more diversity within the Academy’s voting blocs

As we discussed earlier, Chris Rock is currently feeling the pressure to possibly pull out of hosting the Academy Awards. Also feeling pressure? Cheryl Boone Isaacs, the president of the Academy and an African-American woman (the first African-American woman to hold that position). Cheryl was openly critical of her organization last year when the #OscarsSoWhite debacle first broke, but now it’s the second year in a row with no actors of color up for any awards and with all of the Best Picture nominees being films about white people. Boone Isaacs released a statement last night about the ongoing controversy: “I’d like to acknowledge the wonderful work of this year’s nominees. While we celebrate their extraordinary achievements, I am both heartbroken and frustrated about the lack of inclusion. This is a difficult but important conversation, and it’s time for big changes. The Academy is taking dramatic steps to alter the makeup of our membership. In the coming days and weeks we will conduct a review of our membership recruitment in order to bring about much-needed diversity in our 2016 class and beyond. As many of you know, we have implemented changes to diversify our membership in the last four years. But the change is not coming as fast as we would like. We need to do more, and better and more quickly. “This isn’t unprecedented for the Academy. In the ‘60s and ‘70s it was about recruiting younger members to stay vital and relevant. In 2016, the mandate is inclusion in all of its facets: gender, race, ethnicity and sexual orientation. We recognize the very real concerns of our community, and I so appreciate all of you who have reached out to me in our effort to move forward together.” [From USA Today] My thought: she’s doing what she can do. She’s not in charge of who gets hired for what project, and she’s not the face of diversity at a studio level. But she can change the makeup of the Academy voters and she can change the way minorities are represented within the Academy. I would also make a suggestion that Boone Isaacs put her finger on the scale about some things, and actively participate in some Oscar campaigns for more diverse films, like she could host Academy screenings for films that are more diverse and give those films the stamp of approval, you know? Meanwhile, David Oyelowo presented Boone Isaacs with an award yesterday for MLK Day. Oyelowo was notably snubbed for an Oscar last year for his work as Martin Luther King Jr. in Selma, and he had harsh words about the Academy (not really Boone Isaacs specifically). Some highlights: “The Academy has a problem. It’s a problem that needs to be solved. A year ago, I did a film called Selma, and after the Academy Awards, Cheryl invited me to her office to talk about what went wrong then. We had a deep and meaningful [conversation]. For 20 opportunities to celebrate actors of color, actresses of color, to be missed last year is one thing; for that to happen again this year is unforgivable… The reason why the Oscars are so important is because it is the zenith, it is the epitome, it is the height of celebration of artistic endeavor within the filmmaking community. We grow up aspiring, dreaming, longing to be accepted into that august establishment because it is the height of excellence. I would like to walk away and say it doesn’t matter, but it does, because that acknowledgement changes the trajectory of your life, your career, and the culture of the world we live in… This institution doesn’t reflect its president and it doesn’t reflect this room. I am an Academy member and it doesn’t reflect me, and it doesn’t reflect this nation.” [From The Hollywood Reporter] That made my chest hurt. David really did want an Oscar nomination. Despite what people say, everyone really does want the nomination. They want to be acknowledged by the most prestigious film organization in the world. They want to feel like their voice, their art, their story is being represented. And for a second year in a row, they were told to suck it. Embed from Getty Images Photos courtesy of Getty, WENN.