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THR: Japanese fans aren’t upset with Scarlett Johansson’s ‘Ghost’ casting

Earlier this week, we discussed the whitewashing drama that surrounds the Hollywood adaptation of the popular manga property Ghost in the Shell – go here to review Monday’s post. Interestingly enough, it seems that Americans and Europeans are the ones most upset about Scarlett Johansson’s casting as a character who was originally a Japanese woman. While Americans – specifically Asian-Americans – think this is just another terrible case of Hollywood whitewashing, it seems like ScarJo’s casting has been met with a shrug in Japan. The Hollywood Reporter did an interesting story about the reaction of Japanese fans to both Scarlett’s casting and the American whitewashing criticism. The casting of Scarlett Johansson as Major Motoko Kusanagi in the Paramount/DreamWorks adaptation of Japanese anime hit Ghost in the Shell has drawn accusations of “whitewashing” and sparked fierce debate on social media across the Western world. But in the home of the manga and anime cult classic, the reaction to the media firestorm was mostly surprise as many Japanese had already assumed that the lead role in a Hollywood version of the story would go to a white actress. The original manga, written by Masamune Shirow, was published in 1989 by Kodansha, which licensed it for Mamoru Oshii’s seminal 1995 anime feature, a number of Japanese spin-off films and anime series, and most recently for the Hollywood live-action version. “Looking at her career so far, I think Scarlett Johansson is well cast,” Sam Yoshiba, director of the international business division at Kodansha’s Tokyo headquarters, tells The Hollywood Reporter. “She has the cyberpunk feel. And we never imagined it would be a Japanese actress in the first place…. This is a chance for a Japanese property to be seen around the world.” Yoshiba recently returned from a visit to the New Zealand set of the movie, where he says he was impressed by the respect being shown for the source material. Many ordinary Japanese manga fans are also nonplussed at the outrage over the casting. “If you want a Japanese cast, then a Japanese company should make the film in Japan,” said long-time manga fan Tetsuya Kataoka. Interestingly, the casting of an Asian-looking actress may have avoided the “whitewashing” accusations and likely placated some fans in Europe and America, but provoked a worse reaction in Japan. “It’s a shame they didn’t choose a Japanese person to tell such an interesting story. But at least they didn’t cast a Chinese actress, like they did in Memoirs of a Geisha,” said Ai Ries Collazo, another manga fan. “[Zhang Ziyi] actually did an amazing job, but it was like: really? Again, can’t they find a Japanese actress? Though casting an Asian actress would probably have gone down better in America.” Japanese manga and anime fans pointed out that similar “race-bending” casting takes place in reverse for domestic productions. Two live-action movies based on the Attack on Titan manga, also originally published by Kodansha, were released last year. The characters in the manga by Hajime Isayama were Western, but the cast for the movies was all Japanese. [From The Hollywood Reporter] I guess it probably bodes well that Japanese manga fans don’t care that a white woman was cast, and I also see their point about “well, at least they didn’t cast some vaguely Asian actress in lieu of getting a Japanese actress.” I agree that it would have been worse if they hired a Chinese-American or Korean-American actress, like all Asian ethnicities are interchangeable. But still…despite what these manga fans and Japanese fans say, I still think this is pretty egregious whitewashing. Photos courtesy of Fame/Flynet, Dreamworks.

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AMC may allow texting in some theaters (Update: they have nixed this idea)

