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The Bachelor Finale Sneak Preview: Ben Proposes to …

Ben Higgins WILL pop the question on The Bachelor season finale Monday. That much is clear. But he's IN LOVE with TWO women, so … Will it be Jojo Fletcher or Lauren Bushnell getting asked?! The Bachelor spoilers shed light on that if you care for that insight. If not, man, the preview below is a feast for the overly-edited senses! “I’m sitting here on a bathroom floor," Ben tells one of his two finalists around the halfway point. "And … I love you. I’m in love with you.” “But do you love her too?” she asks. “Yes.” Oh s–t, this is about to get REAL. When Ben says he put his fiancee through hell, we now understand a little bit more about what he means … as she has to watch this. In order to fully invest himself in one of these two AMAZING women, Ben brilliantly observes, he will have to say goodbye to the other. How will he handle that? Not well, it looks like. He is a lost man right now, he assures us, unaware of what comes next or how to react. The fallout could be epic. Not just for the drama of who Ben Higgins will choose, or how the woman whose heart he breaks will respond. It can't be easy to hear that he was falling just as hard for someone else, and some fans have theorized that his engagement is in peril. That's just conjecture, however. The show's track record is so poor, we would not assume any happily-ever-after scenarios, but we wouldn't rule them out. Not yet anyway. What we can tell you is that this is a man fighting back tears when he talks about the woman he DOES plan to propose to, and … wow. Is it dusty in here now too?! Check out the preview for Monday's season-ender below and tell us: Team Lauren or Team Jojo? And will Ben and the winner last?

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Fuller House Teaser: Go Behind the Scenes!

As previously detailed, the cast of Full House has come a long way. You can click on the link above to see what we mean, but you can also take a look at the video below. Netflix has released a new trailer for Fuller House, though this one is unlike past Fuller House previews. Instead of showing fans upcoming footage from the wildly anticipated Full House spinoff, it takes us behind the scenes with various cast members with whom we've literally grown up. "Fuller House carries the same emotional, loving, family tone through the show that the original did," Candace Cameron Bure (DJ Tanner-Fuller) says in the featurette. "It's crazy to be back here again!" The Netflix series will drop on February 26 and will center on a newly-widowed DJ Tanner. She's the single mother of three boys and she relies on the help of her sister, Stephanie and her fellow single mom/best friend, Kimmy Gibbler, for parental guidance and support. All three women live in the Tanners' childhood home in San Francisco. "We are a family and have been since we started doing the show 28 years ago," says Jodie Sweetin. "[The plot] is sort of the reverse: It's now three women raising these three boys." Look for appearances by familiar/beloved faces such as John Stamos and Bob Saget and, yes, prepare to have mercy. Go behind the scenes with the cast of Fuller House now:

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Charlotte Rampling: The #OscarsSoWhite debacle is ‘racist to whites’

Charlotte Rampling got a “surprise” Oscar nomination for her film 45 Years. I still haven’t seen it, although the reviews for Charlotte in particular are wonderful. Rampling was snubbed for nominations at many awards shows (including the BAFTAs), but the Academy showed her some love… at the same time they were actively snubbing artists of color. So when Charlotte was doing a French radio interview this week, she was asked about the growing controversy of #OscarsSoWhite. And Rampling showed off why she’s so popular with the over-60, overwhelmingly white Academy voters. Oscar nominee Charlotte Rampling has claimed the current campaign to boycott the 2016 Academy Awards over claims of a diversity deficit is racist to white people. Asked for her take on the current furore over all-white lists of nominees on French Radio network Europe 1 on Friday morning, the British actor did not mince her words. “It is racist to whites,” she said. “One can never really know, but perhaps the black actors did not deserve to make the final list,” added Rampling. Asked if the Academy of Motion Picture Arts and Sciences should introduce quotas, a proposal which no current advocate of increased diversity has mooted, she responded: “Why classify people? These days everyone is more or less accepted … People will always say: ‘Him, he’s less handsome’; ‘Him, he’s too black’; ‘He is too white’ … someone will always be saying ‘You are too’ [this or that] … But do we have to take from this that there should be lots of minorities everywhere?” When the interviewer explains that black members of the film industry feel like a minority, Rampling replies: “No comment.” [From The Guardian] We can all shake our heads and roll our eyes, but HAND TO GOD, this is honestly how many Academy voters feel. And I’d just like to point out how sad/hilarious/insensitive it is for an old white Englishwoman to claim that white people are the victims of racism. It would be like Winston Churchill claiming Indians were racist against him. When a group that has historically been the oppressor of other races suddenly claims to be the victim of racism? It’s almost magical. An angel just got his wings. Photos courtesy of WENN.

