the oscars

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Bella Thorne: ‘Girls are just mean and so competitive — it’s so crazy’

For my money, Bella Thorne is the new Lindsay Lohan. I don’t mean that Bella is a cracked-out trainwreck. I mean that Bella, who turned 18 years old last October, reminds me strongly of Lindsay when Lindsay was that age. And yes, Bella is gingery and thirsty and she loves it when she’s photographed in various stages of undress, so there is that Lohan vibe to her too. Bella also has a knack for talking sh-t and giving pretty good interviews, so there’s that too. Bella covers the new issue of Galore Magazine, and she talks about real-life mean girls, #AskHerMore and beyond. Some highlights: Girls are so mean: “I don’t get offended because girls are really mean. I will say — no matter where you go in life, it’s high school everywhere. I’m sure in the work office, for you, there’s high school [drama], and there’s one girl who’s bitchier than everybody. Girls are just mean and so competitive — it’s so crazy.” She prefers hanging out with guys: “I’m very chill in that way. Other girls sometimes get really, really like, competitive and catty and ‘Who likes who? You like him? Too bad. I like him. We’re going to have a problem now.’” She is friendly with Mae Whitman & Chloë Grace Moretz though: “They’re all just such homeys. When somebody has a lower vocal range, it’s great because then I’m not the only one that sounds like a man. It’s the girls that are tomboys that I’m so down, any time of day, because I like to get my hands dirty. Germs don’t freak me out, and so I’m really just down to chill, you know, and watch movies. Anybody that can do that, any girls who can do that, you’d be surprised that like, everybody just wants to chill. But it’s not all the time. Girls ask me, ‘Let’s go out? Let’s go to this party? My friend’s famous and we should totally go there.’ And I’m always just like, ‘No! I’m tired, dude. I’m so tired. I just want to go home, watch a movie, sit on Netflix, and eat Top Ramen or order food.’” She works out all the time: “I work out every single day, sometimes multiple times a day. I only really work out my core, abs, and legs, and butt is included in that. I don’t really work out my chest or shoulders all that often because I personally don’t love that look. But what’s really good is jumping squats—really good.” She doesn’t diet: “I eat whatever I want all day long. I eat anything spicy, greasy, fried, with carbs, literally, everything. My skin doctor told me, ‘You need to cut out this, this, this, this.’ I’m like, ‘Shut up! No, I don’t. You just want to make me miserable and dependent on you, and I’m not going to because I’ll eat whatever I want.” She doesn’t believe in #AskHerMore: “When I watch The Oscars, my boyfriend and I have an Oscar party, and they’re like, ‘Okay, we need to record the first part since everyone won’t be here till later.’ And he’s like, ‘Why do you need to see the carpet? You do that all the time.’ And I’m like, ‘OMG bitch, I’m not on the Oscars carpet!’” [From The Daily Mail & Page Six] Of course I was rolling my eyes throughout this piece, but I’d like to say… I think there are many teenagers just like this. This self-absorbed and self-aware, this obsessed with telling you what they’re like and how cool and how chill they are and who’s in their clique and what they think about gender politics because OMG that girl was so bitchy to me. Maybe many of you know some great, amazing, inspiring 18-year-olds, but from what I’ve seen, a lot of them are like this. All I’ll say is that I’m really “over” young women telling people that they’re more of a hang-with-the-guys kind of girl, that all girls are so mean and catty, etc. You don’t sound cool. You sound like the mean, catty person. Photos courtesy of Galore.

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Charlotte Rampling on her #OscarsSoWhite drama: ‘I’m anything but racist’

