costume

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Olivia Wilde on ‘Vinyl’ fashion: ‘People in the ’70s apparently didn’t have hips’

The last time we talked about Olivia Wilde she was discussing the merkin (pubic wig) which she has to wear for nude scenes on her HBO show, Vinyl, set in the 1970s. I was surprised at how many of you had strong feelings about that issue, particularly Olivia’s embarrassment at having a hirsute nether region, even temporarily. I don’t think she was saying that hair down there is hideous, just that she prefers more grooming in that area. To each their own. Some people like their hair long, some like it short. Now Olivia is discussing the fashion on Vinyl, specifically the real vintage clothing they wear. She’s representing H&M’s conscious collection, so that’s part of the reason she’s talking about this issue as well. “I’ll walk around with the wardrobe assistant saying, ‘I want that one, I want that one.’ I really have been so inspired by all the wardrobe across the board,” Wilde told PeopleStyle at the H&M Conscious Exclusive 2016 Collection event in N.Y.C., adding that not all looks work on her: “I can’t fit into any of the pants because people in the ’70s apparently just didn’t have hips. I guess that’s all the hormones in our food, but I don’t understand it. You pick up the jeans and they’re straight — there’s no butt and there’s no hips. They’re for a straight body.” The actress added that there’s also a 2016 pants trend she has trouble pulling off: Boyfriend jeans. “I try to wear the trend, but it always looks terrible, because I have really short legs,” she shared. “Almost everything we wear on the show is real vintage. And that’s a lot of effort on the part of our designer and on the part of the team,” she shared. “We have a whole kind of workshop to take real vintage items and fix them — because when you buy vintage you sometimes have to do a little bit of tailoring and cleaning. We should just be buying things that already exist as oppose to trying to mass produce everything new. Plus, it’s fun to buy things that have a story so that you can say this is a vintage Halston, a piece that has been around.” Wilde has also been going to vintage shops since she was 12, so she’s now a pro at repairing old clothes. “Now I know what to look for and know what to do when I see something that’s messed up. You can buy it, take it to a seamstress and it’s not that expensive fix it, clean it,” she shared. “It’s much cooler to have something that has history than to just buy something new.” Her passion for recycling old clothes makes her the perfect person to partner with H&M on its latest Conscious collection, hitting stores Thursday. Wilde starred in the campaign last year, and this year she’s continuing to spread the brand’s message of eco-friendly fashion. “We think that we’re going to sacrifice style in order to be sustainable, and that’s not true as this collection proves,” Wilde said. “That’s what I love about what H&M’s done this year and last year. They are really good at showing that you can wear a piece that doesn’t necessarily scream sustainability, but just happens to be taking advantage of this new innovation that they’re investing in. I think they’re very smart about the whole process and pioneers within this movement, which I didn’t necessarily know before. I think I connected H&M with my idea of what fast fashion meant to the world. I didn’t realize how much work they were putting in to changing that.” [From People] While it’s true that people in the 70s were smaller than they are now, I think that saying that they didn’t have hips is like saying women in the 50s had pointy boobs. Straight legs were just the style. Plus when you’re talking about vintage fashion, the stuff that’s left is whatever people haven’t bought yet so of course it’s the outlier sizes. I haven’t watched this show yet but I have to say that I love the vintage fashion on The Americans especially. It’s set in the early 80s and their coat p0rn is amazing. I recently read a book by a costume designer for television called How to Get Dressed. The author, Alison Freer, says that fit is key to looking polished, not following trends. She emphasizes tailoring, which is exactly what Wilde is saying here about shopping second hand. You can really see the work that goes into the clothing on television and that book gave me a newfound appreciation for thrift shopping. It must be a blast to get to dressed up in period fashion for your job. As long as it’s not a merkin. Embed from Getty Images photos credit: WENN.com, FameFlynet, Getty and Pacific Coast News

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Mads Mikkelsen in his villain costume for ‘Doctor Strange’: would you hit it?