The movie industry is trying to adapt to new technology as you know. We can watch almost anything, anywhere except for first run movies in our homes and on the go on our devices. It’s even changing to the point where we will probably be able to rent first run movies at home soon at a premium. This should give us the opportunity to pause the show to go to the bathroom (although there’s an app for that*), get snacks and just not go through the hassle of traveling to watch a film with friends and family. There are a lot of inconveniences to watching movies away from home, not least of which (to some people) is the fact that we’re expected to turn off our phones for two hours. In a new interview with Variety, AMC head Adam Aron said that they’re looking into ways to allow texting during movies. AMC is now the world’s largest theater chain after their acquisition of Carmike Cinemas last month, so this is significant. Would appealing to millennials involve allowing texting or cellphone use Yes. When you tell a 22-year-old to turn off the phone, don’t ruin the movie, they hear please cut off your left arm above the elbow. You can’t tell a 22-year-old to turn off their cellphone. That’s not how they live their life. At the same time, though, we’re going to have to figure out a way to do it that doesn’t disturb today’s audiences. There’s a reason there are ads up there saying turn off your phone, because today’s moviegoer doesn’t want somebody sitting next to them texting or having their phone on. Would you have a certain section for texting? That’s one possibility. What may be more likely is we take specific auditoriums and make them more texting friendly. [From Variety] Variety also asked Aron about The Screening Room, which would allow consumers to rent first run films at home. (Creator Sean Parker has been trying to make deals with theater chains for a cut of the profits.) He wouldn’t comment, simply saying that he prefers “To keep our counsel private right now.” As far as checking phones and texting during movies, I was watching American Hustle when the news came through that Philip Seymour Hoffman had died. Bedhead had been trying to contact me. I know an extra two hours doesn’t make that much of a difference but I felt like I missed this sad news. So now I check my phone a few times during a movie. I’m careful to sit away from people if possible, I have the sound turned off and in the winter I’ll only check it under a poncho or oversized sweater to block the light from my phone. In the summer I just bring a light jacket or poke my head under my shirt. This is a good idea to allow texting I think, as long as it’s disclosed to everyone and moviegoers have a choice whether to attend texting-allowed movies or sit in that section. Maybe they can provide little blocking devices that you put in your lap where you can only see the light from your phone at certain angles. This doesn’t seem that hard to implement. Also, theaters should specify that all sounds must be turned off. No one wants to hear that tap-tap. Update: AMC has issued a statement saying that they have “Heard loud and clear that this is a concept our audience does not want” and that they will not be implementing this idea. I have also heard from you that it is very rude of me to check my phone, even under a sweater, while in a movie. I will stop doing this and have taken your feedback to heart. NO TEXTING AT AMC. Won't happen. You spoke. We listened. Quickly, that idea has been sent to the cutting room floor. pic.twitter.com/JR0fo5megR — AMC Theatres (@AMCTheatres) April 15, 2016 *Thanks CL for the tip! Photos credit: WENN.com

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Jennifer Aniston v. Julia Roberts: who rocked the best ‘business shorts’ suit?

Here are some photos from last night’s LA premiere of Mother’s Day, the latest Garry Marshall-directed holiday monstrosity. In this post, we are going to be discussing Business Shorts/Cocktail Shorts and whether they are ever a good idea. First, let me say – I don’t think Jennifer Aniston and Julia Roberts meant to both do Business Shorts for the premiere. Meaning, I think if Jennifer knew that Julia was going to do shorts, Jen probably would have gone with a cocktail dress. The fact that they both did Business/Cocktail shorts is amusing to me. Also amusing? Julia and Jennifer didn’t pose together on the red carpet at all. That just shows you Julia’s Alpha-Dog tendencies, just my opinion. We’ll start with Jennifer Aniston, who wore this sort of deconstructed Armani suit which, yes, involves shorts. At first, I just saw the top half and I didn’t care for it, but the whole look is much better. The cut-off on the jacket/shorts is very flattering to her figure and her body looks great. I think her face looks less filler’d and Botoxed too. Now if we could just stop with the hair-in-the-face styling. As for Julia, she wore this shorts-suit from Rag and Bone. While Julia looks nice, I feel like this is millionth time she’s tries to make Business Shorts a thing. And I’m just not feeling it. I get that she has crazy-long legs and she wants to show them off. But why not just do a short cocktail dress? I don’t know, I just feel like this wasn’t her best choice out of all the available options. Additional photos… here’s Jack Whitehall. He’s a British comedian and I mostly know him from his appearances on Graham Norton’s show. And finally, here’s Tracy Anderson, looking like she pulled her hair back to wash her face and somehow just ended up on this red carpet. Photos courtesy of WENN, Fame/Flynet.

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Kim Kardashian’s crochet skirt, open-toe boots & sheer blouse: tragic or cute?

Here are some photos of Kim Kardashian out and about in LA yesterday. We’re getting to that point in Kim’s post-pregnancy weight loss where she starts to get pap’d regularly in unfortunate outfits. I want to be clear – I think Kim’s body looks fine. I hate when people make fun of her figure, especially since she really, really did not have an easy time with her two pregnancies and she’s been trying to get back on track. But Kim is so g—damn clueless about how to dress her curvy figure. Everything about this ensemble is made of NO. From the crochet skirt (WTF?) to the open-toe dominatrix boots (WTF?) to the boob-cage sheer blouse (UGH), this ensemble is just terrible. I get that she wants to “look cute,” but it’s like she doesn’t realize that there are so many other options for her. Meanwhile, Kim and Khloe were both blogging (on their subscription apps) about sex this week. Kim ended up admitting that she’s a member of the mile-high club and that she’s banged someone (Kanye?) in a movie theater. Just a few hours after her sister blogged about having sex for the very first time, Kim Kardashian decided to talk about love during a Q&A on her website’s livestream. One fan was curious to find out if the reality star is a member of the mile high club. “Am I? Yeah,” Kim shared with her assistant Steph who was reading questions. “But like the private. I don’t think like a public plane…It would have to be an international flight. It was an international, night flight when no one’s like around.” But could that be the craziest place Kim has ever had sex? Not so says the fashion designer. “Like a public movie theatre, yeah.” [From E! News] I would imagine it was Kanye for both, right? Kim and Kanye have always liked going to movies, so what would you do if they were in your movie theater, getting down? I would go and talk to the manager… probably. As for having sex on a private plane… I would imagine that would be fun. And isn’t that the whole point of flying private? Photos courtesy of Fame/Flynet.