In the heat of this year’s Oscars race, the #OscarsSoWhite controversy blew up. For the second year in a row, there were no major nominations for minority actors. The controversy got so bad that the Academy is still undergoing renovations to the voter rolls and trying to bring in some fresh blood and hopefully more diverse membership. The controversy also got so bad that various (white) actors had to answer questions about the all-white party known as the Oscars. One of those actors? Charlotte Rampling. Rampling was asked point-blank about the #OscarsSoWhite controversy and she said: “It is racist to whites. One can never really know, but perhaps the black actors did not deserve to make the final list,” added Rampling. Asked if the Academy of Motion Picture Arts and Sciences should introduce quotas, a proposal which no current advocate of increased diversity has mooted, she responded: “Why classify people? These days everyone is more or less accepted … People will always say: ‘Him, he’s less handsome’; ‘Him, he’s too black’; ‘He is too white’ … someone will always be saying ‘You are too’ [this or that] … But do we have to take from this that there should be lots of minorities everywhere?” [From previous story] Within hours, Rampling’s publicist made her issue an apology in which Rampling claimed that her comments had been “misinterpreted” and that she of course believes that “in an ideal world every performance will be given equal opportunities for consideration.” While her clarification left me cold (it was basically “sorry you read the words I actually spoke”), Rampling really didn’t suffer because of it. She didn’t have to answer any other questions about race and her belief that minorities were being racist to white people. Well now, months later, Rampling is talking about it again. Charlotte Rampling has defended her controversial Oscars race row comments insisting her words were simply misunderstood. “I probably think it was misinterpreted at the time. I thought, ‘Oh my god, what have I said’. It was in no way what people thought,” says the 70-year-old, who was nominated for best actress at the 2016 Academy Awards for her performance in British drama 45 Hours. “After I just didn’t listen to anything so I don’t know who said what about it. I can’t really say too much now. I could have easily had a dialogue but I wasn’t going to do that after what I said. I’m anything but racist.” [From Express] “I could have easily had a dialogue but I wasn’t going to do that after what I said. I’m anything but racist.” I have literally no idea what she’s trying to say there. Is she saying that of course she isn’t racist and she could have totally had a dialogue about what she said but she knew everyone would just say that she’s racist and she’s totally not racist, you guys. We know she’s not racist because she says so! And it’s like she wants bonus points because she COULD have had a dialogue about race but she didn’t. I would have been fascinated to hear that dialogue. Photos courtesy of WENN.

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Elizabeth Olsen let her sisters dress her up like a goth ghost for the CFDAs

The CFDAs were held last night in New York. I generally find the CFDAs kind of boring, fashion-wise. It’s not the Met Gala and it’s not the Oscars. Some ladies try to do something different, but most people just look vaguely nice and not particularly noteworthy. Take the Olsen sisters – we’ve seen Mary-Kate and Ashley Olsen look like Victorian ghosts a million times before. The only difference is that at the CFDAs, they dressed their little sister Elizabeth in The Row and now she looks like a Victorian ghost now too. More photos… Stephanie Sokolinski (Soko!!) looking tired in Gucci. It really is about styling with this woman, and I really, really want to take away her pink-brown eye makeup. The dress is fine (and it suits her) but I think she would look better with different hair and makeup. Adriana Lima in Marc Jacobs. I like that she wore pants. This outfit is nice. Riley Keough in Proenza Schouler. I’m actually not a fan of Proenza Schouler, I think the clothes usually look overworked and fashion-student-y. But this was one of my favorite dresses at the event. Jessica Chastain in Prabal Gurung. Love the dress, hate the styling. Chastain was doing so well, and I really thought she had gotten some better hair and makeup people. But maybe not. Because she should never, ever do her hair like this. Jennifer Hudson in Prabal Gurung. Pretty dress, but it feels too big and heavy for this event. I also don’t like how she matched her lipstick to the dress exactly. Photos courtesy of WENN.

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Chris Evans: It’s a ‘bummer’ when ladies text me back right after we meet