On Sunday, we covered the first photos we had of Benedict Cumberbatch and Chiwetel Ejiofor filming Doctor Strange in NYC. It felt like the collective reaction to the pics was “meh,” which is sad because Doctor Strange is sort of a big deal in the Marvel universe. Meaning, Marvel put a lot of time and money into finding the right Doctor Strange, and they’ve already been filming it for months, at a likely exorbitant cost. The film comes out in November and Marvel really, really needs people to be excited about it. I fear all the Marvel nerds are more geared up for Captain America: Civil War. But maybe they’ll excited about Strange whenever we get a trailer. Anyway, these are more photos from the set. They filmed throughout the weekend and it looked like the same sequence, something involving Chiwetel and Benedict running around pretending to shoot magical beams of Strange Magic. We also got some photos of Mads Mikkelsen, who is reportedly playing the villain or a villain. Check out his crazy eye makeup! So, between Mads, Benedict and Chiwetel, who would you rather? That’s such a tough call, isn’t it? How about Marry, Screw, Kill: Chiwetel, Bendy and Mads. Marry Chiwetel. Screw Bendy. And kill Mads? Also – Sophie Hunter was seen on the New York set of Strange – go here to see photos. There are also some photos of Sophie, Benedict and baby Christopher walking around New York this weekend – go here to see. Photos courtesy of Pacific Coast News, Fame/Flynet.

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The Walking Dead finale: who met Lucille and who was safe? (spoilers)

Spoilers from last night’s finale of The Walking Dead Last night’s hour and a half finale of The Walking Dead seemed to epitomize all that was wrong with this season. There was a lot of filler and some genuinely tense moments, but it ended on a cliffhanger that left fans frustrated. At the end we got to see Negan, the big bad from the Saviors, played by the incredible Jeffrey Dean Morgan. He was definitely scary but more of a sympathetic character than I was expecting. Negan’s long speech to the crouching Alexandrites made sense to me. I especially liked how he explained that this was retribution for killing his men. “When I sent my people to kill your people for killing my people, you killed more of my people. Not cool.” He also said that he didn’t want to kill them, he just wanted them to work for him, which again sounded reasonable in context. As Morgan explained on Talking Dead afterwards, Rick’s people had killed over 20 Saviors, so Negan selecting just one person to kill was in no way extreme. The ending looked extreme to viewers though, especially when we were given just a few clues as to whom Negan actually killed. I can’t believe producers used that cheap tactic, yet again, after leaving Glenn’s fate up in the air for several episodes earlier this season. During the final scene at first I thought that Negan had selected Carl to kill, but he was actually instructing his men to cut out Carl’s eye and feed it to Rick if anyone tried to stop him. That means that Carl and Rick are safe. Highlight the text below to see speculative spoilers from the comics: In the comics, Glenn meets his end here, but we know that WD producers don’t follow the comics and Glenn was at the end of the line. It looked like Negan selected someone more in the middle. It may have been Abraham, who died earlier in the comics from a crossbow to the head by the Saviors. Denise died on the show in the same way that Abraham died in the comics, so producers may have subbed Abraham’s death for Glenn’s here. The rest of last night’s episode was just ok. I’m beginning to feel sorry for Morgan (the character, played by Lennie James), because his entire story arc with Carol just felt like filler. Morgan’s otherwise interesting backstory took up an entire episode earlier this season when we were waiting to hear what happened to Glenn. (Incidentally, that episode was also written by Scott M. Gimple, who was responsible for this one. Eff that guy.) Carol looked to be mortally injured when we last saw her, but Morgan and Carol coincidentally then ran into a couple of good looking nice guys in padded costumes. That seemed mildly ridiculous to me, like of course they’re going to fix up Carol and they’re going to be allies. Also ridiculous: father Gabriel being put in charge of Alexandria like he’s some trustworthy badass now when he’s always been a sniveling backstabber. As for the fate of Maggie’s pregnancy, I only hope that she doesn’t die. I’m not too concerned either way. Another baby would only be a liability in this universe. During Talking Dead, producer and this episode’s writer Scott Gimple very meekly explained the non-end. “The end of the story is what people saw and when we reveal who was on the receiving end, that’s going to be the start of another story… the effects from that.” He explained that he wanted viewers to feel suspense and terror like the core characters and that “We’re going to deliver you a story next season that justifies it.” Comic creator Robert Kirkman also said that he loved cliffhangers and defended it by saying “The cliffhanger isn’t the story.” He explained that the story was more about Rick’s transformation from being in charge to being beat down. It’s not like this blockbuster show is going to lose viewership if they wrap up lose ends. They don’t need to bait us to get us to watch next season. photos credit: AMC