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Cheryl Boone Isaacs calls for more diversity within the Academy’s voting blocs

As we discussed earlier, Chris Rock is currently feeling the pressure to possibly pull out of hosting the Academy Awards. Also feeling pressure? Cheryl Boone Isaacs, the president of the Academy and an African-American woman (the first African-American woman to hold that position). Cheryl was openly critical of her organization last year when the #OscarsSoWhite debacle first broke, but now it’s the second year in a row with no actors of color up for any awards and with all of the Best Picture nominees being films about white people. Boone Isaacs released a statement last night about the ongoing controversy: “I’d like to acknowledge the wonderful work of this year’s nominees. While we celebrate their extraordinary achievements, I am both heartbroken and frustrated about the lack of inclusion. This is a difficult but important conversation, and it’s time for big changes. The Academy is taking dramatic steps to alter the makeup of our membership. In the coming days and weeks we will conduct a review of our membership recruitment in order to bring about much-needed diversity in our 2016 class and beyond. As many of you know, we have implemented changes to diversify our membership in the last four years. But the change is not coming as fast as we would like. We need to do more, and better and more quickly. “This isn’t unprecedented for the Academy. In the ‘60s and ‘70s it was about recruiting younger members to stay vital and relevant. In 2016, the mandate is inclusion in all of its facets: gender, race, ethnicity and sexual orientation. We recognize the very real concerns of our community, and I so appreciate all of you who have reached out to me in our effort to move forward together.” [From USA Today] My thought: she’s doing what she can do. She’s not in charge of who gets hired for what project, and she’s not the face of diversity at a studio level. But she can change the makeup of the Academy voters and she can change the way minorities are represented within the Academy. I would also make a suggestion that Boone Isaacs put her finger on the scale about some things, and actively participate in some Oscar campaigns for more diverse films, like she could host Academy screenings for films that are more diverse and give those films the stamp of approval, you know? Meanwhile, David Oyelowo presented Boone Isaacs with an award yesterday for MLK Day. Oyelowo was notably snubbed for an Oscar last year for his work as Martin Luther King Jr. in Selma, and he had harsh words about the Academy (not really Boone Isaacs specifically). Some highlights: “The Academy has a problem. It’s a problem that needs to be solved. A year ago, I did a film called Selma, and after the Academy Awards, Cheryl invited me to her office to talk about what went wrong then. We had a deep and meaningful [conversation]. For 20 opportunities to celebrate actors of color, actresses of color, to be missed last year is one thing; for that to happen again this year is unforgivable… The reason why the Oscars are so important is because it is the zenith, it is the epitome, it is the height of celebration of artistic endeavor within the filmmaking community. We grow up aspiring, dreaming, longing to be accepted into that august establishment because it is the height of excellence. I would like to walk away and say it doesn’t matter, but it does, because that acknowledgement changes the trajectory of your life, your career, and the culture of the world we live in… This institution doesn’t reflect its president and it doesn’t reflect this room. I am an Academy member and it doesn’t reflect me, and it doesn’t reflect this nation.” [From The Hollywood Reporter] That made my chest hurt. David really did want an Oscar nomination. Despite what people say, everyone really does want the nomination. They want to be acknowledged by the most prestigious film organization in the world. They want to feel like their voice, their art, their story is being represented. And for a second year in a row, they were told to suck it. Embed from Getty Images Photos courtesy of Getty, WENN.