I don’t remember covering these photos of Chris Evans from the Oscars, so here you go. Better late than never. Chris attended this year’s Oscars as a presenter, and he brought his sister Carly and his brother Scott as his dates. He even brought them to the Vanity Fair Oscar party (and Scott is HOT!). Chris is Boston born and bred and he’s always been pretty clear about what he’s looking for in a woman/girlfriend/wife: he wants a Boston girl. A Boston girl with some junk in the trunk. Back in 2012, he told Playboy that he likes “strange things” and “I like a good ass… I can say that? I like a big ass.” So, his obsession with ladies having some junk in the trunk has been documented over the years. Chris went on Anna Faris’ podcast this week and she got him to talk more about how he’s an ass man, whether he’s ever sent a dick pic and whether he likes it when girls text him right away. Chris Evans is a man that knows exactly what he likes. The actor stopped by Anna Faris’ podcast titled Anna Faris Is Unqualified, alongside comedienne Jenny Slate, when things took risqué turn and got candid very quickly. Anna asked Chris whether he’s more interested in T or A, and if he’s into being sent nude photos from ladies he’s romantically involved with. “I’m way more of an ass man, clearly,” he said while laughing on the program. “I like butts. I guess [I like] butt pics.” He also joked that while some may regret sending naked photos (security reasons aside), “nobody sends a bad dick pic…There’s always like a full photo shoot, like a four-hour photo shoot with filters,” he added without confirming (or denying, really) that he was speaking from experience. Anna chimed in by noting that she and hubby Chris Pratt used to send lovey dovey shots to one another, but “we try to be careful now about what we send each other.” Then, Anna quizzed Chris on his pickup game—take note, everyone. “Let’s say you meet a super hot girl at a bar. You feel like a nice connection with her and she’s really hot,” Anna began. “Would you give her your own number or your assistant’s [number]?” “I would probably ask for hers,” he answers. Nicely done, Chris. But he adds that too much communicating right out of the gate can be a bad thing. “Let’s say we met at 10, and I left the bar at 11 and I sent her a text at 11:30 saying, ‘Hey, it was great to meet you.’ And she responds, ‘Yeah, you too.’ And at 3 a.m. there’s another text [from her], right away it’s a little bit of a bummer.” [From E! News] So if you are a lady with some junk in the trunk and a Boston accent, and Chris Evans gets your digits, don’t text him back right away. Even if he’s sending you airbrushed dick pics and texting you just minutes after you’ve met. Do not text him right away. He likes “the hunt.” He likes mystery. He likes to be kept waiting. Just FYI. Also: what would you do if Captain America sent you a dick pic? While he’s not my favorite person or anything, I think even I would be into it. Truly. Photos courtesy of WENN.

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Why didn’t people clap for Mad Max costume designer Jenny Beavan?

Embed from Getty Images Jenny Beavan took the home the Oscar for Best Costume Design for Mad Max: Fury Road last Sunday. As soon as she hit the stage, my girlfriend in New York shot out a group email saying, “How bad@ss is it the Best Costume Designer is wearing a leather jacket?” We all sent back cyber fist bumps. Apparently, the glitterati of Hollywood did not share our enthusiasm. As Jenny walked victorious to the stage, a number of high ranking entertainment industry folks either looked dismayed or withheld applause. The soon-to-be Best Director Alejandro Iñárritu even folded his arms across his chest. The question is, were his actions sour grapes that his designer for the The Revenant lost or did all the haut monde feel Jenny was too casual for their fancy dress party: What gives? Some of Hollywood’s biggest talents refused to clap for Mad Max: Fury Road costume designer Jenny Beavan on Sunday, February 28, as she walked up to the Dolby Theatre stage to accept her Academy Award — and the reason why they didn’t applaud her is even worse. Beavan broke away from the Oscars’ traditional dress code at the 88th awards ceremony, proudly grinning and walking down the aisle in a leather jacket (complete with a studded skull on the back) and a striped scarf. As she walked by, several audience members glowered and gave her judgmental looks. Four-time-Oscar-winning director Alejandro Iñárritu crossed his arms and glared, while Spotlight director Tom McCarthy touched his face with a confused expression. Other members of the audience were seen giggling and smiling before raising their hands to belatedly clap for the recipient. [From Us Weekly] This jacket is looking to take down Awards Season. This is the same jacket, minus the bedazzled Skull of Awesome, Jenny wore to the BAFTAs when Stephen Fry joked, “Only one of the great cinematic costume designers would come to an awards ceremony dressed as a bag lady,” after she’d won for Max. Twitter attacked him and he quit Twitter saying, “Will all you sanctimonious f****** f*** the f*** off Jenny Beavan is a friend and joshing is legitimate. Christ I want to leave the planet.” After the BAFTAs, Jenny said she wasn’t comfortable in a gown and her bad back prohibited heels. Then she quipped, “… This was a homage to Mad Max and I obviously didn’t get it quite right at the Baftas, the scarf was meant to be an oil rag.” The best news? The jacket is not only faux-leather but currently on sale at Marks and Spencer for about $60. I am not saying Oscar fashion isn’t important; I salivate over the gowns and rush to read the commentary on this website as quickly as you do. But Jenny wasn’t asked to present, she wasn’t loaned a gown or even interviewed on the red carpet; she had the luxury to wear something more comfortable. Fellow nominee Sandy Powell made a statement with a David Bowie inspired suit and all that got her was Juliana Ranic and Kris Jenner misidentifying her as Tilda Swinton. Designer Jacqueline Durran wore a long denim tied-front jacket to accept her Oscar in 2013 and in 1995 Lizzy Gardiner infamously wore a dress made of American Express Gold cards. Sure Jenny could have paired her jacket with silk palazzos but I stick with my girlfriend’s original assessment – it was bad@ss. Embed from Getty Images Embed from Getty Images Embed from Getty Images Photo Credit: Getty Images and WENN Photos

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Is Garner competing with Affleck to see who can get the most publicity?