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Why didn’t people clap for Mad Max costume designer Jenny Beavan?

Embed from Getty Images Jenny Beavan took the home the Oscar for Best Costume Design for Mad Max: Fury Road last Sunday. As soon as she hit the stage, my girlfriend in New York shot out a group email saying, “How bad@ss is it the Best Costume Designer is wearing a leather jacket?” We all sent back cyber fist bumps. Apparently, the glitterati of Hollywood did not share our enthusiasm. As Jenny walked victorious to the stage, a number of high ranking entertainment industry folks either looked dismayed or withheld applause. The soon-to-be Best Director Alejandro Iñárritu even folded his arms across his chest. The question is, were his actions sour grapes that his designer for the The Revenant lost or did all the haut monde feel Jenny was too casual for their fancy dress party: What gives? Some of Hollywood’s biggest talents refused to clap for Mad Max: Fury Road costume designer Jenny Beavan on Sunday, February 28, as she walked up to the Dolby Theatre stage to accept her Academy Award — and the reason why they didn’t applaud her is even worse. Beavan broke away from the Oscars’ traditional dress code at the 88th awards ceremony, proudly grinning and walking down the aisle in a leather jacket (complete with a studded skull on the back) and a striped scarf. As she walked by, several audience members glowered and gave her judgmental looks. Four-time-Oscar-winning director Alejandro Iñárritu crossed his arms and glared, while Spotlight director Tom McCarthy touched his face with a confused expression. Other members of the audience were seen giggling and smiling before raising their hands to belatedly clap for the recipient. [From Us Weekly] This jacket is looking to take down Awards Season. This is the same jacket, minus the bedazzled Skull of Awesome, Jenny wore to the BAFTAs when Stephen Fry joked, “Only one of the great cinematic costume designers would come to an awards ceremony dressed as a bag lady,” after she’d won for Max. Twitter attacked him and he quit Twitter saying, “Will all you sanctimonious f****** f*** the f*** off Jenny Beavan is a friend and joshing is legitimate. Christ I want to leave the planet.” After the BAFTAs, Jenny said she wasn’t comfortable in a gown and her bad back prohibited heels. Then she quipped, “… This was a homage to Mad Max and I obviously didn’t get it quite right at the Baftas, the scarf was meant to be an oil rag.” The best news? The jacket is not only faux-leather but currently on sale at Marks and Spencer for about $60. I am not saying Oscar fashion isn’t important; I salivate over the gowns and rush to read the commentary on this website as quickly as you do. But Jenny wasn’t asked to present, she wasn’t loaned a gown or even interviewed on the red carpet; she had the luxury to wear something more comfortable. Fellow nominee Sandy Powell made a statement with a David Bowie inspired suit and all that got her was Juliana Ranic and Kris Jenner misidentifying her as Tilda Swinton. Designer Jacqueline Durran wore a long denim tied-front jacket to accept her Oscar in 2013 and in 1995 Lizzy Gardiner infamously wore a dress made of American Express Gold cards. Sure Jenny could have paired her jacket with silk palazzos but I stick with my girlfriend’s original assessment – it was bad@ss. Embed from Getty Images Embed from Getty Images Embed from Getty Images Photo Credit: Getty Images and WENN Photos