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Duchess Kate had a ‘Marilyn Moment’ in Wickstead at the war memorial

Embed from Getty Images I told you guys that this week was going to be full-time Celebwiglet, and here we are. The time difference is affecting when and how we get photos of the Duke and Duchess of Cambridge’s royal tour of India and Bhutan, but these are photos from their second day in India. They wore the same thing as they quickly moved through several events, and while Will and Kate were criticized for bringing too many activities to them (as opposed to going out in the city), I have to say, they are getting out of their luxury-hotel-comfort-zone. For the day-activities, Kate chose to theme-dress in what seems like an almost militaristic-inspired Emilia Wickstead dress with a full skirt. While I think this could have been pretty, the things that bug me the most are the breast pockets. I’ve convinced myself that they’re not even real pockets, they were just added to give a certain look to the dress, and the design bugs me because… well, those faux-pockets just look like breast flaps. Oh, and the dress costs £1,700. Which is sort of ridiculous. As everyone predicted, Kate loathes adding weights to her hems, so of course her full, un-weighted skirt blew up several times during the day. It was particularly inappropriate considering they were making a somber visit to lay a wreath at the India Gate memorial to pay their respects to the 70,000 Indian soldiers who died in WWI. Cool war memorial, would you like to see my duchess-biscuit? You can see those photos here. Oh, and Kate also refused to eat some Indian food that William had made (food he tried himself). The Duchess of Cambridge's dress caught by a gust of wind in New Delhi but did this soldier save her dignity? pic.twitter.com/Qq8lI9g3h6 — Elliot Wagland (@elliotwagland) April 11, 2016 Embed from Getty Images Embed from Getty Images Embed from Getty Images Embed from Getty Images Photos courtesy of Getty.

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Chris Evans isn’t ruling out running for political office: ‘I would never say never’

Captain America fans be damned, I’ve never really been a huge Chris Evans stan. I don’t have a problem with him, it’s just that he sometimes (SOMETIMES) seems like a neurotic whiner. But he’s not like that in his interview with the new issue of Esquire Middle East. He comes across well and almost sort-of Captain America-like. Before now, I had no idea that his uncle is currently serving in the House of Representatives. His uncle is Rep. Mike Capuano. Do they call him “Cap” too?! Anyway, Chris talks about politics and more. Some highlights: Whether he would run for political office: “I would never say never. I’ve always thought it would be nice one day to think about some sort of political pursuit. I’m so proud of my uncle and of anyone who dedicates themselves to helping the progression of society in exacting change for the betterment of mankind. Ultimately, there’s very few things that I consider to be noble and challenging. I know that Washington is a tough place. I have my opinions and maybe later on in life I might try and actually get up on a soap box.” Directing his first movie, Before We Go: “I’d wanted to direct for a long time. It’s just hard to find someone who’s willing to let you direct. I have no training. I’ve never been to any sort of school, so it’s a gamble. It was a situation where we found a script that felt manageable. This was a simple story; it’s two people. It just felt very contained and, not to sound awful, but I aimed a little low, just because I wanted to get my feet wet. I think there’s no shame in that. I didn’t want to bite off more than I could chew the first time out.” What happened as a director: “There were a lot of things I thought I was prepared for that never became a problem, and things I didn’t think would be an issue that ended up being one. So it was very eye opening. But I loved the experience and I want to do it again. I’m trying to aim a little higher in terms of the story and the scope. I feel a little more comfortable behind the camera, and it’s now just about finding the right script. Because the really great scripts are snatched up by the really great directors. So it’s about digging and trying to find the diamond in the rough.” He’ll take more of a break from acting when he has kids: “I would never stop acting completely, because I do love it, but if I was to get married and have kids, I could see myself wanting to be less of a famous actor. The fame thing is the tricky part, especially when you have children, and there is a nice element to the investment in directing. Even the amount of time and passion required for pre- and post-production; you’re with a project intimately for a year. As an actor you’ve got a few months and then you completely forget about it. So I like that connection, and I like that you can be a little more in the shadows but still be part of a profession that you’re in love with.” On ambition: “My big ambition is to not have a big ambition. I know it’s kind of strange but mu goal in life is to practice trying to be present on a daily basis. I think, as people, our consciousness is spread out. We analyze the past, we worry about the future, and it’s all fueled by fear and pain and all these negative things. Even when its good it’s going to be not good in a minute. Then you’re chasing it again. It’s all rooted in time and I think my big ambition is to really practice the ability to quiet my brain a little and just learn how to enjoy the moment.” [From E! News] I didn’t see Before We Go, but I remember that the reviews weren’t bad or anything. He didn’t embarrass himself and he’ll probably be given another opportunity to direct, because Hollywood loves rewarding white guys. I’m just saying… if a black, Asian or Hispanic actor had made the jump to directing and made so little impact with their first film, would they be given another opportunity? As for what he says about possibly running for political office… I actually like that idea. He doesn’t carry around the kind of personal baggage that many “political” actors have – as in, I know less about Chris’s personal life than George Clooney, Ben Affleck, Matt Damon, etc. And I think it’s cute that he’s already planning ahead for when he’s married and has kids. PS… Chris debuted this new clip from Captain America: Civil War at the MTV Movie Awards. Thanks, @ChrisEvans for debuting this EXCLUSIVE clip from #CaptainAmericaCivilWar at the #MovieAwards! https://t.co/pMOcII0hl6 — MTV (@MTV) April 11, 2016 HD outtake of Chris Evans for Esquire Middle East April 2016 Issue. #ChrisEvans #Chris #Evans #EsquireMagazine #Cevans #TeamCevans A photo posted by Chris Evans (@teamcevans) on Apr 2, 2016 at 4:06pm PDT Photos courtesy of Esquire.