Jennifer Garner timed her Vanity Fair cover so that it came out on the Friday right before the Oscars. The last time she was at the Academy Awards was in 2014 when she was a presenter, and Affleck was her date. (That was the year following his 2013 win for Best Picture, for Argo.) This year she was a presenter again and she flew solo. So she wanted people to know about it, so she got some publicity ahead of the Oscars. It’s also interesting to me that Garner’s publicity blitz for her Christian movie, Miracles from Heaven, out March 16th, comes as Affleck is furiously trying to promote Batman v. Superman, out March 25th. Warner Brothers is said to be running scared because Deadpool changed the entire superhero genre with an insanely successful dirty, funny R-Rated movie made on a $58 million budget. Batman v. Superman is an old school dark superhero movie that looks like it takes itself too seriously. It may also end up being the most expensive movie ever made. Just a few months ago we heard that the production budget was up to $410 million. So there’s a lot riding on Batman v. Superman, including Affleck’s career. He wrote it after all. You get the sense that Garner is trying to steal his thunder, which I don’t blame her for. It’s clever, she’s not being openly disparaging of him despite the digs she got in during her interview and she’s getting her side of the story out there. Radar claims that Affleck’s team is livid about her VF interview because Garner confirmed that Affleck was with the nanny – even though she tried to soften the blow by saying they were separated at the time. They quote a source who claims Affleck and his team are “furious,” but that he “can’t do anything until after his movies come out.” He also has Live by Night slated for release, but Radar is wrong, it’s not out until 2017. So maybe that’s all conjecture, but it’s hard to see how Affleck’s people would sign off on Garner’s VF interview. In the latest news about these two, Affleck has a contest through Omaze which offers a ride in the Batman to the film’s premiere to a random person who donates to his charity, The Eastern Congo Initiative. He visited Warner Brothers Studio tour and surprised fans with a ride in The Batmobile. You can see that video here, it was actually really cute. Meanwhile Vanity Fair has released a video of Jennifer Garner reading Go The F-k To Sleep in her saccharine sweet way. This book came out in 2011 and yet another celebrity reading it seems hackneyed. I really do get the impression that she’s competing with him now, and that she’s going to show him that she can fight back and come out of it smelling like roses. Embed from Getty Images This is Affleck outside the Four Seasons hotel yesterday. He looks hungover. photos credit: WENN and FameFlynet

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Jessica Biel in Roland Mouret at the Spirit Awards: fabulous or fug?

The Independent Spirit Awards are usually pretty loose and come-as-you-are, which means you usually don’t get Fashion Girls just showing up for the hell of it. Like, that’s what the Vanity Fair Oscar party is for. So I’m not entirely sure why Jessica Biel came out for the Spirits – she presented, but was she even IN a film in 2015? Let me check… yeah, she was, but no one saw her sad 2015 films. Still, Biel came out and she tried to “win” the fashion show in this Roland Mouret dress. If I’m being honest, I kind of like this. I love the colors, and I love the low-key vibe. I just want to rework it a little bit. The skirt should be longer and the top part needs to be a touch tighter, and she shouldn’t have tried to match her eye makeup to the dress. Also, check out her shoes! Rachel McAdams in Solace. God, I want her to look amazing at the Oscars. While this, to me, doesn’t make it up to “amazing” status, it’s pretty good. I like that she went for something slightly different, and this is the most I’ve ever like this shade of pumpkin. I kind of think the dress would have been even better if the whole thing was that shade of cream though. Bel Powley in Mary Katrantzou Pre-Fall 2016. I like this, I just wish it was fully lined. Right? I have a strange affection for laser-cut leather, but this needed a built-in nude slip. Idris Elba. G—damn this man can wear a suit. Photos courtesy of WENN.