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The Walking Dead finale: who met Lucille and who was safe? (spoilers)

Spoilers from last night’s finale of The Walking Dead Last night’s hour and a half finale of The Walking Dead seemed to epitomize all that was wrong with this season. There was a lot of filler and some genuinely tense moments, but it ended on a cliffhanger that left fans frustrated. At the end we got to see Negan, the big bad from the Saviors, played by the incredible Jeffrey Dean Morgan. He was definitely scary but more of a sympathetic character than I was expecting. Negan’s long speech to the crouching Alexandrites made sense to me. I especially liked how he explained that this was retribution for killing his men. “When I sent my people to kill your people for killing my people, you killed more of my people. Not cool.” He also said that he didn’t want to kill them, he just wanted them to work for him, which again sounded reasonable in context. As Morgan explained on Talking Dead afterwards, Rick’s people had killed over 20 Saviors, so Negan selecting just one person to kill was in no way extreme. The ending looked extreme to viewers though, especially when we were given just a few clues as to whom Negan actually killed. I can’t believe producers used that cheap tactic, yet again, after leaving Glenn’s fate up in the air for several episodes earlier this season. During the final scene at first I thought that Negan had selected Carl to kill, but he was actually instructing his men to cut out Carl’s eye and feed it to Rick if anyone tried to stop him. That means that Carl and Rick are safe. Highlight the text below to see speculative spoilers from the comics: In the comics, Glenn meets his end here, but we know that WD producers don’t follow the comics and Glenn was at the end of the line. It looked like Negan selected someone more in the middle. It may have been Abraham, who died earlier in the comics from a crossbow to the head by the Saviors. Denise died on the show in the same way that Abraham died in the comics, so producers may have subbed Abraham’s death for Glenn’s here. The rest of last night’s episode was just ok. I’m beginning to feel sorry for Morgan (the character, played by Lennie James), because his entire story arc with Carol just felt like filler. Morgan’s otherwise interesting backstory took up an entire episode earlier this season when we were waiting to hear what happened to Glenn. (Incidentally, that episode was also written by Scott M. Gimple, who was responsible for this one. Eff that guy.) Carol looked to be mortally injured when we last saw her, but Morgan and Carol coincidentally then ran into a couple of good looking nice guys in padded costumes. That seemed mildly ridiculous to me, like of course they’re going to fix up Carol and they’re going to be allies. Also ridiculous: father Gabriel being put in charge of Alexandria like he’s some trustworthy badass now when he’s always been a sniveling backstabber. As for the fate of Maggie’s pregnancy, I only hope that she doesn’t die. I’m not too concerned either way. Another baby would only be a liability in this universe. During Talking Dead, producer and this episode’s writer Scott Gimple very meekly explained the non-end. “The end of the story is what people saw and when we reveal who was on the receiving end, that’s going to be the start of another story… the effects from that.” He explained that he wanted viewers to feel suspense and terror like the core characters and that “We’re going to deliver you a story next season that justifies it.” Comic creator Robert Kirkman also said that he loved cliffhangers and defended it by saying “The cliffhanger isn’t the story.” He explained that the story was more about Rick’s transformation from being in charge to being beat down. It’s not like this blockbuster show is going to lose viewership if they wrap up lose ends. They don’t need to bait us to get us to watch next season. photos credit: AMC